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Tag Archives: Napoleonic Wars

A Long Stretch

12 Wednesday Jul 2017

Posted by Ollamh in Heroes, J.R.R. Tolkien, Literary History, Military History, Military History of Middle-earth

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Tags

Agincourt, Archery, arrow bag, arrows, Bard the Bowman, Battle of Poitiers, Casula Mellita, Crecy, Edinburgh, English Longbowmen, Esgaroth, Greco-Roman, gunpowder, harpoon, Hundred Years War, Laketown, longbows, Medieval-Renaissance, Napoleonic Wars, Naval Warfare, Pinkie Cleugh, Roman, sailing, Smaug, The Hobbit, The Mary Rose, Tolkien

Welcome, as always, dear readers.

In the past, we had a posting on Bard the bowman

image1jeffchanbard.jpg

who rescued Esgaroth (Laketown)

image2esgaroth.jpg

from the attack by Smaug.

image3smaug.jpg

(We especially like this Jeff Chan Bard not only because Bard is depicted as he is in the book, as an archer, but also because it includes the thrush who tells him where he is to strike.)

In that previous posting, we suggested that JRRT pictured Bard as looking and acting like one of the English longbowmen of the Hundred Years War

image4longbowman.jpg

rather than as a harpooner, as in the film.

image5bard.jpg

image6aharpoongun.jpg

Since that posting, we did a second which included bowmen, just a few weeks ago, about Mogul-knife and arrow wound, and now we would like to add a third.

As we’ve mentioned before, one of us is preparing a new university course to be taught in the autumn on the history of warfare.  As you can imagine, this is a big subject, but, in the process of shaping it, we want to include a week on developments in naval warfare over the centuries.  So far, we’ve divided it into several parts:

a. Greco-Roman

image6agrknavbat.jpg

image6romannavbat.jpg

b. medieval-renaissance

image7sluys.jpg

image8lepanto.jpg

c. the age of sail

image9glorious.jpg

d. ironclads

image10monitor.jpg

e. dreadnoughts

image11tsushima.jpg

While working on the Medieval/Renaissance section, we were reminded of what might be the most famous Renaissance shipwreck:  the sinking of The Mary Rose, 19 July, 1545.

image12mrsinks.jpg

Medieval naval battles had been primarily infantry battles transferred to the sea, as had been Roman practice.  That practice was a story in itself—the traditional Roman explanation was that they were land-fighters and so had invented a device, called a “corvus”–that’s “crow” in English—probably because the point at the enemy’s end was a bit like a pecking beak.  This was a kind of gangplank which, dropped onto the enemy’s ship, stuck in place and allowed Roman marines to rush across and deal with their opposite numbers.

image13corvus.jpg

image14medbat.jpg

Things began to change with the invention of cannon in western Europe.  (The history of gunpowder in the Far East is its own subject—and one we urge those interested to have a look at.  Here’s a LINK to get you started.)  Used first on land perhaps by the 13th century, the first recorded use of cannon on a ship dates from 1338 (and here’s a LINK to naval artillery, in case you want to know more).

With cannon, you could stand off from an enemy ship and—your choice—cripple it by destroying its sails and rigging—or sink it with holes below the waterline.

image15renbat.jpg

Boarding, as the Romans had, was still a possibility, of course, and provided the extra benefit, if the boarding was successful, of allowing for the acquisition of an extra ship.  This could be added to your fleet or sold and the profits shared among the sailors—or, actually, if we go by Napoleonic British standards, the profits went to everybody at the top, including admirals who weren’t even present at the capture, with a teeny amount remaining for the seamen who’d actually taken the prize.

image16renbat1.jpg

To do that boarding, Romans—and medievals—had loaded their ships with soldiers, and the Mary Rose was no exception, its surviving records suggesting that there were about 200 soldiers in a crew of approximately 400-450.

As a number of longbows have been recovered from the wreck,

image17mrlongbows.jpg

this would suggest that many of those soldiers were archers.

These, along with the artillery (and perhaps a small number of arquebuses?  To our current knowledge, none has been recovered from the ship, but, certainly, by 1545, they were in common use—at the battle of Pinkie Cleugh, east of Edinburgh, in 1547, the English army had several hundred German mercenary arquebusiers),

image18grmarq.jpg

would have supplied the missile weapons of the ship.

image19mrbowman.jpg

Not only were large numbers of artifacts discovered in the Mary Rose, but the skeletons of perhaps half its crew and about 90 of those were intact enough to warrant further study.  For our purpose, one, in particular is very interesting.

image20mrarcher.jpg

Discovered in the hold, he was a large man for his time, about 6 feet (about 183cm).  As well as revealing that he would have had a powerful build, his skeleton displayed repetitive stress injuries to his upper body.  There is discussion as to the pull-weight (how much muscle power it takes) of the longbow of the medieval/Renaissance period, estimates ranging from 90 to about 150 pounds (we’re sorry that we can’t readily convert this, as it isn’t pounds of weight, but pounds of force—the general idea is that it would have taken huge muscle power in either case), but, for a bow as tall as a bowman, this would have demanded great muscular strength—which would then have, over time, put huge stress upon an archer’s body.  This has then led archaeologists to suggest that he was a bowman.

