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Tag Archives: Sam Gamgee

Lost in Space

24 Wednesday Jan 2018

Posted by Ollamh in Films and Music, Heroes, Narrative Methods

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character development, Episode VIII, Film Review, Sam Gamgee, Star Wars, The Last Jedi, The Lord of the Rings

Welcome, as always, dear readers.
When you think about Sam, what do you know about him and how do you know?
The first mention of the character is almost a footnote. The narrator is actually talking about Ham Gamgee “commonly known as the Gaffer” (a dialect form of “grandfather”):
“Now that he was himself growing old and stiff in the joints, the job was mainly carried on by his youngest son, Sam Gamgee. Both father and son were on very friendly terms with Bilbo and Frodo. They lived on the Hill itself, in Number 3 Bagshot Row just below Bag End.” (The Fellowship of the Ring, Book One, Chapter 1, “A Long-Expected Party”)
The Gaffer has been gossiping in The Ivy Bush, mostly in response to conversation about Bilbo and Frodo and he’s attempting to quell a rumor that Bag End is stuffed with jewels and gold and says of its riches:
“But my lad Sam will know more about that. He’s in and out of Bag End. Crazy about stories of the old days, he is, and he listens to all Mr. Bilbo’s tales. Mr. Bilbo has learned him his letters—meaning no harm, mark you, and I hope no harm will come of it.

‘Elves and Dragons! I says to him. Cabbages and potatoes are better for me and you. Don’t go getting mixed up in the business of your betters or you’ll land in trouble too big for you, I says to him.’ ”
So, in about three pages we know:
1. a little about Sam’s family (he is unmarried and lives with an elderly father)
2. his job (assistant gardener)
3. his social class (lower—Gaffer’s speech pattern and word choices indicate “rustic”, as does his talking to Sam about his “betters”)
4. where he lives (as a servant in this semi-feudal world would be expected to, below his master, but near)
5. his interests (“the old days”)
6. his education (he’s literate—and The Gaffer’s “meaning no harm” suggests that this is unusual, at least among his social class)
7. his character (imaginative: “crazy about stories”; perhaps independent-minded—he continues to be enthusiastic about such things even though his father cautions him against them)
In the many chapters to come, we will learn much more about Sam—his practicality, his inner toughness, his flexibility, his ability to stay grounded in the worst circumstances, and that inner resolve which keeps the two hobbits going, even to what appeared to be a terrible end:
“ ‘So that was the job I felt I had to do when I started,’ thought Sam: ‘to help Mr. Frodo to the last step and then die with him. Well, if that is the job then I must do it.’
But even as hope died in Sam, or seemed to die, it was turned to a new strength. Sam’s plain hobbit-face grew stern, almost grim, as the will hardened in him, and he felt through all his limbs a thrill, as if he was turning into some creature of stone and steel that neither despair nor weariness nor endless barren miles could subdue.” (The Return of the King, Book Six, Chapter 3, “Mount Doom”)
It’s not surprising, then, that Galadriel, with an eerie foresight, has given him the means to help the Shire heal from the terrible industrializing wounds of Sharkey & Co.:
“So Sam planted saplings in all the places where specially beautiful or beloved trees had been destroyed, and he put a grain of the precious dust in the soil at the root of each. He went up and down the Shire in this labour…And at the end he found that he still had a little of the dust left; so he went to the Three-Farthing Stone, which is as near the centre of the Shire as no matter, and cast it in the air with his blessing…” (The Return of the King, Book Six, Chapter 9, “The Grey Havens”)
Recently, we’ve seen Star Wars 8: The Last Jedi. After 7, we were not eager. We are not among those who hold that 4, 5, and 6 are the canon, although we see characters there—particularly Luke and Han—grow over time into people we include in our list of adventure-friends, like Robin Hood and David Balfour and Indiana Jones. We think that George Lucas, having developed the story of Luke and his father, was curious to see if he could reach back in time and show how Anakin Skywalker became Darth Vader, a daring and ambitious project, since, until his attack on the Emperor, Vader seemed less than sympathetic as a character.
For us, the main problem with 7 was that there seemed to be too many characters constantly flying to to too many planets, with no real attempt to develop them. Granted, JRRT had hundreds of pages and as many hours as his readers were willing to grant him to turn out characters like Sam, luxuries a film-maker is denied. At the same time, consider the opening sequence: a mysterious pilot lands on a mysterious planet which is then attacked by people who resemble the storm troopers of 4/5/6. The mysterious pilot is given something by a mysterious elderly man. Then a storm trooper mysteriously deserts his companions after finding one a casualty. And so it goes on. By the end of the film, we had a cast which included (for a short time, at least) old friends: Chewy, Han, and Leia (with minor roles for droids), plus a number of new characters who did not appear to us to be anchored in anything, just there to sustain the action. Who were they? Who knew? And, sadly, for us, who then cared? We had hopes for Rey (although the joke that she is a “Rey/Ray of Hope” is pretty obvious) and still do, but, with nothing to ground them, why, we asked ourselves, should we invest emotionally in FN-2187 and Poe (whose name is just a little too close to “Pooh”—or “Poo” for our taste)?
And then there came 8. It began as 5—evacuation from a newly-discovered base, but without the wampa or those impressive ATATs (even if snow speeders can find weaknesses in them). And then we see the unexplained Poe (the mysterious pilot in 7) once more and soon the unexplained FN-2187 (the mysterious deserter in 7) who, in turn, is soon joined by the unexplained Rose. (In time, we’ll also see the unexplained DJ, although we can’t recall that we were ever given his name, which says something about his development in the story. Why is he in the lock-up? When he betrays FN-2187 and Rose, when did he have the occasion to have set up the betrayal beforehand? And why does he occasionally stutter?) To which we add the unexplained Captain Phasma, who had a brief unexplained appearance in the previous film. (And who in the world is Snoke? And how does he come to fill in for Palpatine? We also wonder, considering the condition of his face, what happens when he eats popcorn—does it get wedged in the cracks or does it all fall out of one cheek?)
We swear by 4/5/6 and, though they are weaker films, we still believe 1/2/3 to be an important part of the story, but what we feel has happened in 7 and even more so in 8, is that character development has been sacrificed for action: instead of seeing more of who they are and why, we are too often shown what they do and this is somehow thought to be the same. Perhaps part of the point of 9 will be to explain at least some of what’s missing from 7 and 8, but imagine seeing Sam through the first five books of The Lord of the Rings simply as somebody who carries the pots and pans (and rope), then, suddenly, in Book Six, becomes the figure we have watched grow through the first five—would you believe in him and would you care?
Thanks, as always, for reading!
MTCIDC
CD
ps
We’ve had so much discussion about this that we plan a second review to follow.

