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Planting

29 Wednesday Apr 2026

Posted by Ollamh in Uncategorized

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Bag End, Eavesdropping, Fantasy, Gardening, Guy Fawkes, lotr, plotting, Sam Gamgee, the Gaffer, The Ivy Bush, The Lord of the Rings, Tolkien

Welcome, as always, dear readers.

Recently, I’ve been thinking about plotting—not as in conspiracies, like Guy Fawkes,

who planned to blow up Parliament and James I with it,

but in the construction of fictional plots.  The worse kind is what I would call examples of “fiat” writing—from the Latin subjunctive “let it be”, as in “fiat lux”—“let there be light”.  In plots like this, things happen because the author wants them to and is too lazy or inept to work the details out in a systematic, believable way.  (As I avoid harsh criticism in this blog, I won’t mention any examples, but I suspect that, if you are a reader of this blog, you know exactly what I mean and can supply your own.)

So let me show you an example of good, if not downright elegant, plotting, instead.

It’s about to be spring here, with things reluctantly beginning to flower and bud and spread, and that makes me think of gardens—which, I hope logically, makes me think of gardeners and that makes me think of the Gamgees, who have been gardeners for the Baggins for at least two generations—

“No one had a more attentive audience than old Ham Gamgee, commonly known as the Gaffer [a dialect form of “grandfather”]. 

(my favorite image—there don’t appear to be many—of the Gaffer, by Denis Gordeev)

He held forth at The Ivy Bush,

(I imagine it—minus the modern road—as looking something like this, which is the White Lion Inn in Bartholmley, Cheshire—about which you can read a little here:  https://en.wikipedia.org/wiki/White_Lion,_Barthomley )

a small inn on the Bywater road; and he spoke with some authority, for he had tended the garden at Bag End for forty years, and had helped old Holman in the same job before that.  Now that he was himself growing old and stiff in the joints, the job was mainly carried on by his youngest son, Sam Gamgee.”  (The Fellowship of the Ring, Book One, Chapter 1, “An Unexpected-party”)

And here the plotting begins, which will end with Sam incorporated into Frodo’s adventure with the Ring—not by “fiat”, but by a careful planting (sorry!) of details.

So, we know that the Gamgees are long-established at Bag End, not only the Gaffer, but his son, Sam.

Now we’re given another detail—and a very important one:

“ ‘But my lad Sam will know more about that.  He’s in and out of Bag End.  Crazy about stories of the old days, he is, and he listens to all of Mr. Bilbo’s tales…

‘Elves and Dragons!’ I says to him.  ‘Cabbages and potatoes are better for me and you.  Don’t go getting mixed up in the business of your betters, and you’ll land in trouble too big for you.’ “

So now we know that Sam already has a taste for adventure, cultivated (sorry), if inadvertently, by Bilbo.

This is further developed in the next chapter—

“[Sam] believed that he had once seen an Elf in the woods, and still hoped to see more one day.  Of all the legends that he had heard in his early years such fragments of tales and half-remembered stories about the Elves as the hobbits knew, had always moved him most deeply.” (The Fellowship of the Ring, Book One, Chapter 2, “The Shadow of the Past”)

And now the scene is set:

“Sam sat silent and said no more.  He had a good deal to think about.  For one thing, there was a lot to do up in the Bag End garden, and he would have a busy day tomorrow, if the weather cleared.  The grass was growing fast.  But Sam had more on his mind than gardening.  After a while he sighed, and got up and went out.

…He walked home under the early stars through Hobbiton and up the Hill, whistling softly and thoughtfully.”

And here we even get the suggestion of a sound effect to come.

But there’s even more scene-setting:

“…It was over nine years since Frodo had seen or heard of [Gandalf]…But that evening, as Sam was walking home and twilight was fading, there came a once familiar tap on the study window.

…Next morning after a late breakfast, the wizard was sitting with Frodo by the open window of the study.

…There was another long silence.  The sound of Sam Gamgee cutting the lawn came in from the garden.”

There is a puzzle here.  Where were the lawn and garden of Bag End?  Here are two images by Tolkien—the first from a distance,

the second close up,

but I can’t make out where those items are supposed to be.  In the first, the road appears to run just below the house, with perhaps lawn and garden on the far side and down the hill?  In the second image, there appears to be a bench (where Bilbo would have sat, smoking and reading his mail when Gandalf turned up in the first chapter of The Hobbit) and, to the right, some garden? 

Let’s put this aside, however, to continue the action.

Gandalf has begun to talk about the Ring, and even closes the shutters and the curtains when he does so, but now the narrative inside and the action outside are about to be linked—as Gandalf begins to describe the search for Gollum—

“A heavy silence fell in the room.  Frodo could hear his heart beating.  Even outside everything seemed still.  No sound of Sam’s shears could be heard.”

