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One More River (1)

21 Wednesday Dec 2016

Posted by Ollamh in Artists and Illustrators, Imaginary History, J.R.R. Tolkien, Maps, Narrative Methods

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Alan Lee, Beorn, Bilbo, bog people, Bombur, Boromir, bridges, causeways, drowsiness, Dwarves, Esgaroth, Great East Road, Greyflood, Gwathlo, Hobbiton-across-the-water, Lethe, Middle-earth, Mirkwood, Rammas Echor, Rivendell, river-crossing puzzle, Roman Roads, Tharbad, The Atlas of Middle-Earth, The Hobbit, The Lord of the Rings, Tolkien, Tollund Man

Welcome, dear readers. Here we are again in Middle-earth, as so often we’ve been over the last couple of years, but, as we said in our last post, one reason why we revere JRRT and his work is that it’s so rich—it seems like one can open it to any page and there is something new to explore. In this post, we began with an odd little detail, just something said almost in passing by Boromir:

“A long and wearisome journey. Four hundred leagues I reckoned it, and it took me many months, for I lost my horse at Tharbad, at the fording of the Greyflood.” (The Fellowship of the Ring, Book 2, Chapter VIII, “Farewell to Lorien”)

Tharbad, we knew from the Companion, was once a river port on the Gwathlo, Boromir’s “Greyflood”. Here’s a description from the extremely helpful introductory section of the Companion called “The Maps of The Lord of the Rings”:

“…with long labour a port capable of receiving seagoing vessels had been made at Tharbad, and a fort raised there on great earthworks on both sides of the river, to guard the once famed Bridge of Tharbad” (lxv)

This “once-famed” bridge was clearly long-gone by the time, at the end of the Third Age, when Boromir reached the river it had once offered passage over, for all of the work done once upon a time, including long causeways—raised approach roads above boggy ground—here’s a Roman example from northern Spain with causeway and bridge—

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“But in the days of The Lord of the Rings the region had become ruinous and lapsed into its primitive state: a slow wide river running through a network of swamps, pools and eyots [little islands]: the haunt of hosts of swans and other water-birds.” (from a letter of 30 June, 1969, to Paul Bibire, quoted in Companion, 650)

JRRT appears to have left no description of the bridge itself, but we imagine it as looking rather like a Roman one (as JRRT could have seen pictures of surviving ones like this in Portugal

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or this in Rome.

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Unlike much of the rest of the Roman world, no Roman bridge survives in Britain—only the remains of piers, ramps, and approaches–so we’re assuming that, if he were at all influenced by Roman architecture—and that’s an absolute assumption on our part, we admit, but certainly things like Hadrian’s Wall seem to have been an inspiration—see our earlier posting on the Rammas Echor—it was through photographs.)

This mention, however, sparked us to think about the crossing of bodies of water, both in The Hobbit and in The Lord of the Rings, just how many there were, and the kinds of events which happened at them.

Bilbo’s Bag End, of course, is just down the road from The Water and its mill, as depicted by Tolkien himself.

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When he sets off with the dwarves, however, there is little incident involved in running water at first. The party has to cross a river, “swollen with the rains, [which] came rushing down from the hills and mountains in the north.” (The Hobbit, Chapter 2, “Roast Mutton”) They cross this by “an ancient stone bridge” (perhaps like this one at Carrbridge, in Scotland?)

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but, somehow, they can’t escape the river, as, during the night, “…one of the ponies took fright at nothing and bolted. He got into the river before they could catch him; and before they could get him out again, Fili and Kili were nearly drowned, and all the baggage that he carried was washed away off him.” (The Hobbit, Chapter 2, “Roast Mutton”). So far, when it comes to running water, for all that there was a bridge, it seems difficult for the dwarves to stay out of it.

Their second adventure with water is more successful, when they cross the bridge at Rivendell, which we have discussed in a posting on Rivendell architecture, so, for this one, we’ll simply add Tolkien’s illustration of Rivendell, plus a real favorite, Alan Lee’s of the bridge.

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Beyond Rivendell, it’s into the mountains (literally, when they are pulled into the world of the goblins by a secret door) and, when they come out, their next water barrier is surmounted for them when they’re rescued by eagles and flown to the other side of the northern Anduin.

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If they had simply taken the Great East Road (as we presume Bilbo and Gandalf did on the way back), they would have found a ford where the road runs eastward into the Old Forest Road. (see Karen Wynn Fonstad, The Atlas of Middle-earth, 80-81, for a larger view).

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The real problem with a crossing comes at the next water course. They had plunged into Mirkwood

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and come up across a stream (in fact, the Enchanted River, although they didn’t know it). During their leave-taking at Beorn’s, he had warned them about it:

“There is one stream there, I know, black and strong which crosses the path. That you should neither drink of, nor bathe in; for I have heard that it carries enchantment and a great drowsiness and forgetfulness.” (The Hobbit, Chapter 7, “Queer Lodgings”)

As people with a background in Greek and Roman mythology, we immediately thought of Lethe, the name of which comes from a Greek verb which means “to escape notice/be hidden—therefore, to forget”.

It was one of the rivers of the Underworld and, if you drank from it, you lost all memory of your past. In that part of classical religion which believed in reincarnation, it was one step on the way to returning to earth.

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Here in Mirkwood, however, the point is to avoid drinking, or even touching, it. The difficulty, of course, is that, if you can’t touch it, how do you get across it, especially when:

“There had been a bridge of wood across, but it had rotted and fallen leaving only the broken posts near the bank.” (The Hobbit, Chapter 8, “Flies and Spiders”)

Providentially, there is a boat drawn up on the opposite shore and we’ve always been reminded here of what is called a “river-crossing puzzle”. There are many variations, but the earliest currently known dates from the 9th century AD, and is found in Propositiones ad Acuendos Juvenes (maybe something like “Puzzles for Sharpening [the Minds of] Young Folk”—which makes it sound rather Victorian). We provide links here for: River crossing puzzle, Fox, goose and bag of beans puzzle, and Propositiones ad Acuendos Juvenes, for anyone interested to learn more.

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In the case of the dwarves, the math goes awry when the largest of them, Bombur, accidentally falls into the water and becomes comatose.

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(And this Alan Lee drawing oddly reminds us of “bog people”—that is, the bodies of people, the earliest being from 8000BC, a majority being Iron Age, found in peat bogs throughout northern Europe. Because of the conditions in bogs, some have been amazingly preserved, such as “Tollund Man”—here

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He eventually awakes, long before the party’s next river, which acts as a moat to the caves of the Elf king of Mirkwood.

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This has a bridge, across which, at various times, Thorin, the dwarves, and Bilbo (wearing the Ring) go.

It is the next bit of water, however, which bears the greater interest. This is the underground stream which comes up in the cave where the elves store empty wine barrels to return to the men of Esgaroth. And this, the dwarves and Bilbo don’t cross, but ride down, packed in (or perched on) those empty barrels.

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This leads us to the last body of water: the Long Lake, on which Esgaroth stands. From here, the people of Lake Town convey them back north to a landing place from which they will start out for the Lonely Mountain and the climax of their quest.17imageesgaroth.jpg

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And here we’ll end our quest for water-crossings for this posting, to be continued with one on The Lord of the Rings in our next—along with all of those extras which we can’t help adding, from medieval puzzles to peat bog people.

Thanks, as always, for reading!

MTCIDC

CD

ps

If you celebrate this time of year for any reason, may your celebration be a happy one! We mostly dream of toys…

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Ugluk Was Here

14 Wednesday Dec 2016

Posted by Ollamh in Artists and Illustrators, J.R.R. Tolkien, Language, Literary History, Military History

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Alan Lee, Alfred Waud, American Civil War, Angus McBride, Argonath, Belgium, Black Speech, cemeteries, Confederate, Egyptian monuments, First Virginia Cavalry, graffiti, Great War, Greek mercenaries, Greeks, Hildebrandt, John Howe, Journey to the Cross-roads, Kilroy, Kilroy was here, Literacy, Napoleon I, Orcs, Pompeii, quarry at Naours, Sauron, The Lord of the Rings, Tolkien, Union, Virginia, World War I, World War II

Welcome, dear readers, as always.

One of our reasons for holding Tolkien’s work in such high esteem is that it’s so rich: practicing Sortes Tolkienses (see our earlier posting on this), we find innumerable subjects to write about.