 

Shire Portrait (5a): Hostile Takeover

08 Wednesday Mar 2017

Posted by Ollamh in Economics in Middle-earth, Imaginary History, J.R.R. Tolkien, Literary History, Narrative Methods

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A Long-Expected Party, auction, Bag End, Baggins, Barliman Butterbur, Galadriel, Government, Isengard, Longbottom Leaf, Luke Skywalker, Merry and Pippin, Mirror of Galadriel, Pipeweed, Sackville-Bagginses, Sam Gamgee, Saruman, Star Wars, The Empire Strikes Back, The Lord of the Rings, The Return of the King, The Scouring of the Shire, The Shire, Tolkien, Yoda

As always, dear readers, welcome!

This is, we think, the last in our Shire Portrait series (although a 2-parter)—at least for the moment. In it, we intend to consider just how the Shire fell into the hands of “Sharkey” and his “boys”.

The Ring destroyed and the King returned, Gandalf, the Hobbits, and a party of Elves are traveling back toward Rivendell and beyond when they come upon Saruman and Grima, now no more than Saruman’s slave.

Ted_Nasmith_-_Saruman_is_Overtaken.jpg

It is not a happy meeting, as can be imagined. When offered help, Saruman replies:

“All my hopes are ruined, but I would not share yours. If you have any…You have doomed yourselves, and you know it. And it will afford me some comfort as I wander to think that you pulled down your own house when you destroyed mine.” The Return of the King, Book 6, Chapter 6, “Many Partings”

In such a mood, it can be imagined how he treats the Hobbits—even when Merry offers him pipe-weed, which he does while commenting, less than tactfully, on its origin:

“ ‘You are welcome to it; it came from the flotsam of Isengard.’