Sam is still at work, however, as—

“[Gandalf] went to the window and drew aside the curtains and the shutters.  Sunlight streamed back into the room.  Sam passed along the path outside whistling.”

But is Sam really occupied with grass-cutting?

“Suddenly [Gandalf] stopped as if listening.  Frodo became aware that all was very quiet, inside and outside.  Gandalf crept to one side of the window.  Then with a dart he sprang to the sill, and thrust a long arm out and downwards.  There was a squawk, and up came Sam Gamgee’s curly head hauled by one ear.”

(Robert Chronister—I can find a few paintings by him, but no website or further biographic material than that he was born in 1933.)

Sam tries to defend himself—

“ ‘…I was just trimming the grass-border under the window, if you follow me.’ He picked up his shears and exhibited them as evidence.”

When pressed, however, he confesses that he had been listening:

“…I heard a deal that I didn’t rightly understand, about and enemy, and rings, and Mr. Bilbo, sir, and dragons, and a fiery mountain, and—and Elves, sir.  I listened because I couldn’t help myself, if you know what I mean.  Lor bless me, sir, but I do love tales of that sort…Elves, sir!  I would dearly love to see them.  Couldn’t you take me to see Elves, sir, when you go?”

And here we see how all of this has been patiently laid out:  the Gamgees and the Bagginses, the gardening, Sam and his interest—through Bilbo—in Elves and stories of adventure, Gandalf’s appearance and his narrative, which Sam overhears while gardening—and listening–only to be apprehended in his eavesdropping, with only one detail still needed and now mentioned:

“ ‘Get up, Sam!’ said Gandalf.  ‘I have thought of something better than that.  Something to shut your mouth, and punish you properly for listening.  You shall go away with Mr. Frodo!’ “

After all of the careful plotting, Sam’s reaction is no wonder, then—

“ ‘Me go and see Elves and all!  Hooray!’ he shouted and then burst into tears.” 

Elegant, and yet practical and completely convincing.

Thanks, as always, for reading.

Stay well,

How is your garden doing?

And remember that, as ever, there’s

MTCIDC,

O

PS

While working on this posting, I came across this very interesting and thoughtful piece:  https://thoughtsontolkien.wordpress.com/2024/04/14/gardens-in-the-lord-of-the-rings/

Pub Crawl

17 Wednesday Jul 2019

Posted by Ollamh in Economics in Middle-earth, J.R.R. Tolkien, Literary History

≈ Leave a comment

Tags

CS Lewis, Dorothy Sayers, Eagles, Green Dragon Inn, Hutchinson Family Singers, inn, pub, Smaug, The Eagle and Child, The Green Dragon, The Hobbit, The Inklings, The Ivy Bush, The King's Arms, The Lord of the Rings, The Mitre, The Prancing Pony, The Vulture of the Alps, The White Horse, Tolkien

As ever, dear readers, welcome.

After a very disturbing evening with a group of vengeful and determined dwarves,

image1banddwarves.jpg

Bilbo wakes to a wreck of breakfast dishes and, soon after, the appearance of Gandalf, who prompts him to see that he has a note from Thorin (& Co.).  It makes an appointment for 11am that morning at the Green Dragon Inn, in Bywater.

image2bywatermap.jpg

With Gandalf harrying him, Bilbo barely makes it, but, a moment later, the journey eastward of The Hobbit begins.

It is ironic, of course, that a trip which focuses upon removing a dragon

image3smaug.jpeg

should commence with a place named after one, but, judging by the number of Green Dragon pubs in Britain one might find by googling right now, it may be nothing more than a common name—

image4pubsign.jpg

image5greendragsign.jpg

image6greendrag.jpg

image7greendrag.jpg

although, as Douglas Anderson points out in The Annotated Hobbit, 61, we know that JRRT had been interested in dragons, especially green ones, from childhood, as he wrote to WH Auden:

“I first tried to write a story when I was about seven.  It was about a dragon.  I remember nothing about it except a philological fact.  My mother said nothing about the dragon, but pointed out out one could not say ‘a green great dragon,’ but had to say, ‘a great green dragon.’  I wondered why, and still do.” (Letters, 214, 7 June, 1955)

The countryside east of the Shire and the story itself are empty of pubs (short for “public houses”, originally meaning simply a place open to the general public, but, in time, it came to mean a place licensed by the government to sell alcoholic beverages) after this, but, until we reach Bree, there are a certain number mentioned in The Lord of the Rings.  We meet the first, The Ivy Bush, in The Fellowship of the Ring, Book One, Chapter 1, “An Unexpected Party”, where we see a group of hobbits gossiping about Bilbo and Frodo.  In the next chapter,  “The Shadow of the Past”, The Green Dragon makes its second appearance in Tolkien when Sam Gamgee has a verbal tussle with Ted Sandyman on the subject of things seen and unseen, as well as on the sanity, or lack of it, of Bilbo and Frodo, there.