In this posting, our eye was caught by this:

“The brief glow feel upon a huge sitting figure, still and solemn as the great stone kings of Argonath. The years had gnawed it, and violent hands had maimed it. Its head was gone, and in its place was set in mockery a round rough-hewn stone, rudely painted by savage hands in the likeness of a grinning face with one large red eye in the midst of its forehead. Upon its knees and mighty chair, and all about the pedestal, were idle scrawls mixed with the foul symbols that the maggot-folk of Mordor used.” (The Two Towers, Book 4, Chapter 7, “Journey to the Cross-roads”)

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We had the feeling that we’d seen a statue something like this before—and we were curious whether JRRT had, too, and with a little mental rooting-around, we found this:

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It’s Egyptian (13th century BC), and has a head, but, not only is it monumental, and seated, but it has lots of “idle scrawls” on the bases and lower parts of its legs.

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What’s particularly interesting to us is that one piece of the graffiti is actually from some Greek mercenaries c. 600bc

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As long as there has been a certain level of literacy, of course, there has been graffiti. The walls of ancient Pompeii (sealed in by the eruption of 79AD) are loaded with everything from election posters to the admiration of gladiators to personal insults.

gladiatorialstats.JPG

There’s so much, in fact, that this is our favorite:

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A translation of this might be: “I wonder/am in awe, wall, that, you, who are holding up so much boring writing, haven’t fallen down!”

Soldiers, in particular, seem prone to leaving messages behind—beginning with those 7th-c Greeks, but continuing throughout the centuries. When Napoleon I led an expedition to Egypt in 1798,

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his soldiers left their mark in more ways than one upon the landscape.

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Recently discovered in a house in Virginia was a large collection of inscriptions from the soldiers, Union and Confederate, of the American Civil War.

Graffiti-House.jpg Graffiti House Wall and Chair.jpg unionsoldier.jpgAlfred R. Waudfirstva.jpg

(An irresistible footnote: the picture you see of the Confederate cavalry—actually the 1st Virginia—was made by one of the greatest Civil War artists, Alfred Waud (pronounced “woad”). He had been briefly detained by this unit and took the opportunity to sketch them from life. His sketch—with his notes—then went to his publisher in New York, who had a group of engravers ready to turn his sketch into a finished—and publishable—picture.1st-virginia-cavalry-halted-based-on-sketch-by-waud-harpers-sept-27-1862.jpg

For more on the process by which a sketch becomes a magazine illustration, see this link.)

Another recent discovery was a mass of inscriptions (something like 2000 of them) in an abandoned quarry at Naours, in northern France.

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These date from the Great War (World War I) and, in a sad way, parallel the epitaphs on the seemingly-endless graves in the seemingly endless military cemeteries in the same region and in southern Belgium.

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And World War II brought us Kilroy, of the famous (and ubiquitous) “Kilroy was here”.

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American prankster soldiers doodled this everywhere they went.

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We have written previously about literacy in Middle-earth: not uncommon among hobbits, it would seem, but much less so among the other peoples. As for orcs, be they Hildebrandt

captured_by_orcs.jpg

Mcbride,

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Howe

John Howe - Merry et Pippin prisonniers des orcs.jpg

Or Lee,

Alan Lee - Orcs (1).jpg

although the Black Speech was created for them and Sauron’s other creatures, we have no evidence (except for the Ring inscription) of any use of it as a writing tool by any of them.

Which leaves us free to imagine just what those “idle scrawls” might read like. How about:

LUGDUSH SMELLS LIKE MAN FLESH!

LAGDUF + MUZGASH = CLUELESS AND SHIRTLESS!

GORBAG LOVES SHELOB

SHAGRAT IS A SNAGA!

And, of course:

UGLUK WAS HERE

Thanks for reading! (And why not submit your own graffiti? We’d be glad to add them to our list!)

MTCIDC

CD

To the Elves for Counsel

07 Wednesday Dec 2016

Posted by Ollamh in Fairy Tales and Myths, J.R.R. Tolkien, Literary History, Narrative Methods

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advised by elves, Aelfraed, Aethelwulf, Alaric Hall, Alfred, Alfred of Wessex, Alfred the Great, Anglo-Saxon, Aragorn, Boudicca, council, Counseling the Scippigraed, Danish invaders, Elder Days, Elves, Elves in Anglo-Saxon England, Frodo, Galadriel, Gildor Inglorion, Grey Havens, Hamo Thornycroft, Hobbits, Mirror of Galadriel, Morgul Knife, Shire, statue, T. A. Shippey, The Council of Elrond, The Lord of the Rings, Tolkien, Tolkien in the New Century, Tom Shippey, With Faerstice

Welcome, dear readers, as ever. In this posting, our attention was caught by the first paragraph of an article in Tolkien in the New Century: Essays in Honor of Tom Shippey (McFarland, 2014). The article, entitled, “Counseling the Scippigraed: How T.A. Shippey Taught Us to Read”, by John R. Holmes, begins:

“The Christening of Alfred Aetheling of Wessex in 849 may have played a role in his greatness. Alfred’s father, Aethelwulf, had wanted to establish his own name-prefix, Aethel, which means (more or less) “noble,” as the sign of the royal line: he gave it to his first four sons and a daughter. By the time his sixth child came along, however—his fifth son—there didn’t seem to be any point in giving him the Aethel- prefix, since there seemed to be no reasonable chance this infant could ever become king. But wishing the lad wisdom and happiness, Aethelwulf named him Aelfraed, “advised by elves.” While we have no historical proof that Alfred actually received counsel from elves, there is no evidence to the contrary, and the boy certainly prospered as if he had. Alfred, Elf-counsel, not only outlasted four older brothers to become king, but also would be the only English monarch known to history as “The Great”. “ (11)

Alfred, king of Wessex from 871-899, was perhaps the most distinguished ruler of pre-Norman England. Against heavy odds, he eventually stabilized Wessex against a powerful wave of Danish invaders

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and even forced the second Danish leader both into a treaty and into conversion to Christianity. As well, he was active in promoting Anglo-Saxon intellectuality and the rise of a vernacular literature.

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(this statue, from 1901, by the way, was done by Hamo Thornycroft, the son of the man who did the famous Boudicca plus chariot statue on the Thames embankment—erected 1902, but created much earlier–)

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For us, however, what was interesting was none of this, but rather the idea that it might be possible for someone in the 9th century AD to have the kind of contact with elves we see in The Lord of the Rings.

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We have always imagined Elves as belonging to the Elder Days and that, eventually, like Elrond and Galadriel, they had all traveled to the Grey Havens and taken ship for the West.

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Suppose, however, we said to ourselves, that, as JRRT suggests about hobbits, Elves continued to exist, even down into actual historical times:

“Hobbits are an unobtrusive but very ancient people, more numerous formerly than they are today…They do not and did not understand or like machines more complicated that a forge-bellows, a water-mill, or a hand-loom, though they were skillful with tools. Even in ancient days they were, as a rule, shy of ‘the Big Folk’, as they call us, and now they avoid us with dismay and are becoming hard to find. (The Lord of the Rings, “Prologue”)

Of elves, the actual Anglo-Saxon people of the period don’t appear to have much good to say, in fact. The 11th-century recipe, called the With Faerstice (“Against a Stabbing Pain”), suggests that elves were dangerous and, should they attack you, it required serious medical treatment, including what looks like a magic spell, to cure you of the wound, which was made by something which reminded us of the tip of the Morgul Knife broken off in Frodo’s wound.

morgulknife.jpg

Even in Middle-earth, Elves aren’t considered to be the most direct of people, however, as Frodo quotes:

“ And it is also said…’Go not to the Elves for counsel, for they will say both no and yes.’ “

And yet, in this scene, from The Fellowship of the Ring, Book 1, Chapter 3, “Three is Company”, in which Frodo, Sam, and Pippin fall into the company of Elves,

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their leader, Gildor Inglorion, does offer advice and the way he frames it might provide us with a model for how Alfred could have been counseled.

To begin, we might picture the elves as being unimaginably older than the Anglo-Saxons, and, with that age, having a longer view of things. As Gildor says to Frodo, when Frodo says, “I knew that danger lay ahead, of course; but I did not expect to meet it in our own Shire.”:

“But it is not your own Shire…Others dwelt here before hobbits were; and others will dwell here again when hobbits are no more. The wide world is all about you: you can fence yourselves in, but you cannot for ever fence it out.”

Great age, then, can lend great perspective. When you’ve lived as long as the Elves, you have seen much more of change within time, and what concerns them might be very different from what engages humans, as Gildor tells Frodo:

“The Elves have their own labours and their own sorrows, and they are little concerned with the ways of hobbits, or of any other creatures upon earth. Our paths cross theirs seldom, by chance or purpose.”