‘Mine, mine, yes and dearly bought!’ cried Saruman, clutching at the pouch. ‘This is only a repayment in token; for you took more, I’ll be bound. Still, a beggar must be grateful, if a thief returns him even a morsel of his own. Well, it will serve you right when you come home, if you find things less good in the Southfarthing than you would like. Long may your land be short of leaf!’”

Saruman’s remark—a curse, really—resonates especially with Sam.

“’Ah!’ said Sam. ‘And bought he said. How, I wonder? And I didn’t like the sound of what he said about the Southfarthing. It’s time we got back.’” The Return of the King, Book 6, Chapter 6, “Many Partings”

This is a natural reaction on Sam’s part because of what he had seen in Galadriel’s mirror, we presume.

1gmirror.jpg

“’Hi!’ cried Sam in an outraged voice. ‘There’s that Ted Sandyman a-cutting down trees as he shouldn’t. They didn’t ought to be felled: it’s that avenue beyond the Mill that shades the road to Bywater…

But now Sam noticed that the Old Mill had vanished, and a large red-brick building was being put up where it stood. Lots of folk were busily at work. There was a tall red chimney nearby. Black smoke seemed to cloud the surface of the Mirror…

‘I can’t stay here,’ he said wildly. ‘I must go home. They’ve dug up Bagshot Row, and there’s the poor old Gaffer going down the Hill with his bits of things on a barrow…” The Fellowship of the Ring, Book 2, Chapter VII, “The Mirror of Galadriel”

At the time, Galadriel had told him

“’You cannot go home alone,’ said the Lady. ‘You did not wish to go home without your master before you looked in the Mirror, and yet you knew that evil things might well be happening in the Shire. Remember that the Mirror shows many things, and not all have yet come to pass. Some never come to be, unless those that behold the visions turn aside from their path to prevent them. The Mirror is dangerous as a guide to deeds.” The Fellowship of the Ring, Book 2, Chapter VII, “The Mirror of Galadriel”

[A footnote: suddenly, we are reminded of that scene on Dagobah in Star Wars V, when Luke has had a vision and immediately wants to rush off to Bespin.

2lukedagobah.jpeg

“Luke: I saw—I saw a city in the clouds.

Yoda: [nods] Friends you have there.

Luke: They were in pain…

Yoda: It is the future you see.

Luke: The future?

[pause]

Luke: Will they die?

Yoda: [closes his eyes for a moment] Difficult to see. Always in motion is the future.

Luke: I’ve got to go to them.

Yoda: Decide you must, how to serve them best. If you leave now, help them you could; but you would destroy all for which they have fought, and suffered.” The Empire Strikes Back (1980)

As—using various websites—we provide links here—we can see that an imitation of the opening of the Hobbit—Bilbo and Gandalf meeting—appears in an early script of Star Wars IV, I think that the scene at Galadriel’s Mirror was somewhere back in G. Lucas’ wonderfully fertile brain—and, yes, we are big fans.]

“Secrets of the ‘Star Wars’ Drafts”

Was George Lucas Inspired by Tolkien?

Star Wars Origins: The Lord of the Rings

At this point, we know from two sources that Saruman has had commercial dealings with the Southfarthing.

First, of course, we’ve just seen it confirmed by Saruman’s response to Merry. Second is that scene at Isengard, where Gandalf, Theoden, Eomer, and Aragorn, travel with an escort and find there Merry and Pippin, who tell them of their discovery of two small casks:

“ ‘My dear Gimli, it is Longbottom Leaf! There were the Hornblower brandmarks on the barrels, as plain as plain. How it came here, I can’t imagine.” The Two Towers, Book Three, Chapter 9, “Flotsam and Jetsam”

Michael-Herring-Restos-y-despojos-Calendario-Tolkien-1980

Knowing, however, of Saruman’s increasing interest in the Shire, we can imagine that one of his agents, active in the Southfarthing, had acquired it for him. As the Appendix B, “The Tale of Years” tells us, under TA2953:

[Saruman] notes his [Gandalf’s] interest in the Shire. He soon begins to keep agents in Bree and the Southfarthing.” (page 1089 in Appendix B)

Spying was clearly only the beginning for Saruman, however. The actual evidence for his eventual take-over is scattered throughout The Lord of the Rings, but we believe that it can be pieced together to provide a picture of how it must have been done. It was a two-step process.