And this brings us back to Bard, the actual archer, and a suggestion as to what he might have looked like.

JRRT only says:

“But there was still a company of archers that held their ground among the burning houses.  Their captain was Bard, grim-voiced and grim-faced…Now he shot with a great yew bow, till all his arrows but one were spent.”  (The Hobbit, Chapter 14, “Fire and Water”)

“a great yew bow” makes us think of the English bowmen we’ve mentioned before, and those we believe were in Tolkien’s mind, the victors at the battles of Crecy (1346), Poitiers (1356), and Agincourt (1415).

image21agincourt.jpg

To produce archers who could pull such powerful bows (and fire up to 10 arrows a minute, as we’ve mentioned in a previous posting), English archers began training as boys and continued throughout the years—as athletes of the bow, they had to keep in shape.  Such training and exercise would then have produced men like that discovered on the Mary Rose—big-shouldered, strong-armed—and given to the subsequent damage inflicted on the body by archery wear-and-tear.

So, might we then see Bard as not only “grim-voiced and grim-faced”, but “broad-shouldered and imposing”?  To which we can add this from The Hobbit:

“In the very midst of their talk, a tall figure stepped from the shadows.  He was drenched with water, his black hair hung wet over his face and shoulders, and a fierce light was in his eyes.”  (Chapter 14, “Fire and Water”)

All of which gives us:  “tall, black-haired, fierce, grim-voiced and grim-faced”—and, at our suggestion, “broad-shouldered and imposing”—a worthy portrait of Bard the Dragon-slayer.

Thanks, as ever, for reading!

MTCIDC

CD

PS

It’s not known what our Mary Rose archer was doing in the hold at the time the ship went down, but perhaps he was seeking to transfer extra ammunition to the main deck?  That ammunition would probably have been in the form of coarse linen bags carrying 24 arrows each—here’s a modern reconstruction

image22arrowbag.jpg

and here’s the LINK to the site from which it comes.  This belongs to an amazing woman whose website is full of her life on the edge of the Great Plains, in Kansas, USA—home of Dorothy of the OZ books, of course– as well as her photos of things like the reconstructed bag in the photo above.  Below is a picture of the Kansas tall grass prairie.

image23kansas.jpg

A Pirate’s Life

24 Wednesday Feb 2016

Posted by Ollamh in Artists and Illustrators, Imaginary History, J.R.R. Tolkien, Literary History, Military History, Military History of Middle-earth, Villains

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Tags

Barbary Coast, Captain Blood, Captain Hook, Corsairs, Errol Flynn, Gilbert and Sullivan, Howard Pyle, Jack Sparrow, Jolly Roger, mariners, Napoleonic Wars, Narnia, Peter Jackson, Pirates, Scharb, shipbuilding, Tamora Pierce, The Black Pearl, The Lord of the Rings, Tolkien, Tortall, Treasure Island, Umbar, USS Philadelphia, xebec

“Oh, a pirate’s life is a wonderful life,

A-rovin’ over the sea,

Give me a career as a buccaneer

It’s the life of a pirate for me…”

Wallace/Penner, Peter Pan (1953)

 

Dear readers, welcome, as ever.

Being clever, you can tell immediately where this posting is going to go. Yep, the corsairs of Umbar.

A corsair is another word for pirate. And, when we think “pirate”, first there’s the late-19th-early-20th-century work of Howard Pyle.

Pyle_pirate_handsome.jpg

 

And the silly pirates from Gilbert and Sullivan’s The Pirates of Penzance.

piratesofpenzance.jpg

 

And Long John Silver, from Treasure Island.

longjohnsilver.jpg

 

 

And then there is Captain Hook and the Jolly Roger.

TigerLilyandHook.jpg

 

 

And Errol Flynn in the 1935 movie, Captain Blood.

1023_captblood.jpg

 

And who could forget Jack Sparrow and The Black Pearl?

Captain-Jack-captain-jack-sparrow-14117613-1242-900.jpg

blackpearl.jpg

We think that Tolkien has something rather different in mind, however. Let’s start with a little history.