So what would be the kind of raed (“advice/counsel”) which the elves would have given Alfred? we asked ourselves. It’s easy to imagine his approach: often, particularly in the early years of his kingship, Alfred was faced with defeat. The Danes were numerous, powerful, and unscrupulous, once even killing hostages after swearing to a peace agreement. His question might then have been: how can I beat the Danes and regain my kingdom?

The elves would have been cautious, of course. Gildor says:

“Elves seldom give unguarded advice, for advice is a dangerous gift, even from the wise to the wise, and all courses may run ill.”

This is spoken by someone who has many centuries of experience behind him, as would an elf advising Alfred. Time and its changes had clearly taught the Elves both caution and patience and we imagine that those two elements would have been the basis of a reply—and, in fact, it appears to have been Alfred’s method, as we learn from the first biography, by Bishop Asser, a contemporary, who was asked by Alfred to join his court. Rather than seek victory in one climactic battle, had that been possible, Alfred attacked the problem from multiple angles, doing things which not only contributed to the Danish defeat (and to the defeat of a subsequent invasion), but also strengthened the kingdom in general, changing and improving the tax and military systems, building the first English navy, as well as producing a law code and encouraging education in Anglo-Saxon. This method brought peace and stability to Wessex (much of southern England), but did so over the period of twenty years or more, suggesting to us that the counsel of elves had surely been at work.

When we picture the scene of Alfred receiving the elves’ advice, we think of this Hildebrandt painting of Galadriel and Aragorn.

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And perhaps those elves said the same thing to Alfred which Galadriel said to Frodo before her mirror:

“ ‘Do you advise me to look?’ asked Frodo.

‘No,’ she said, ‘I do not counsel you one way or the other. I am not a counsellor. You may learn something, and whether what you see be fair or evil, that may be profitable, and yet it may not. Seeing is both good and perilous. Yet I think, Frodo, that you have courage and wisdom enough for the venture, or I would not have brought you here. Do as you will!’ “ ( The Fellowship of the Ring, Book 2, Chapter 7, “The Mirror of Galadriel”)

In Alfred’s case, he would have been brave and wise enough, and therefore has come down to us both as “Alfred the Great” and as “Alfred Elf-counsel”.

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Thanks, as always, for reading.

MTCIDC

CD

PS

If you are interested in knowing more about Anglo-Saxon attitudes about elves, we very much recommend Alaric Hall’s Elves in Anglo-Saxon England which is, miraculously, available for free on-line.

 

When One Door Closes.4

30 Wednesday Nov 2016

Posted by Ollamh in Imaginary History, J.R.R. Tolkien, Literary History, Maps, Uncategorized

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Alfred Lord Tennyson, Cirith Ungol, doors, Gilbert and Sullivan, Gondor, Grond, Hobbit door, James Fennimore Cooper, Minas Morgul, Minas Tirith, Morannon, Mordor, N.C. Wyeth, Nazgul, Orodruin, Princess Ida, Shelob's Lair, The Last of the Mohicans, The Lord of the Rings, The Princess, The Siege of Gondor, Tolkien

Welcome, as always, dear readers. In this posting, we’ll complete our survey of doors and entryways and what happens at them in The Lord of the Rings.

We began this series a little while ago when we got to thinking about Bilbo’s remark to Frodo that: “It’s a dangerous business, Frodo, going out your door.”

Bilbo had learned this the hard way when Gandalf had come to his door and he had embarked upon an adventure he, originally, had no desire to be part of.

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In three postings, we’ve followed the story through doors and entryways from that moment all the way to the moment when Gandalf blocks the Lord of the Nazgul from entering Minas Tirith through its ruined main gate.

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In the process, we have come to see that doors and entryways seem to come in two forms: first, there are doors which lead to safety; second, there are doors which lead to danger. We’ve added other elements, natural entryways, like fords and bridges, and the fact that many of the entryways have challenges and challengers barring the way.

In a moment of cheerful intellectual cruelty, we ended the last posting at that crucial moment in “The Siege of Gondor”, in which Grond, the battering ram of the armies of Mordor, has, with the magical aid of the Lord of the Nazgul, broken down the gate and that Lord is about to enter the city, when he meets Gandalf as the challenger:

“ ‘You cannot enter here,’ said Gandalf, and the huge shadow halted. ‘Go back to the abyss prepared for you! Go back! Fall into the nothingness that awaits you and your Master. Go!’ ”

And, just at that moment, “Great horns of the North wildly blowing. Rohan had come at last.”

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[We wondered, by the way, if that “Great horns of the North wildly blowing” was an accidental or deliberate allusion to a lyric from Alfred Lord Tennyson’s

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poetic criticism of the idea of women’s education, The Princess (1847),

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in which we find the line “The horns of Elfland faintly blowing”—here’s the whole poem:

from The Princess: The Splendour Falls on Castle Walls
By Alfred, Lord Tennyson
The splendour falls on castle walls
                And snowy summits old in story:
         The long light shakes across the lakes,
                And the wild cataract leaps in glory.
Blow, bugle, blow, set the wild echoes flying,
Blow, bugle; answer, echoes, dying, dying, dying.
         O hark, O hear! how thin and clear,
                And thinner, clearer, farther going!
         O sweet and far from cliff and scar
                The horns of Elfland faintly blowing!
Blow, let us hear the purple glens replying:
Blow, bugle; answer, echoes, dying, dying, dying.
         O love, they die in yon rich sky,
                They faint on hill or field or river:
         Our echoes roll from soul to soul,
                And grow for ever and for ever.
Blow, bugle, blow, set the wild echoes flying,
And answer, echoes, answer, dying, dying, dying.

 

This then formed the basis of an 1870 play by W.S. Gilbert, which he converted, with his collaborator, Arthur Sullivan, into an operetta, in 1884.]

 

Gilbert and Sullivan Cartoon.jpg

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For the Aragorn and company half of the story, we see the arrival of the army of Gondor and its allies at the Morannon as the last door.

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Here, there are, in fact, two challengers/challenges. First,

“When all was ordered, the Captains rode forth towards the Black Gate with a great guard of horsemen and the banner and heralds and trumpeters…They came within cry of the Morannon, and unfurled the banner, and blew upon their trumpets; and the heralds stood out and sent their voices up over the battlement of Mordor.” (The Return of the King, Book 5, Chapter 10, “The Black Gate Opens”)

In return,

“There came a long rolling of great drums like thunder in the mountains, and then a braying of horns that shook the very stones and stunned men’s ears. And thereupon the door of the Black Gate was thrown open with a great clang, and out of it there came an embassy from the Dark Tower.”

In both cases, it goes without saying that this is a door to danger, the difference being that those from Gondor want those within to come out so that, by defeating them (though they have little hope of this), those from Gondor can enter, while those within the gate want to prevent their entry (except, perhaps, as prisoners).

As we turn to the other half of the narrative, we begin at the same gate, where Gollum has brought Frodo and Sam.

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Here, there is no easily visible challenger, just the forbidding nature of the gate, but it is still not an entryway to safety, as, on the other side is an inhospitable landscape, populated by Sauron’s vast armies, constantly on the move, as we see in later chapters. As well, from those later chapters, we gain the sense that Frodo doesn’t believe he’s going to return from Mordor anyway.

Seeing no way to enter, Frodo pushes Gollum to lead them south and, with a diversion to Faramir’s base behind a waterfall (which, to us, is reminiscent of a similar hide-out in James Fennimore Cooper’s The Last of the Mohicans (1826)

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—and how can we resist mentioning that, in 1919, N.C. Wyeth illustrated an edition?)

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they arrive at the southern entryway to Mordor, the pass with Minas Morgul at its western end and Cirith Ungol at its eastern.

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The challengers of Minas Morgul are the Lord of the Nazgul and a vast army, on their way to attack Minas Tirith, but these are skirted, as Gollum guides the two hobbits around the site and up on a perilous climb—and into Torech Ungol, Shelob’s Lair. Safety? Gollum wants the hobbits to think so. Danger? With Shelob as a challenger, what else?

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Even as Sam drives Shelob off, however, he loses Frodo, paralyzed and cocooned, and is faced with an inner door closed by the orcs as they withdraw. Climbing over it, he moves forward, cloaked by the ring, to look out towards Orodruin and the Tower of Cirith Ungol.

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And, with this, we have finished our survey.

Unless, of course, we consider two more events.