First, he appears to have gained knowledge of internal dissatisfaction within the Shire. Because there is really nothing political in the Shire–as readers will know from the first posting in this series, there is virtually no government—this unrest was domestic—as is said in the Prologue, “Families for the most part managed their own affairs.”

In the case of Bilbo and Frodo, the dissatisfied were the Sackville-Bagginses. We first met them in the last chapter of The Hobbit, where they were described as “Bilbo’s cousins” and were shown as being actively involved in the auction of the “effects of the late Bilbo Baggins Esquire”—as well as in the disappearance of some merchandise not auctioned off:

“Many of his silver spoons mysteriously disappeared and were never accounted for. Personally he suspected the Sackville-Bagginses. On their side they never admitted that the returned Baggins was genuine and they were not on friendly terms with Bilbo ever after.” The Hobbit, Chapter 19, “The Last Stage”

It was one more blow to the Sackville-Bagginses when Bilbo rescued the now-orphaned Frodo from “those queer Bucklanders” and brought him to live at Bag End, as Gaffer Gamgee related in The Ivy Bush:

“ ‘But I reckon it was a nasty knock for those Sackville-Bagginses. They thought they were going to get Bag End, that time he went off and was thought to be dead. And then he comes back and orders them off; and he goes on living and living, and never looking a day older, bless him! And suddenly he produces an heir, and has all the papers made out proper. The Sackville-Bagginses won’t never see the inside of Bag End now, or it is to be hoped not.’ “ The Fellowship of the Ring, Book One, Chapter 1, “A Long-Expected Party”

Bad blood, then, on several counts—and, for Saruman, looking for a way in, a great opportunity.

Bilbo might have suspected them of spoon-pilfering, but his was a more generous nature, however, and he even invited them to his and Frodo’s joint birthday party.

“The Sackville-Bagginses were not forgotten. Otho and his wife Lobelia were present. They disliked Bilbo and detested Frodo, but so magnificent was the invitation card, written in golden ink, that they had felt it impossible to refuse…” The Fellowship of the Ring, Book One, Chapter 1, “A Long-Expected Party”

On the other hand, Bilbo does not please them when he announces that Frodo is coming into “his inheritance”—

“The Sackville-Bagginses scowled, and wondered what was meant by ‘coming into his inheritance’ “ and, when Bilbo makes his startling disappearance, they “departed in wrath”. (quotations from Chapter One).

And yet they didn’t quite depart. It seems they have only stepped away from the party, only to return to cause trouble, demanding to see Bilbo’s will.

“Otho would have been Bilbo’s heir, but for the adoption of Frodo. He read the will carefully and snorted. It was, unfortunately, very clear and correct…” The Fellowship of the Ring, Book One, Chapter 1, “A Long-Expected Party”

Otho “snapped his fingers under Frodo’s nose and stumped off”, but Lobelia, his wife, remained, and Frodo later found her “still about the place, investigating nooks and corners, and tapping the floors. He escorted her firmly off the premises, after he had relieved her of several small (but rather valuable) articles that had somehow fallen inside her umbrella.” And she leaves with a kind of threat and what she believes is an insult:

“ ‘You’ll live to regret it, young fellow! Why didn’t you go too? You don’t belong here; you’re no Baggins—you—you’re a Brandybuck!’ ”

It’s never said why there is such an animus held by the Sackville-Bagginses against the Bagginses, but there is clearly something wrong with the S-Bs, from their covetousness to Lobelia’s open theft, and whatever is wrong is just what Saruman will find and exploit. Our next mention of them is oblique and it has to do with that pipe-weed. Merry and Pippin have been explaining how they had come to discover it at Isengard and all seems clear—