Umbar’s past in relation to Gondor is summed up by Damrod in “Of Herbs and Stewed Rabbit”:

“ ‘Aye, curse the Southrons!’ said Damrod. ‘Tis said that there were dealing of old between Gondor and the kingdoms of the Harad to the Far South; though there was never friendship. In those days our bounds were away south beyond the mouths of Anduin, and Umbar, the nearest of their realms, acknowledged our sway. But that is long since. ‘Tis many lives of Men since any passed to and fro . Now of late we have learned that the Enemy has been among them, and they are gone over to Him, or back to Him—they were ever ready to his Will—“ (The Two Towers, Book 4, Chapter 4,“Of Herbs and Stewed Rabbit”)

Damrod’s mistrust is confirmed by what Beregond says to Pippin in “Minas Tirith”:

“…There is a great fleet drawing near to the mouths of Anduin, manned by the corsairs of Umbar in the South. They have long ceased to fear the might of Gondor, and they have allied them with the Enemy, and now make a heavy stroke in his cause. For this attack will draw off much of the help that we looked to have from Lebennin and Belfalas, where folk are hardy and numerous.” (The Return of the King, Chapter 1, “Minas Tirith”)

As Damrod has said, Umbar is to the far south.

map-of-gondor-and-neighbors2.jpg

Here is a view of it as imagined by the Czech artist, Scharb.

thecityofumbar.jpg

To us, this resembles cities along the southern Mediterranean coast, especially as seen in old engravings of the Barbary Coast.

Old_algiers_16th_century.jpg

Take, for example, this copperplate of Tunis, from 1778.

tunisengraving.JPG

 

There are all kinds of ships depicted here, from three-masters to a galley, in the center, to a small xebec, to the far right.

The galley seemed once to be the characteristic ship of the pirates of the Barbary Coast, coming from earlier Turkish galleys.

Galley1500ca.jpg

 

What the Czech artist appears to have picked up upon, however, is something from P. Jackson’s third The Lord of the Rings film, in which the xebec

Xebec L80 - 01.jpg_0_1024x769.jpg

 

is the model for the corsairs’ vessels.

corsairMastSails.jpg

 

Jackson’s corsairs look like this (including Jackson himself, mugging to the left).

jacksonandcorsairs.jpg

The crews of actual Barbary ships probably looked more like this:

21c27fb9a0a7cdf4d123d6e12bcbbd83.jpg

This makes perfect sense, as these are North Africans, and very tough people, as European mariners came to know. Their swift, daring ships attacked any vessel which might bring them profit.

barbary-pirate-galleon.jpg

The young United States first paid them tribute to keep them away from US ships.

tribute.jpg

But, as the government somewhere found the money, it began a shipbuilding program to provide the country with its first national navy.

buildingthephiladelphia.jpg

This particular ship was the ill-fated USS Philadelphia, which ran aground and was captured by the pirates.

philly.jpg

captureofthephiladelphia.jpg

It was destroyed, however,

destructionofthephiladelphia.jpg

in a daring raid by Stephen Decatur, seen in this miniature.

stephendecatur.jpg

The United States fought two wars against the Barbary pirates, 1801-5 and 1815, doing a great deal of damage to the pirates.

USS-Enterprise-barbary-war.jpg

Ultimately, however, it was a combination of governments and navies, including the US, the British, and the Dutch, which put a stop to piracy in the southern Mediterranean after the end of the Napoleonic Wars in 1815.

Decatur_Boarding_the_Tripolitan_Gunboat.jpg

So, like Scharb, we took the idea from JRRT that Umbar was in the far south and, influenced by our experience, not only of the Barbary pirates, but of Narnia and the country called Calormen

Baynes-Map_of_Narnia.jpg

and of Tamora Pierce’s “Tortall” with its Carthaki southland,

Tortall_1.gif

we imagined the corsairs to look like this.

barbarypirates.jpg

So, dear readers, what do you think?

Thanks, as always, for reading.

MTCIDC

CD

 

The Man Who Was Killed

30 Wednesday Dec 2015

Posted by Ollamh in J.R.R. Tolkien, Military History, Military History of Middle-earth, Narrative Methods

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Tags

"The Man He Killed", Adventure, British Infantry, British Militia, Crimean War, Damrod, Fantasy, Faramir, Frodo, Haradrim, History, Lamellar, Mablung, Middle-earth, military history, Military recruiters, Napoleonic Wars, Sam Gamgee, Second Boer War, The Dynasts, The Lord of the Rings, The Two Towers, Thomas Hardy, Time's Laughingstocks, Tolkien, Waterloo, WWI

Dear Readers,

Welcome, as always. In this posting, we propose to suggest a connection—one, at the moment, at least, which we can’t prove—between Tolkien and the late-Victorian/Edwardian/Georgian (he was born in 1840 and died in 1928) poet/novelist, Thomas Hardy.