First, there is what happens at Mount Doom, where Gollum is the challenger, and the door, such as it is, leads to safety for Middle-earth, but not for Sam and Frodo.

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And, finally, at the edge of the Shire, in “The Scouring of the Shire”, where the returning hobbits meet with the followers of “Sharkey” at the bridge. Those followers, brain-washed by fear of “The Chief” and his “big man” followers, attempt to deny what should be a door to safety to Frodo, Merry, and Pippin, as the three had expected, but which leads, in fact, to conflict and open violence before their return home is safely accomplished.

scouringoftheshire.jpg

With that, we complete the pattern and here is our chart:

 

Entryway Source Challenger Challenged Outcome
Bilbo’s door The Hobbit Bilbo Dwarves Bilbo is tricked into hospitality
Beorn’s house The Hobbit Beorn Gandalf Beorn tricked into hospitality
Goblin cave The Hobbit Goblins Bilbo Escapes by use of the Ring
Mirkwood The Hobbit Elves Dwarves/Bilbo Bilbo rescues dwarves with Ring and barrels
Lonely Mountain (Back door) The Hobbit Smaug Dwarves/Bilbo Understanding the inscription, Dwarves open the door
Lonely Mountain (Front door) The Hobbit Dwarves Men, Elves, Goblins Battle of the Five Armies—eventual settlement
Bilbo’s door The Hobbit Hobbits Bilbo Bilbo’s things are up for auctions—Bilbo gets most things back
Ford of Bruinen The Lord of the Rings Wraiths Frodo/Elves After Frodo’s challenge, elf magic overwhelms wraiths
Moria (west gate) The Lord of the Rings Elves of Hollin Fellowship Gandalf discovers password—the group enters
Lothlorien (western side) The Lord of the Rings Elves Fellowship Challenged by elves, but allowed to enter
Edoras The Lord of the Rings Rohirrim Gandalf et al. Challenged by gate guards, but allowed to enter
Meduseld The Lord of the Rings Hama Gandalf et al. Challenged, but allowed to enter
Helms Deep The Lord of the Rings Aragorn Orcs/Wildings Aragorn warns them of their danger
Isengard The Lord of the Rings Merry/Pippin Gandalf et al. Greeted and offered food, drink, and smoke
Paths of the Dead The Lord of the Rings Oath-breakers Aragorn at al. Allowed to enter, but followed—leave safely
Morannon The Lord of the Rings Sauron King Elessar et al. Sauron’s army appears for battle
Morannon The Lord of the Rings Sauron Frodo/Sam/Gollum No way of entry—the three head south
Minas Morgul The Lord of the Rings Lord of Nazgul Frodo/Sam/Gollum Entry blocked by Lord’s Army
Torech Ungol The Lord of the Rings Shelob Frodo/Sam Gollum escapes, Frodo paralyzed by Shelob
Cirith Ungol The Lord of the Rings Orcs Sam With Ring as aid, Sam enters
Mt. Doom The Lord of the Rings Gollum Frodo Gollum gains Ring, but perishes in fire
Shire bridge The Lord of the Rings Hobbits Frodo et al. Hobbits climb over gate, guards run

 

Because this material becomes increasingly complex, there is always the possibility that, as thorough as we try to be and as inclusive, we’ve missed something. If so, we’d be glad to hear from our readers!

Thanks, as always, for reading!

MTCIDC

CD

 

When One Door Closes.3

23 Wednesday Nov 2016

Posted by Ollamh in J.R.R. Tolkien, Language, Literary History, Narrative Methods

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Common Tongue, doors, Doorward, Edoras, Elvish, Fangorn Forest, Gandalf, Gondor, Hama, Helm's Deep, Isengard, John Ruskin, Meduseld, Minas Tirith, Moria, passages, Paths of the Dead, The Hobbit, The King of the Golden Hall, The King of the Golden River, The Lord of the Rings, Tolkien, Witch-King of Angmar

Welcome, dear readers, to the third part of our series on doors and entryways in JRRT’s The Hobbit and The Lord of the Rings.

We began, several postings ago, by writing that we were intrigued by Bilbo’s statement to Frodo: “It’s a dangerous business, Frodo, going out your door.” (The Fellowship of the Ring, Book 1, Chapter 3, “Three is Company”)

It made us want to look at doors (to which we quickly added entryways of all sorts) in Tolkien and, in doing so, we’ve come up with a very crude classification system, in which there were two kinds of doors, those which seemed to promise safety and those through which you might be in danger. And a major component of such places seems to be a challenge, and a challenger of some sort.

At the end of our second posting, we had come to the breaking up of the Fellowship and now we want to continue, having a look at what could be seen as good examples of what we mean along the way.

Because of the major split in the story, we decided to follow Aragorn, Gimli, and Legolas first.

The first part of their adventure takes place across open country or in Fangorn Forest. It’s only when they, with Gandalf, arrive at Edoras that we see the pattern fall into place.

But here we wondered if we should add an extra subcategory, linguistic challenge. We’ve already seen the western gates of Moria and the need to read Elvish and to know the word for friend, and now we have the gates of Edoras

Edoras.jpg

and a suspicious guard of Rohirrim:

“There sat many men in bright mail, who sprang at once to their feet and barred the way with spears. ‘Stay, strangers here unknown!’ they cried in the tongue of the Riddermark.” (The Two Towers, Book 3, Chapter 6, “The King of the Golden Hall”)

[We wonder, by the way, if the chapter’s title owes something to John Ruskin’s 1841/51 fairy tale “The King of the Golden River”, in which a major figure has been changed through evil magic, but is freed and eventually helps the underdog hero…]

King_of_the_Golden_River_-_Title_page.jpg

As he was (eventually) up to the challenge of the gate of Moria, so is Gandalf up to this and challenges them in return:

“ ‘Well do I understand your speech,’ he answered in the same language; ‘yet few strangers do so. Why then do you not speak in the Common Tongue, as is the custom in the West, if you wish to be answered?’ “

After a little parleying in this manner, Gandalf and his companions are allowed to enter and sent up to Meduseld, where there is a second challenger, the Doorward Hama.

Golden_Hall_of_Meduseld.png

meduseld.jpg

Here, after a brief repetition of the previous language challenge, things relax: “Then one of the guards stepped forward and spoke in the Common Speech.” After a tussle about leaving weapons behind (and Gandalf escapes this with his staff), they are permitted into the hall and the scene continues.

After the battle of Helm’s Deep, Denethor, Gandalf, and the rest of the company ride to Isengard, only to find there:

“…ruined gates. There they saw close beside them a great rubble-heap; and suddenly they were aware of two small figures lying on it at their ease, grey-clad, hardly to be seen among the stones. There were bottles and bowls and platters laid beside them…” (The Two Towers, Book 3, Chapter 8, “The Road to Isengard”)

merryandpippinatisengarde.jpg

It’s Merry and Pippin, of course, who describe themselves as “doorwardens”, just as Hama was at Meduseld. The difference is, instead of barring the door and challenging those who would enter, they are welcoming and comical in their lordly self-indulgence. This seems to turn the pattern on its head, and, although it’s the only time such a thing appears, we believe that it is an example of another subcategory, that of parody. It has the elements of other occasions, but, here, the door is a ruin and the guards seem slightly tipsy, rather than menacing, as well as very glad to see those who come to their ward.

In contrast to this merriness, there is stony silence at the next door:   The Paths of the Dead.

EntrancePathsDead-port.jpg

The challenge seems to be in the very air itself:

“And so they came at last deep into the glen; and there stood a sheer wall of rock, and in the wall the Dark Door gaped before them like the mouth of night. Signs and figures were carved above its wide arch too dim to read, and fear flowed from it like a grey vapour.” (The Return of the King, Book 5, Chapter 2, “The Passing of the Grey Company”)

It is Aragorn who accepts the challenge and leads the group through what, in the film, is a kind of funhouse of skulls and greenish figures,

dead.jpg

But, to us readers, what we think is much more disturbing is that there is no more than a restless murmur, which we hear through the dauntless, but quivering Gimli—

“…but if the Company halted, there seemed an endless whisper of voices all about him, a murmur of words in no tongue he had ever heard before.”

And, at the end of their passage, it is Aragorn who is the challenger—not to block those murmurers, but to invite them:

“ ‘Keep your hoards and your secrets hidden in the Accursed Years! Speed only we ask. Let us pass, and then come! I summon you to the Stone of Erech!’ “

We can see in this multiple ends: first, it fits the pattern of confrontations at doors (all feel the sense of Something There and must rise to the challenge, conquering their fear); second, it provides a route for Aragorn’s strategy: to gain supernatural allies on the way to natural ones along the southern seacoast; third, it underlines Aragorn’s right to the kingship: only he has the knowledge and authority to call up the long-dead for his purposes.