“ ‘All except one thing,’ said Aragorn: ‘leaf from the Southfarthing in Isengard. The more I consider it, the more curious I find it. I have never been in Isengard, but I have journeyed in this land, and I know well the empty countries that lie between Rohan and the Shire. Neither goods nor folk have passed that way for many a long year, not openly. Saruman had secret dealings with someone in the Shire, I guess. Wormtongues may be found in other houses than King Theoden’s…” The Two Towers, Book Three, Chapter 9, “Flotsam and Jetsam

With that faint foreboding, we hear no more until Gandalf and the Hobbits are once more leaving Bree and Butterbur says, almost in passing:

“ ‘I should have warned you before that all’s not well in the Shire neither, if what we hear is true. Funny goings on, they say.’ “ The Return of the King, Book Six, Chapter 7, “Homeward Bound”

With Butterbur’s words in their ears, the Hobbits ride out and conversation begins:

“ ‘I wonder what old Barliman was hinting at,’ said Frodo.

‘I can guess some of it,’ said Sam gloomily. ‘What I saw in the Mirror: trees cut down and all, and my old gaffer turned out of the Row. I ought to have hurried back quicker.’

‘And something’s wrong with the Southfarthing evidently,’ said Merry. ‘There’s a general shortage of pipe-weed.’

‘Whatever it is,’ said Pippin, ‘Lotho will be at the bottom of it: you can be sure of that.’”

Here again, after Aragorn’s remark long before, we see that pipe-weed turn up—and associated somehow with a Sackville-Baggins. Butterbur has already replied to Gandalf’s request for it that “That’s the one thing that we’re short of, seeing how we’ve only got what we grow ourselves, and that’s not enough. There’s none to be had from the Shire these days.”

It’s never explained why Pippin makes the connection with Lotho at this point—was the bad blood between the Bagginses and the Sackville-Bagginses part of a darker picture of the S-Bs? This seems more than possible when Gandalf adds to Pippin’s remark:

“ ‘Deep in, but not at the bottom,’ said Gandalf. ‘You have forgotten Saruman. He began to take an interest in the Shire before Mordor did.’”

And now we begin to see a potential bigger pattern: Saruman-an S-B-Shire and, with it, the second step in the take-over of the Shire, that from outside. But that’s for Shire Portrait 5b: “Hostile Take-Over.2”, next time.

Until then, thanks, as ever, for reading!

MTCIDC

CD

Song in Darkness

14 Wednesday Sep 2016

Posted by Ollamh in Artists and Illustrators, Films and Music, Imaginary History, J.R.R. Tolkien, Narrative Methods

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Ainur, Arda, Frodo, Iluvatar, In western lands beneath the Sun, Middle-earth, Morgoth, Music, Sam Gamgee, Song, The Lord of the Rings, The Silmarillion, The Tower of Cirith Ungol, Tolkien

Dear Readers,

Welcome, as always.

For this posting, we consulted the Sortes Tolkienses, and landed upon a particular passage which had us thinking about song in Middle-earth:

“It was quiet, horribly quiet. The torch, that was already burning low when he arrived, sputtered and went out; and he felt the darkness cover him like a tide. And then softly, to his own surprise, there at the vain end of his long journey and his grief, moved by what thought in his heart he could not tell, Sam began to sing. “

At this moment, Frodo has been taken by the enemy after the two Hobbits had been led into and escaped Shelob’s lair, and Sam, though only a simple gardener from the Shire, has resolved to carry Frodo’s burden and rescue him from the tower.

cirithungol

Along with carrying the Ring, which would have otherwise been taken from Frodo in the tower, Sam has also brought with him Sting, Frodo’s sword, and Galadriel’s phial, which she gave to Frodo as a gift upon their leave-taking from Lothlorien.

shelob Sam

The phial is used when the two Hobbits are pursued by Shelob, as a means both of light and of defense. Faced with a darkness he has never encountered before, however, but set on finding and rescuing Frodo, even if he’s not sure how, Sam has the option of pulling out the phial straight away when the lights in the tower of Cirith Ungol go out.