The Ivy Bush will only appear once more, linked with The Green Dragon, in the succeeding chapter, “Three Is Company”, but we will see The Green Dragon (mentioned by Sam in hopes that The Prancing Pony in Bree will measure up to it in Chapter 8, “Fog on the Barrow-Downs”) close to the end of The Lord of the Rings.  In The Return of the King, Book Six, Chapter 8, “The Scouring of the Shire”, it appears as an emblem of the endless ruin by Sharkey and gang of the old ways of the Shire:  “When they reached The Green Dragon, the last house on the Hobbiton side [of the Water], now lifeless and with broken windows…”

This is in great contrast to The Prancing Pony Sam worried about earlier

image8prancingpony.jpg

as we see it in The Fellowship of the Ring, Book One, Chapter 9, “At the Sign of the Prancing Pony”.  At first, the place seems menacing, especially to Sam, who:

“…stared up at the inn with its three storeys and many windows, and felt his heart sink.”

But then—

“As they [the hobbits] hesitated outside in the gloom, someone began singing a merry song inside, and many cheerful voices joined loudly in the chorus.  They listened to this encouraging sound for a moment and then got off their ponies.  The song ended and there was a burst of laughter and clapping.”

Pubs, and their upscale cousins, inns, would have been vital to people traveling before motels, hotels, and b&bs, as we can see in Book One of The Fellowship, and, for most of the rest of the novel, with the exceptions of Rivendell, Lorien, Edoras, and Minas Tirith, accommodation for the night would have meant a blanket on the ground.  For Tolkien and his friends in the writers’ group called The Inklings,

image9inklings.jpg

they were vital meeting points—not for the reading of new work, which appears to have been done in one member, C.S. Lewis’, rooms at Oxford,

image10csl.jpg

but for socializing and discussion, which was equally important for such a group of intelligent, educated, and highly-creative men.  (No women, alas!  One of our favorite mystery novelists and Dante-translator, Dorothy Sayers, 1893-1957, was friends with several members but, with the short-sightedness of the 1930s-50s, was never invited to join.)

image11dls.jpg

They met during the week not only at the best-known of their watering holes, the Eagle and Child,

image12bird.jpg

but at The Mitre,

image13mitre.jpg

The King’s Arms,

image14kingsarms.JPG

and at The White Horse.

image15whitehorse

The one which caught our eye in particular is the first, which, as we said, is probably the one most closely associated with Tolkien and his friends.  Here’s its sign—

image16bird.jpg

The explanation of the pub’s name is, to us, a bit murky, supposedly coming from an element of the crest of the Stanley family which portrays an infant stolen by an eagle,

image17crest.jpg

but found alive and unharmed.  (Here’s a LINK so that you can judge for yourself.)

For ourselves, the idea of a child stolen by a raptor makes us think of a really awful 19th-century song, “The Vulture of the Alps”, a poem set to music about 1842 by a famous American vocal group of the 1840s-1870s, the Hutchinson Family Singers.  The title pretty much says it all.

image18hutch.jpg

If you’d like to know more, here’s a LINK.

When we think of eagles and Tolkien, however, we remember them as rescuers—of Gandalf, the dwarves, and Bilbo from the goblins and Wargs

image19rescue.jpg

and as providers of air assault in The Hobbit.

image20battle.jpg

And, in The Lord of the Rings, rescuer of Gandalf from Saruman,

image21rescue

 

as allies of the West at the battle at the Morannon,

image22black.jpg

and as saviors of Frodo and Sam on Mt Doom.

image23savior.jpg

And it may be a crazy idea, but it makes us wonder—although Tolkien had abandoned The Hobbit unfinished in the early 1930s, he had picked it up again in 1936, just about the time the Inklings were meeting regularly (the first documented mention of them, apparently, is in a 1936 letter from CS Lewis to the novelist, Charles Williams, inviting him to join—see The Collected Letters of CS Lewis, Vol.2, 183—in a letter to William Luther White 9/11/67, JRRT dates the origins of the Inklings as “probably mid-thirties”—Letters, 387).  Could he have found his inspiration for these heroic birds and their habit of picking people up from the name of his pub?

As ever, thanks for reading.

MTCIDC

CD

ps

If you haven’t read CS Lewis’ wonderful essay, “On Three Ways of Writing for Children”, here’s a LINK.

pps

We have no illustration of Tolkien’s Green Dragon, but here’s a Tudor example from Wymondham in Norfolk which we think would do quite well.

image24green.jpg

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