Our last challenge of this posting is at what is perhaps the most dramatic moment in the attack upon Minas Tirith. Grond the ram has, with the aid of the Lord of the Nazgul, burst open the great gate and the Wraith is about to enter when he encounters:

“…Gandalf upon Shadowfax…

‘You cannot enter here,’ said Gandalf, and the huge shadow halted. ‘Go back to the abyss prepared for you! Fall into the nothingness that awaits you and your Master. Go!’ ” (The Return of the King, Book 5, Chapter 4, “The Siege of Gondor”)

gandalfgate2.jpg

But—then? We admit it—we shamelessly want a cliffhanger here. And so we’ll stop—till our next, in which we’ll finish the story—we promise!—and provide a breakdown of all of the doors and entryways in a chart, as well.

Thanks, as always, for reading—and we’re sorry that we gave in to temptation, but, as novelists ourselves, we couldn’t resist!

MTCIDC

CD

When One Door Closes (2)

16 Wednesday Nov 2016

Posted by Ollamh in J.R.R. Tolkien, Literary History, Narrative Methods

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Balin, Barrows, Bree, Bridge of Khazad-Dum, Chamber of Mazarbul, Crickhollow, doors, Dwarves, Elven-way, Farmer Maggot, Gandalf, Greenway, Hobbit door, Hollin, Lothlorien, Moria, Nazgul, picaresque, Rivendell, Robert Burns, Tam O'Shanter, The Fellowship of the Ring, The Ford of Bruinen, The Hobbit, The Legend of Sleepy Hollow, The Lord of the Rings, The Prancing Pony, Tolkien, Washington Irving, Watcher in the Water, Weathertop, West-door, West-gate

Welcome, dear reader, as always. It’s a rather gloomy late autumn day here as we write this, fitting, perhaps, for the gloomier The Lord of the Rings after the cheerier (well, sometimes) The Hobbit, as we continue our look at the functions of doors and their equivalents in JRRT.

If you’ve read our previous posting, you’ll know that, in it, we examined doors and gates in The Hobbit, dividing them into two basic categories: doors which might lead to safety and doors which led to danger, all based upon Bilbo’s remark about how dangerous it can be, just stepping outside your door.

Bilbo’s door adventures had begun with his own.

gandalfvisitsbilbo.jpg

doorwithrune.jpg

When comparing the two books, we get a strong sense of the episodic nature of The Hobbit:  we can almost break it down into movement between doors, from the arrival of the dwarves to the knock of Gandalf and Balin, giving it more the feel of a picaresque novel: that is, a novel with an goal, but with much of its focus upon the adventures along the way, adventures which don’t always necessarily lead to that goal.   This gives it a lighter tone, as well—after all, it was meant as a children’s book in a time (1937) when such books were understood in general never to be too solemn. The Lord of the Rings, in contrast, develops an almost grimly-focused forward motion, which impels it even when the Fellowship breaks into two after the death of Boromir, and much of the action spreads from Frodo and Sam on the way to Mordor to the separate adventures of Merry and Pippin in Rohan and Gondor.

So what might we see as the first door—in either sense—in The Lord of the Rings? we asked ourselves. And we supposed that we might see minor doors of safety at Farmer Maggot’s and Frodo’s new home in Crickhollow, in both cases brief refuges from the Nazgul, but, as we said in our last posting, doors commonly have some sort of challenge to them—and challenger—and the first one of those appears briefly at the hedge in Bree:

“They came to the West-gate and found it shut; but at the door of the lodge beyond it, there was a man sitting. He jumped up and fetched a lantern and looked over the gate at them in surprise.”   (The Fellowship of the Ring, Book 1, Chapter 9, “At the Sign of the Prancing Pony”)

bree.jpg

The watchman, when his challenges (and maybe a little too-inquisitive challenges) are turned aside, lets them in and they reach The Prancing Pony, only to escape murder in their beds and the loss of their ponies.

prancingpony.jpg

The first gateway which leads to real safety, however, isn’t a door or gate at all, but a natural barrier (with some magical help): the Ford of Bruinen. Here, the role of traveler and challenger is reversed, as the challenged are the Wraiths and the challenger is Frodo, but it is the power of the Elves which closes the door.

At the Ford, by Ted Nasmith

(It is interesting here that Tolkien has chosen not to take advantage of the folk belief—if you know “The Legend of Sleepy Hollow” by Washington Irving, or its inspiration, the poet Robert Burn’s “Tam O’Shanter”, this will be readily familiar to you—that evil spirits are unable to cross running water, even at a bridge.

John_Quidor_-_The_Headless_Horseman_Pursuing_Ichabod_Crane_-_Google_Art_Project.jpg

tamoshanter.jpg

To reach the Shire, the Wraiths have had to cross several bodies of water and now their hesitation to traverse another appears to be derived from their confidence that they can now control Frodo—either by the influence of the Ring, or perhaps from his wound—and call him back across the stream to them.)

From Rivendell, the next such door is that at the western side of Moria.

moriagate.jpg

Here, there is no living challenger. Rather, it is a kind of riddle—or, at least, it is initially understood as such—which bars the way. Its answer is simple, which led us to wonder, what is the purpose of this door scene in the story? As the creature in the pool

watcher.jpg

barricades the door behind them, it adds to the tension: the Fellowship has been watched and, from the hostile mountains to the wolves to the tentacle thing, it has been forced into darker and narrower ways, those ways seemingly chosen by the malevolent force observing their journey. As well, it suggests the gradual decay of what was once a vibrant, active culture, as Gandalf explains:

“Here the Elven-way from Hollin ended. Holly was the token of the people of that land, and they planted it here to mark the end of their domain; for the West-door was made chiefly for their use in their traffic with the Lords of Moria. Those were happier days, when there was still close friendship at times between folk of different race, even between Dwarves and Elves.” (The Fellowship of the Ring, Book 2, Chapter 4, “A Journey in the Dark”)

This is a theme throughout The Lord of the Rings and one which, we believe, adds to its power: the events of the close of the Third Age are set against a background of other times and other events and the landscape still bears traces of those times, from the Barrows to the Greenway and Weathertop and far beyond. As well, so many of those traces suggest that violence and the dark spirit of Sauron, sometimes through his agents, sometimes in person, have had much to do with their end.

Now that the Fellowship is within Moria, it encounters its next door: that of the Chamber of Mazarbul.

marzabul.jpg

Here, they are the challengers, when forced to defend themselves from a horde of “Orcs, very many of them…And some are large and evil: black Uruks of Mordor.” (The Fellowship of the Ring, Book 2, Chapter 5, “The Bridge of Khazad-Dum”). There is a second door, however, and, when they have beaten back their attackers, they escape by it—but only so that Gandalf may be the challenger at a crossing—as Frodo was at the ford—at the Bridge of Khazad-Dum, although here magic apparently cannot save him, as it had Frodo.

balrog.jpg

With Gandalf gone, we see the repetition of a scene from The Hobbit—the escape through a crowd to the outside world:

“…and suddenly before them the Great Gates opened, an arch of blazing light.

There was a guard of orcs crouching in the shadows behind the great door-posts towering on either side, but the gates were shattered and cast down. Aragorn smote to the ground the captain that stood in his path, and the rest fled in terror at his wrath.” (The Fellowship of the Ring, Book 2, Chapter 5, “The Bridge of Khazad-Dum”)

At this moment in The Hobbit, Bilbo had used his newly-discovered ring to escape (albeit with the loss of a few buttons), but Aragorn’s sword clearly does just as well.

It is easy to see just how prevalent the pattern is: even after that harrowing moment of being chased through the mines and losing Gandalf, where there is a door, there is someone at it to make a challenge, and this holds true even without an actual door, as the remaining members of the Fellowship seek to enter Lothlorien and are stopped by Elven sentries in a tree. (The Fellowship of the Ring, Book 2, Chapter 6, “Lothlorien”)

And the pattern continues, even as the Fellowship breaks up, but let’s take a moment to see what we’ve found so far. On the side of doors to safety, we have: Bree (although it’s not so safe as it looks), the Ford of Bruinen, the main door of Moria, and the entrance to Lorien. As for doors to danger, there are: the western doors of Moria and the door to the Chamber of Mazarbul.