Instead, Sam sings—although he’s not quite sure why—and, in the shadow of Mordor, recalls home in the Shire:

“His voice sounded thin and quavering in the cold dark tower: the voice of a forlorn and weary hobbit that no listening orc could mistake for the clear song of an Elven-lord.  He murmured old tunes out of the Shire, and snatches of Mr. Bilbo’s rhymes that came into his mind like fleeting glimpses of the country of his home. And then suddenly new strength rose in him, and his voice rang out, while words of his own came unbidden to fit the simple tune.

            In western lands beneath the Sun

                        the flowers may rise in Spring,

            the trees may bud, the waters run,

                        the merry finches sing.

            Or there maybe ‘tis a cloudless night

                        and swaying beeches bear

            the Elven-stars as jewels white

                        amid their branching hair.

 

            Though here at journey’s end I lie

                        in darkness buried deep,

            beyond all towers strong and high,

                        beyond all mountains steep,

            above all shadows rides the Sun

                        and stars forever dwell:

            I will not say the Day is done,

                        nor bid the Stars farewell.”

(The talented Tolkien artist, Joe Gilronan, has illustrated what Sam would have imagined singing this song–  a clear contrast to the darkness surrounding him:)

b4d306be0fef7b0b9fdbc7daf47c4d35samwise-the-gardner-joe-gilronan

Why is this, which seems like a last, desperate gesture, successful?  After all, it not only revives Sam’s spirits, but it reaches Frodo who, badly injured as he has been, responds with the same song, enabling Sam to find him.

In Middle-earth, and in Arda more generally, song is both enjoyed and revered on a deeper level. The music of the creator Iluvatar is, as recounted in The Silmarillion, what brought the world into being, and it is such a strong force that Morgoth, the first dark lord, sought to challenge Iluvatar’s song and power with his own. Even here, however, music as a dark force failed.

“Then Iluvatar spoke, and he said: ‘Mighty are the Ainur, and mightiest among them is Melkor; but that he may know, and all the Ainur, that I am Iluvatar, those things that ye have sung, I will show them forth, that ye may see what ye have done. And thou, Melkor, shall see that no theme may be played that hath not its uttermost source in me, nor can any alter the music in my despite.’ ” (The Silmarillion)

180px-Ted_Nasmith_-_Melkor_Weaves_Opposing_Music

Thus in The Lord of the Rings, we never hear an orc song, nor do we see singing, marching uruk-hai. They are beings created by Sauron, who has not the spiritual authority of Iluvatar, and, as Iluvatar is the ultimate creator of all life, so is he the creator of all music in Arda.  In Middle-earth, besides the odd scene in The Hobbit in which the goblins sing in Goblin-town, we see only Elves singing (such as the Hymn to Elbereth), Hobbits (both snatches of Bilbo’s literary songs and drinking-songs), and Dwarves (it was their music which persuaded Bilbo to leave the Shire and join their journey).

Sam’s song, then, holds power in its own right—although it’s simply an old tune from home, its uttermost source is in Iluvatar and the first music, and it becomes clear why even a hobbit’s hum in the darkest of places can bring him comfort—it cannot be contested by darkness.

Thank you, as always, for  reading.

MTCIDC,

CD

The Man Who Was Killed

30 Wednesday Dec 2015

Posted by Ollamh in J.R.R. Tolkien, Military History, Military History of Middle-earth, Narrative Methods

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"The Man He Killed", Adventure, British Infantry, British Militia, Crimean War, Damrod, Fantasy, Faramir, Frodo, Haradrim, History, Lamellar, Mablung, Middle-earth, military history, Military recruiters, Napoleonic Wars, Sam Gamgee, Second Boer War, The Dynasts, The Lord of the Rings, The Two Towers, Thomas Hardy, Time's Laughingstocks, Tolkien, Waterloo, WWI

Dear Readers,

Welcome, as always. In this posting, we propose to suggest a connection—one, at the moment, at least, which we can’t prove—between Tolkien and the late-Victorian/Edwardian/Georgian (he was born in 1840 and died in 1928) poet/novelist, Thomas Hardy.