We begin with a quotation from The Two Towers, Chapter 4, “Of Herbs and Stewed Rabbit”. Sam and Frodo have been taken by Faramir’s rangers and, with Damrod and Mablung as their minders, they are about to sit out the ambush staged by Faramir to destroy a column of Haradrim. Unthinkingly, Sam has become an eager spectator, and:

“Then suddenly straight over the rim of their sheltering bank, a man fell, crashing through the slender trees, nearly on top of them. He came to rest in the fern a few feet away, face downward, green arrow-feathers sticking from his neck below a golden collar. His scarlet robes were tattered, his corslet of overlapping brazen plates was rent and hewn, his black plaits of hair braided with gold were drenched with blood. His brown hand still clutched the hilt of a broken sword.”

The Haradrim are from the far south, but, wherever this man was from, he was wearing a type of armor called “lamellar”, from the Latin word, “lamella”, meaning, “a little, thin plate”, it being a diminutive of “lamina”, “a thin piece of something/a plate, leaf”. It’s a kind of protection worn over many centuries in many parts of the world. Basically, it looks like this:

d3934595510aec78efa73aa58041de6c.jpg

It can be made, as the one described, of lamellae of bronze, or of iron, which are sewn to an underlying fabric.

78477F80D31240E0BFBAA3A67A63844D02jpg.jpg

So, perhaps, this dead warrior looked a bit like this:

big_img_20070912155947.jpg

Sam’s curiosity was quickly dampened by the sight—and it makes us wonder if what we are also seeing here is Lieutenant Tolkien’s first glimpse of a dead enemy soldier.

tolkien-xdeadgerman

“It was Sam’s first view of a battle of Men against Men, and he did not like it much. He was glad that he could not see the dead face. He wondered what the man’s name was and where he came from; and if he was really evil of heart, or what lies or threats had led him on the long march from his home; and if he would not really rather have stayed there in peace—“

It was this brief meditation—abruptly interrupted by the appearance of a Mumak—which reminded us of this Thomas Hardy poem, “The Man He Killed”:

“Had he and I but met
            By some old ancient inn,
We should have sat us down to wet
            Right many a nipperkin!

 

            “But ranged as infantry,
            And staring face to face,
I shot at him as he at me,
            And killed him in his place.

 

            “I shot him dead because —
            Because he was my foe,
Just so: my foe of course he was;
            That’s clear enough; although

 

            “He thought he’d ‘list, perhaps,
            Off-hand like — just as I —
Was out of work — had sold his traps —
            No other reason why.

 

            “Yes; quaint and curious war is!
            You shoot a fellow down
You’d treat if met where any bar is,
            Or help to half-a-crown.”

The language—“nipperkin”, “ ‘list”—and the social situation depicted: “was out of work—had sold his traps” (“traps” being slang of the time for “personal possessions”)—would suggest that the speaker is a working man. Such, along with farm boys, were prime material for military recruiters

victorianrecruiters.jpg

in the Victorian world in which this poem was written (1902—published in Hardy’s Time’s Laughingstocks, 1909 ). The speaker is, in his own words, however, from an earlier day. When Hardy wrote the poem, the Second Boer War (1899-1902) was just ending, but it was hardly a war in which soldiers did as the speaker says, “but ranged as infantry,/and staring face to face,/I shot at him as he at me,/and killed him in his place.” The war had begun with British infantry attacking in spread-out lines, but still very visible on the landscape and it had cost them dearly.

Sidney_Paget00.jpg

Their enemy—mostly all militia—that is, part-time soldiers—had dug in from the start.

Colenso,_KwaZulu-Natal_-_Project_Gutenberg_eText_16462.jpg

boer-main.jpg

British losses had taught them to do the same.

boer-II-01.jpg

What the speaker is describing sounds much more like earlier European wars, in which soldiers stood in long lines at a narrowing distance from each other and fired. The last of these, for Britain, had been the Crimean War (1854-56).

download-193789-The-23rd-Regiment-Royal-Welsh-Fusiliers-at-the-Battle-of-the-Alma-on-20th-September,-1854.jpg

Hardy, however, had a strong interest in the Napoleonic wars of the late-18th-early 19th-centuries, had published a massive dramatic piece, The Dynasts (1904-08), set in that period, and had even twice visited the battlefield of Waterloo (1876, 1896). Thus, we imagine that the poem’s speaker is actually describing something like this:

Lejeune_-_Bataille_de_Marengo.jpg

Had Tolkien read the Hardy poem and perhaps have even been inspired by it? Both scenes include a battlefield, a battle death, and a lingering sense of regret—although Sam hadn’t killed the man from Harad, he displays that same sense of “this was just a person, an ordinary person, once” which gives the Hardy poem its power.

As ever, we leave it to you, dear readers—what do you think?

Thanks, as ever, for reading!

MTCIDC

CD

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