In the third installment, we shall see just how many more doors/gates/entryways we find which continue to fit the pattern—and there are a fair number of them.

Thanks, as ever, for reading.

MTCIDC

CD

When One Door Closes (I)

09 Wednesday Nov 2016

Posted by Ollamh in J.R.R. Tolkien, Literary History, Narrative Methods

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And Unexpected Party, Baggins, Beorn, Bilbo, Bilbo and Gollum, Chico Marx, doors, Dwarves, Gandalf, Goblins, Groucho Marx, hidden door, Hobbit door, Horse Feathers, Into the Fire, Lake Town, Lonely Mountain, Mirkwood, Out of the Frying-Pan, password, Smaug, speakeasy, Swordfish, The Hobbit, The Lord of the Rings, The Marx Brothers, Thranduil, Tolkien, Took, wargs

Welcome, dear readers, as always.

Recently, we’ve been thinking about Bilbo’s remark to Frodo:

“It’s a dangerous business, Frodo, going out your door.” (The Fellowship of the Ring, Book 1, Chapter 3, “Three is Company”)

What makes this true in Tolkien, we wondered? As an experiment, we began to list all of the significant doors in The Hobbit and The Lord of the Rings and what happened at each of them and we believed that we could see that they fell, roughly, into two categories: doors (and we include gates here) which are the approach to danger, as Bilbo says, and doors which at least seem to offer safety. There are so many, in fact, that we have decided to break them down (no pun intended) and, in this posting, we’ll examine those we found in The Hobbit.

Our first door is Bilbo’s own, in front of which he is sitting when Gandalf first appears

bilbogandalf.jpg

and which he dodges behind, to escape Gandalf—or so he thinks:

“With that the hobbit turned and scuttled inside his round green door, and shut it as quickly as he dared, not to seem rude.” (The Hobbit, Chapter 1, “An Unexpected Party”)

This door, of course, is hardly a barrier to Gandalf, who scratches a rune on it, turning it from what Bilbo hopes is a “no trespassing” sign to a “welcome” mat.

bilbosdoor.jpg

We then get a scene which reminds us of one in the Marx Brothers’ movie, Horsefeathers (1932)

horsefeatherposter.jpg

—or maybe it’s just an excuse on our part to bring up the Marx Brothers, who, in our opinion, are never brought up often enough. It’s a scene from the days of Prohibition, when hard liquor had been outlawed in the U.S. by an amendment to the Constitution (1920-1933). It was clearly a batty idea and, very soon, many people (some of whom must even have voted for the amendment), were looking for ways to skirt the federal law. One way to do so was to visit an illegal bar, called a “Speakeasy”, presumably because you could say what you wanted there, including criticizing a stupid law. These were secret places, with guards at the door and a need for passwords, so that people on the inside could detect attempts by the police to raid them. In the movie, Chico (pronounced “chick-o’’—as he was said to be an avid pursuer of girls)

chico.jpg

is the guard on the inside and Groucho

groucho_marx_in_duck_soup.jpg

is a potential customer.

speakeasy.jpg

As is typical with the Marx Brothers, the scheme collapses and they both end up on the outside of the door, but, before that happens, there is a lot of knocking and attempts (full of bad puns) to guess the proper password.

horsefeathersbothshutout.jpg

The door, then, is really only a prop, a site where Chico and Groucho can practice one-liners on each other and not much else (as if that matters with the Marx Brothers!). In the next door scene from The Hobbit, however, JRRT uses Bilbo’s door for larger purposes: to show Gandalf’s subtle understanding of Bilbo’s psychological make-up, as well as the beginning of his plan to turn Bilbo from a staid Baggins to a much freer Took, as Bilbo is forced to confront a gang of dwarves and their mission.

unexpected.jpg

Gandalf’s method, as readers will remember, was to send the dwarves to Bilbo’s door one or two at a time. Gandalf repeats this trick when he and the dwarves (and Bilbo, of course) take refuge at Beorn’s,

beorn.jpg

after their escape from the pursuing wargs and goblins.

warg_rest.jpg

Whereas we might say that the second door scene at Bilbo’s led to danger, this scene leads to safety, although only temporary security, as Bilbo and the dwarves must set out again, even if refreshed and refitted.

(Readers note: this second time has been replaced in the second Hobbit film with a scene which misses both the quiet comedy of the original and its use in the story as a way to provide us with a more rounded picture of Beorn, as well as JRRT’s use of a repeated folk motif perhaps to reinforce the fairy tale-like structure of what was originally an oral tale turned children’s book.)

The dwarves had encountered the goblins through a hidden door (clearly a “danger door”), outside of which they had taken shelter. They are made prisoner

goblinking.jpg

but Bilbo, being lost, finds the Ring, meets Gollum,

Bilbo and Gollum.JPG

and escapes by a door which certainly offers safety. (Although, as the title of the next chapter puts it, not for long, being “Out of the Frying-Pan, Into the Fire”.)

goblinsbackdoor.jpg

This, of course, not only leads us back to Beorn, but also on to Mirkwood and our next door, that of the Mirkwood Elves and their king, Thranduil (who does not ride an elk, as the movies would have it—and really silly-looking that is, in our opinion). This is one of a number of versions by JRRT himself.

palazzo di thranduil 2.jpg

Although this door leads to the dwarves’ imprisonment, the danger appears to be minimal. Thranduil threatens them, but, except for locking them up and putting them on short rations, he does them no harm. (And there is another backdoor escape—this time in barrels—one of JRRT’s own favorite illustrations—and ours, too).

barrel-riding.jpg

The barrels led us to the lake and to Lake Town (a colored version of another JRRT illustration),

Laketown4.jpg

through the gate of which the dwarves had to pass. A strong theme in so many of these entryways is that they are a form of challenge: those who would get in (or out) must deal with a guardian—Bilbo, goblins, elves–and Lake Town is no different. Here, there is a squad of lax gate guards, who are rather easily impressed when Thorin announces who he is and that he wants to see the Master. As the dwarves persuade the Lake Town people to supply their expedition, we would label this one of the doors to safety—the last thing we would say for the final two: the back door and the front gate of the Lonely Mountain.

136TheLonelyMountain.jpg

So far, we have had two front doors (Bilbo’s and Beorn’s), one hidden door (goblins), two sets of gates (elves, Lake Town), and two back doors (goblins and elves). Now we have a door with a spell cast upon it and the riddle of the spell acts as the guardian. It is, of course, the door most desired by the dwarves, but it’s hardly a door to safety as, at its bottom lies the reason they abandoned the mountain to begin with: Smaug.

bilbowithsmaug.jpg

The front gate is hardly better, as it soon becomes a defensive work for the dwarves as they prepare to fend off those who either try to seek recompense or are simply goblin attackers.

the-hobbit-the-battle-of-the-five-armies3.jpg

But wait—we’ve left out a final door, haven’t we? “the door where it began”—and, in front of it, Bilbo experiences one more trial:   finding that he’s been declared dead and his property is up for auction—and just when he believes he is “back again”. But there is a happy ending and The Hobbit itself ends with Bilbo, some years later, answering that same door

tolkien_drawing1.jpg

and entertaining Gandalf and Balin. (Although in the drawing above, Bilbo bears a certain resemblance to someone else…)

j_r_r_tolkien_-_smoking_pipe-700x1049.jpg

In our next post, we’ll continue by looking at doors and gates in The Lord of the Rings.

Thanks, as always, for reading!

MTCIDC

CD

Further Thoughts

02 Wednesday Nov 2016

Posted by Ollamh in J.R.R. Tolkien, Literary History, Maps, Military History, Military History of Middle-earth, Uncategorized

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Alexander of Macedon, Athenian Empire, Babylon, Cleopatra VII, Delian League, Mongol Empire, Mordor, Persians, Plataea, Ptolemy, Sauron, Tolkien, W.H. Auden

Welcome, dear readers, as ever.

It is one of the pleasures—perhaps we should say even blessings—of JRRT that there is such a richness available within his work—and within him—that no subject can ever be discussed to a perfect conclusion. In an earlier posting, we talked about Sauron and his demands, but, as we watch our current world and certain powers who are maneuvering to gain increasing control over land and sea, we have come back once more to wondering about what it is that Sauron has planned to do and what he will have if he succeeds.

In an unpublished reply to a review by W.H. Auden, JRRT wrote:

“The theatre of my tale is this earth, the one in which we now live, but the historical period is imaginary. The essentials of that abiding place are all there (at any rate for inhabitants of N.W. Europe), so naturally it feels familiar, even if a little glorified by the enchantment of distance in time.” (Letters, 239)

Thus, we can feel justified, we think, in looking at a would-be world conqueror from an actual historical period to see if we can better understand the fictional Sauron.