We begin with a quotation from The Two Towers, Chapter 4, “Of Herbs and Stewed Rabbit”. Sam and Frodo have been taken by Faramir’s rangers and, with Damrod and Mablung as their minders, they are about to sit out the ambush staged by Faramir to destroy a column of Haradrim. Unthinkingly, Sam has become an eager spectator, and:

“Then suddenly straight over the rim of their sheltering bank, a man fell, crashing through the slender trees, nearly on top of them. He came to rest in the fern a few feet away, face downward, green arrow-feathers sticking from his neck below a golden collar. His scarlet robes were tattered, his corslet of overlapping brazen plates was rent and hewn, his black plaits of hair braided with gold were drenched with blood. His brown hand still clutched the hilt of a broken sword.”

The Haradrim are from the far south, but, wherever this man was from, he was wearing a type of armor called “lamellar”, from the Latin word, “lamella”, meaning, “a little, thin plate”, it being a diminutive of “lamina”, “a thin piece of something/a plate, leaf”. It’s a kind of protection worn over many centuries in many parts of the world. Basically, it looks like this:

d3934595510aec78efa73aa58041de6c.jpg

It can be made, as the one described, of lamellae of bronze, or of iron, which are sewn to an underlying fabric.

78477F80D31240E0BFBAA3A67A63844D02jpg.jpg

So, perhaps, this dead warrior looked a bit like this:

big_img_20070912155947.jpg

Sam’s curiosity was quickly dampened by the sight—and it makes us wonder if what we are also seeing here is Lieutenant Tolkien’s first glimpse of a dead enemy soldier.

tolkien-xdeadgerman

“It was Sam’s first view of a battle of Men against Men, and he did not like it much. He was glad that he could not see the dead face. He wondered what the man’s name was and where he came from; and if he was really evil of heart, or what lies or threats had led him on the long march from his home; and if he would not really rather have stayed there in peace—“

It was this brief meditation—abruptly interrupted by the appearance of a Mumak—which reminded us of this Thomas Hardy poem, “The Man He Killed”:

“Had he and I but met
            By some old ancient inn,
We should have sat us down to wet
            Right many a nipperkin!

 

            “But ranged as infantry,
            And staring face to face,
I shot at him as he at me,
            And killed him in his place.

 

            “I shot him dead because —
            Because he was my foe,
Just so: my foe of course he was;
            That’s clear enough; although

 

            “He thought he’d ‘list, perhaps,
            Off-hand like — just as I —
Was out of work — had sold his traps —
            No other reason why.

 

            “Yes; quaint and curious war is!
            You shoot a fellow down
You’d treat if met where any bar is,
            Or help to half-a-crown.”

The language—“nipperkin”, “ ‘list”—and the social situation depicted: “was out of work—had sold his traps” (“traps” being slang of the time for “personal possessions”)—would suggest that the speaker is a working man. Such, along with farm boys, were prime material for military recruiters

victorianrecruiters.jpg

in the Victorian world in which this poem was written (1902—published in Hardy’s Time’s Laughingstocks, 1909 ). The speaker is, in his own words, however, from an earlier day. When Hardy wrote the poem, the Second Boer War (1899-1902) was just ending, but it was hardly a war in which soldiers did as the speaker says, “but ranged as infantry,/and staring face to face,/I shot at him as he at me,/and killed him in his place.” The war had begun with British infantry attacking in spread-out lines, but still very visible on the landscape and it had cost them dearly.

Sidney_Paget00.jpg

Their enemy—mostly all militia—that is, part-time soldiers—had dug in from the start.

Colenso,_KwaZulu-Natal_-_Project_Gutenberg_eText_16462.jpg

boer-main.jpg

British losses had taught them to do the same.

boer-II-01.jpg

What the speaker is describing sounds much more like earlier European wars, in which soldiers stood in long lines at a narrowing distance from each other and fired. The last of these, for Britain, had been the Crimean War (1854-56).

download-193789-The-23rd-Regiment-Royal-Welsh-Fusiliers-at-the-Battle-of-the-Alma-on-20th-September,-1854.jpg

Hardy, however, had a strong interest in the Napoleonic wars of the late-18th-early 19th-centuries, had published a massive dramatic piece, The Dynasts (1904-08), set in that period, and had even twice visited the battlefield of Waterloo (1876, 1896). Thus, we imagine that the poem’s speaker is actually describing something like this:

Lejeune_-_Bataille_de_Marengo.jpg

Had Tolkien read the Hardy poem and perhaps have even been inspired by it? Both scenes include a battlefield, a battle death, and a lingering sense of regret—although Sam hadn’t killed the man from Harad, he displays that same sense of “this was just a person, an ordinary person, once” which gives the Hardy poem its power.

As ever, we leave it to you, dear readers—what do you think?

Thanks, as ever, for reading!

MTCIDC

CD

Seeing the Elephant– Oliphaunt

30 Wednesday Sep 2015

Posted by Ollamh in Films and Music, Heroes, J.R.R. Tolkien, Military History, Military History of Middle-earth

≈ 2 Comments

Tags

Adventure, Alps, ATAT, Elephants, Greeks, Hannibal, Hoth, Mammoth, Mumak of Harad, Napoleon, Oliphaunt, Peter Jackson, Pyrrhus of Epirus, Romans, Sam Gamgee, Star Wars, The Lord of the Rings, Tolkien, war

Grey as a mouse,
Big as a house,
Nose like a snake,
I make the earth shake,
As I tramp through the grass;
Trees crack as I pass.
With horns in my mouth
I walk in the South,
Flapping big ears.
Beyond count of years
I stump round and round,
Never lie on the ground,
Not even to die.
Oliphaunt am I,
Biggest of all,
Huge, old, and tall.
If ever you’d met me
You wouldn’t forget me.
If you never do,
You won’t think I’m true;
But old Oliphaunt am I,
And I never lie.

(“The Black Gate is Closed”, LOTR 646)

Dear Readers,

Welcome, as always.

Sam dearly wants to see an oliphaunt– and he will get his chance. Were he able to see the third part of Peter Jackson’s The Lord of the Rings, he would see many more than one.

Screen_Shot_2013-03-12_at_6.17.47_PM

Sam does see one, however:

To his astonishment and terror, and lasting delight, Sam saw a vast shape crash out of the trees and come careering down the slope. Big as a house, much bigger than a house, it looked to him, a grey-clad moving hill” (“Of Herbs and Stewed Rabbit”, LOTR 661).

Here’s how the film shows two of them:

oliphaunts_small

These are, of course, based upon real war elephants.

Carthaginian-War-Elephant-yellow-shrink

The west– our west– first saw such elephants in the 280s BC, in the army which Pyrrhus of Epirus brought from Greece to fight the Romans.

herculaneum_villa_papiri_pyrrhus_naples4elephant_dish

Such elephants were thought to be useful against great blocks of infantry.

phalanx phalanx1legion_in_battle_formation

They could be used like tanks to knock holes in the formations.

Pyrhus_elephants2

To most people, the most familiar images, however, would be from Hannibal’s invasion of Italy in 218 BC.

Hannibal-2

And, most famous of all, is his taking of the elephants across the Alps.

lal299613 lal319314

In fact, this did not end well for the elephants. Ancient accounts suggest that out of forty elephants, only one survived.

Crossing the Alps reminded us of Napoleon doing this in 1800. Here’s the heroic version:

Napoleon_at_the_Great_St._Bernard_-_Jacques-Louis_David_-_Google_Cultural_Institute

And this is what really happened (a little like Hannibal’s elephants):

Paul_Delaroche_-_Napoleon_Crossing_the_Alps_-_Google_Art_Project_2

JRRT says of the oliphaunt Sam saw that “…the Mûmak of Harad was indeed a beast of vast bulk, and the like of him does not walk now in Middle-earth” (“Of Herbs and Stewed Rabbit”, LOTR 661).

It’s unclear what he means by this, except perhaps that an oliphaunt was more like a mammoth

Mammoths_Man-1200x756.jpg format=1500w

Even so, we can only contrast an ancient war elephant (reconstructed)

dced00480c58b85786bee4bf212eb30d

with those in the film

01IYPfe

and which reminded us strongly of ATATs from the assault upon Hoth,

atat

and think how disappointed Sam would be in what he would see in our world versus his!

Thanks, as always, for reading!

MTCIDC

CD

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