If we consider Alexander of Macedon,

Alexander_the_Great_mosaic.jpg

we see someone who began with a project which, in part, went back for a century and more before his own time: to take back the western shore of northern Asia Minor from its Persian overlords. This had been begun by the Delian League,

The Delian League - map.jpg

a group of Greek city-states who had been participants in the ultimate battle defeat of the invading Persians, at Plataea, in 479bc.

47948_PlateaBattleL.jpg

After he had defeated the southern Greeks at Chaeronea in 338bc with the aid of his son, Alexander, it had been Philip II of Macedon’s plan to do what the League had planned and take back Asia Minor from the Persian empire. Philip was murdered (by a “lone spearman”) in 336, but Alexander, took over the plan and, in 334, invaded the Persian empire and, within three years or so, had conquered it—

macedonianempirelarge.jpg

but then had kept moving eastward, besieging cities, winning battles, all the way into western India, where his army finally revolted and refused to go farther.

Alexander_troops_beg_to_return_home_from_India.jpg

He returned to his new capital, Babylon, to die there in 323bc.

the_death_of_alexander_the_great_after_the_painting_by_karl_von_piloty_1886

Because Alexander had no grown male heirs, his new empire fell apart very quickly, his chief generals seizing big chunks and defending them against other generals. We can presume, we think, that he hadn’t been planning to die young (he was born in 356), so we assume that he was out to do something permanent. His generals—the successful ones—founded dynasties, the longest-lived of them being that of Ptolemy,

Coin (Ptolemy I) (Alexandria 305-285 BC).jpg

who grabbed Egypt, and whose last descendant to rule was Cleopatra VII (yes, that Cleopatra), who committed suicide in 30bc.

Kleopatra-VII.-Altes-Museum-Berlin1.jpg

If Alexander was planning to do something similar, only on a larger scale, how do we understand it? What was all of that conquest for and why was it never enough?

Part of the explanation may lie in the analogy of the folk-tradition about sharks: that they have to keep moving to breathe. This is apparently not true (google Discovery.com/tv-shows/shark-week).

great-white-shark-swimming-blue.jpg.adapt.945.1.jpg

It’s a good image, however, of how an expanding kingdom has to work: the more land you have, the more people you have, the more people you have, the more food you need, therefore you need an increased food supply, which means either buying it or taking it from outside, or making the land itself produce more or simply acquiring more land—and the cycle begins again. This may have been what caused the rapid expansion of the Mongol empire in the 13th century ad, although, in their case, it may not have been expanding population so much as expanding flocks and herds which needed more pasture land.

TitleMongol2.jpg

We might see Sauron in the same light: he needed huge armies to conquer Middle-earth, his huge armies, both humans and orcs, would need feeding (even orcs ate, after all, although as to what they ate…) and therefore would have needed a huge amount of growing land to be fed from, and so on and so on. Certainly Mordor was not the place for gardens and grain fields.

gorgoroth.gif

JRRT says of Sauron:

“Sauron desired to be a God-King, and was held to be this by his servants; if he had been victorious he would have demanded divine honour from all rational creatures and absolute temporal power over the whole world.” (Letters 243-244)

And perhaps this offers another view of Alexander, in turn. As Sauron would have needed land to feed his armies, perhaps Alexander was intent upon collecting worshippers? Certainly he allowed rumors to circulate that he was at least semi-divine—as we see in this coin portrait, where he is portrayed with the horns of Zeus/Ammon, a combination Greek and Egyptian god.

alexaszeusammon.jpg

Alexander succeeded in gaining territory—although not so much as he wished—but died before founding the dynasty which might have given his kingdom stability. Sauron lost, not only his kingdom-in-the-making, but his corporeal form and the bulk of his power. JRRT has given us a hint as to one side of his plans—founding a religion with himself as the god, but perhaps Alexander has given us a clue as to another side, the need to support his means of conquest. In turn, Sauron may supply a clue to another side of Alexander’s plans: inserting himself into the religion of his Greek subjects, then expanding his cult throughout as much of the world as he could conquer.

Thanks, as ever, for reading.

MTCIDC

CD

Tobago to Lothlorien 2

26 Wednesday Oct 2016

Posted by Ollamh in Heroes, J.R.R. Tolkien, Uncategorized

≈ Leave a comment

Tags

Anduin, Barad-Dur, Bree, Caras Galadhon, Cirith Ungol, defense, Edoras, fortification, Galadriel, Helm's Deep, Hildebrandts, John Howe, Lothlorien, Minas Tirith, Morannon, Nenya, Offa's Dyke, Rhodes, Robinson Crusoe, stockades, Swiss Family Robinson, The Lord of the Rings, Tolkien, tree house

Welcome, dear readers, as always. As you can see from the title, this is a continuation of our previous post.

In that previous posting, we began with the novel, Robinson Crusoe (1719),

Robinson_Crusoe_1719_1st_edition.jpg

crusoewyeth.jpg

then on to Swiss Family Robinson (1812),

52062_swiss_rob_md.gif

being especially interested in the stockade of the former

0_8a62b_11562dfa_orig

and the tree house of the latter.

swiss-family-robinson

The connection here was the tree house and Lothlorien, where the elves lived high up in the trees.

lothlorien.jpg

At least, that’s where we began. As we looked more seriously at the architecture of Lothlorien, however, we began to wonder, in a world in which darkness had gradually spread, how it protected itself. After all, Robinson Crusoe, afraid of the cannibals he had seen, had walled himself in. Part of it was the power of Galadriel herself, as she implies to Frodo:

“But do not think that only by singing amid the trees, nor even by the slender arrows of elven-bows, is this land of Lothlorien maintained and defended against its Enemy.” (The Fellowship of the Ring, Book 2, Chapter 7, “The Mirror of Galadriel”)

But was there anything more besides singing, arrows, and Nenya, the Ring of Adamant?

5d7d8ba33f058c6756ab6feed6ca5033.jpg

Far to the south, Minas Tirith had seven concentric (more or less) walls,

minastirithjhowe.jpg

and its opponents across the Anduin had the Morannon

morannonhildebrandt.jpg

and Cirith Ungol

cirithungolhildebrandt.jpg

sam_at_cirith_ungol.jpg

and even the Barad Dur.

HidebrandtTolkienDarkTower.jpg

It is not so clear about Edoras. There is mention that “A dike [that is, a ditch/moat] and mighty wall and thorny fence encircle it”, along with the phrase “wide wind-swept walls and gates” (The Two Towers, Book 3, Chapter 6, “The King of the Golden Hall”), but little else. And you can see that lack of information reflected in the rather scanty look in the Jackson films—

LOTR_twoTowers_edoras_03_940.jpg

Helm’s Deep, is, of course, a different matter—we show you versions by the Hildebrandts and by John Howe

helmsdeephildebrandt.jpg

33171_the_lord_of_the_rings.jpg

Lothlorien is, in fact, not a single site, like any of the above. This map

LothlorienMap.jpg

gives you an idea of its complexity. There is the outer forest, with its camouflaged guard flets in trees, seemingly along its borders, and then the actual center, the city of Caras Galadhon. Here’s JRRT’s description of that center:

“There was a wide treeless space before them, running in a great circle and bending away on either hand. Beyond it was a deep fosse lost in soft shadow, but the grass upon its brink was green, as if it glowed still in memory of the sun that had gone. Upon the further side there rose to a great height a green wall encircling a green hill thronged with mallorn-trees taller than any they had yet seen in all the land.” (The Fellowship of the Ring, Book 2, Chapter 7, “The Mirror of Galadriel”)

We are then told that there is a bridge, on the southern side, which crosses to “the great gates of the city; they faced south-west, set between the ends of the encircling wall that here overlapped, and they were tall and strong, and hung with many lamps.”

A fosse (from the Latin verb, fodio, fodere, fodi, fossum, “to dig”) means that there was a moat—in this case, it would appear to be a dry moat, like this one at the city of Rhodes.

moatrhodes.jpg

(Those stone balls, by the way, are left over from the Turkish artillery and stone-throwers which pounded the walls of Rhodes in 1522–when we have another posting–soon–on the attack on Minas Tirith, we’ll say more about that.)

That “green wall”, however, is a bit of a puzzle. Is it a wall of green stone of some sort? Or is it a “thorny fence”, like that which surrounds Edoras? There are two similar defenses, or at least boundaries, in LOTR. First, there is the border between Buckland and the Old Forest:

“Their land was originally unprotected from the East; but on that side they had built a hedge: the High Hay. It had been planted many generations ago, and it was now thick and tall…” (The Fellowship of the Ring, Book 1, Chapter 5, “A Conspiracy Unmasked”)

The second such construction appears at Bree (which sounds much like Edoras):

“On that side, running in more than half a circle from the hill and back to it, there was a deep dike with a thick hedge on the inner side.” (The Fellowship of the Ring, Book 1, Chapter 9, “At the Sign of the Prancing Pony”)

So what is the green wall?  English hedges can be very dense things, often to mark off fields, as in this photo of Offa’s Dyke–and you can see the fosse/ditch/moat here, as well.

offasdyke2.png

In at least one previous entry, we discussed Offa’s Dike, a (possibly) 8th-century-AD ditch and earthen wall between England and Wales.

664p.jpg

Can we imagine the palisading of this reconstruction replaced with a thorny hedge? Here’s a long shot of Offa’s Dike with a bit of hedging visible.

as_offas_dyke.jpg

When we consider the general look of Caras Galadhon, it is of something organic: the elves loved the trees and, instead of cutting them down, as the hobbits had done outside the High Hay, they climbed up into them. Might we then see that their physical barrier against their enemies was of the same green and growing material as were their dwellings?

What do you think, dear readers?

Thanks, as ever, for reading,

MTCIDC

CD

The Return of the King (Ludd)

19 Wednesday Oct 2016

Posted by Ollamh in Economics in Middle-earth, J.R.R. Tolkien, Literary History

≈ Leave a comment

Tags

allegory, anarchy, Boer War, bombing, Cold War, factories, Hitler, Labour Movement, Luddites, Monty Python and the Holy Grail, power-stations, Royal Air Force, Saruman, Second World War, Stalin, The Great War, The Lord of the Rings, The Scouring of the Shire, Theyocracy, Tolkien

Dear Readers, welcome, as always.

JRRT always actively denied that his work was allegorical, that somehow, for example, he meant Sauron to stand for Hitler (and why not Stalin?) and the Ring was the atomic bomb. In a draft of a letter from April, 1959, he wrote:

“I have no didactic purpose, and no allegorical intent. (I do not like allegory properly so called: most readers appear to confuse it with significance or applicability…” (Letters, 297-298)

And yet—

Well, someone born in 1892, who lived through everything from the Boer War (1899-1902) to the Great War (1914-1918) to the Second World War (1939-1945) and into the middle of the Cold War, with all of the proxy wars and wars for independence during the 1940s to 1970s, could not help being somehow at least affected by such large and dreadful events, particularly a man as sensitive and thoughtful as JRRT, and as historically-minded. Like it or not, Tolkien was entangled in contemporary history.

One way that this has struck us recently is rereading Letters and coming across this:

“There is only one bright spot and that is the growing habit of disgruntled men of dynamiting factories and power-stations; I hope that, encouraged now as ‘patriotism’, may remain a habit! But it won’t do any good, if it is not universal.” (JRRT to Christopher, 29 Nov 1943, Letters, 64)

Looking at that date, it is clear that what he is referring to is, in fact, the Allied bombing campaigns against the Reich (and as his son was training in the RAF—Royal Air Force—at the time, perhaps some part of him was also dreading that Christopher might be part of future bombing runs. After all, a general consensus is that the RAF lost over 50,000 killed in its war against Germany. This is, of course, small in contrast to the 60,000 casualties incurred by the British Army on the first day of the Somme, 1 July, 1916, alone, but, with warfare having become much more mobile again in 1939-1945, these were significant losses.)

Here are, in fact, photos of the bombing of a German factory and a power station—the very sort of thing Tolkien is describing.

WAR & CONFLICT BOOK
ERA:  WORLD WAR II/WAR IN THE WEST/GERMANYCopy of RAF Blenheim V6391 After Bombing Goldenburg Power Station, Cologne

(Although, for the sake of our posting, we feel that it’s necessary to show illustrations like these, it’s hard for us to do so. In those smoke clouds are the lives of men, women, and children, with all of the loss and misery which war always brings. Yoda says, “Wars not make one great” and, when we think of the human cost, it’s hard for us to disagree. We only wish that all the violence in history was confined to adventure stories and that, in real life, people got along and there was no need ever for such awful behavior against fellow human beings.)

But why does Tolkien describe current events in such an odd way, in which the pilots of the British and US Air Forces are “disgruntled men” and their bombing raids are depicted as “the growing habit…of dynamiting factories and power-stations”? We would say that it’s because he is, in a way, turning current history around and looking at the past through it metaphorically.

The letter begins:

“My political opinions lean more and more to Anarchy (philosophically understood, meaning abolition of control not whiskered men with bombs…” (Letters, 63)

Anarchy, being about resistance to organized state control, has a very long history, both east and west. What JRRT is alluding to here is, rather, the late-19th, early 20th-century cartoon version of it—

bomb-throwing-cartoon

The real anarchists were deadly (pun intended) serious people, whose goal it was to criticize what they saw as the increasingly-intrusive top-down rule of the state and to suggest (and sometimes fight for) alternatives based upon loose associations of equals. If you know Monty Python’s Holy Grail, you’ll remember the scene in which King Arthur confronts someone who sounds at least like a Marxist, if not a full-fledged anarchist. (King Arthur and the Annoying Peasant from “Monty Python and the Holy Grail”) A central portion of the text includes this:

“WOMAN: I didn’t know we had a king. I thought that we were an autonomous collective.”

DENNIS: You’re fooling yourself. We’re living in a dictatorship…A self-perpetuating autocracy in which the working classes…”

Tolkien goes on to complain of what he believed was the growth and increasing facelessness of government, what he called the “Theyocracy” (63), but it’s clear from the later remark quoted above that what particularly disturbed him was the way in which he believed the state was involved in the ongoing Industrial Revolution, hence the focus upon “dynamiting factories and power-stations”.

JRRT’s objections to the ruination, as he saw it, of the world of his childhood run through all of his writings, but what we always think of first is its proxy version in “The Scouring of the Shire”, with its Saruman/Sharkey boss and everything from the wanton destruction of trees and the collectivization of the population to the building of what appear to be proto-factories.

scouring_the_shire.ingeredelfeldt

And his reaction reminds us immediately of an earlier reaction to industrialization, not for aesthetic or political reasons, but for economic, that movement in early 19th-century England called “the Luddites”. The name comes from, well, there are a number of explanations, none of them being particularly believable. We know, however, that it was a secret movement of very loosely-organized groups of cloth workers, but not one large body with complex plans to overthrow the system. Perhaps as a mockery of the perception that they were such a large body, they, over time, created a mysterious “General Ludd” or even “King Ludd” to suggest that that body not only existed, but had a sinister leader.

Luddite

The Luddites were made up of various segments of the traditional cloth-making industries who saw their livelihoods—and even their relative freedom—being destroyed by the introduction of large, water-powered mills filled with machinery which could do their jobs not only faster, but, as machines have no need for rest, also at a production level no human could ever match. Even if the workers kept to their trades, then, the mills and their output would simply swamp them.

quarrybanktextile-mill-cotton-1834-granger

This was also the time of the beginning of the Labo(u)r Movement in Britain and the government (not surprisingly, considering where the economic influences upon it might come from) had already begun to try to block it with the Combination Acts of 1799 and 1800, which placed severe penalties on workers attempting to form unions, or “combinations”.

When people tried simply to hold peaceful public meetings, the local authorities felt so threatened that they turned soldiers on the demonstrators, as here in Manchester, in August, 1819. 11 demonstrators were killed and several hundred were injured.

peterloo1

So much for peaceful demonstrations. The Luddites, seeing the attitude of the government, began to attack the mills and warehouses, as these posters show—

Radcliffe Arson Reward Poster, 21st March 1812 copyOates Wood Smithson & Dickinson Carr reward poster, 25th March 1812Cttee to Supress Outrages reward poster copyawsomne

as well as the machines themselves.

luddites1

Faced with the government, its laws, and its enforcement—which could even mean executing people, as was done at York in 1813—

executionofludditesatyork1813

the Luddites were a short-lived movement and had disappeared by about 1816.

Their idea about turning back the effects of the Industrial Revolution by violent means—at least in fantasy—however, clearly was still available, at least to JRRT in 1943.

Thanks, as always, for reading.

MTCIDC

CD

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