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Helm (but not deep)

28 Wednesday Aug 2019

Posted by Ollamh in J.R.R. Tolkien, Military History

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Tags

British, Constantinople, French, Great War, Helmet, Julius Caesar, kepi, Medieval, Neo-Assyrians, pickelhalben, Plevna, Port Arthur, Prussians, Sebastien Le Prestre de Vauban, sieges, Tolkien, uniforms, WWI

Welcome once more, dear readers.

In our last, we talked about Tolkien as a very junior officer in 1916-17.

image1jrrt.jpg

We discussed much of the detail of his kit, including this very important item, first introduced to the British army on the Western Front in 1916.

image2brodie.jpg

The war had begun in 1914, however, and the British soldiers of 1914

image3dubfus.jpg

although they had shed their red coats for anything but parades,

image4redcoats.jpg

having learned in many colonial wars that khaki was more practical on campaign,

image5khaki.jpg

were still, at heart, ready for the kind of open-battlefield fighting which their ancestors had practiced at Waterloo, a century before.

image6waterloo.jpg

Infantry might not fight in long solid lines any longer,

Battle of The Alma

image7mons.jpg

And might even seize upon temporary cover,

image8mons.jpg

but battle would still be a sort of stand-up affair with artillery in support

image9arty.png

and cavalry ready to charge even enemy artillery,

image10cav.jpg

 

just as they had at Balaclava, 60 years before.

image11bala.jpg

 

The British were not alone in imagining modern war as being like this.  Across the Channel, the French were still wearing the same red trousers they had first put on in the 1830s, while discussing attacks made solely with the bayonet.

image12french.jpg

And the Germans, although more sensibly dressed in grey, could still see themselves as pounding across the battlefield like medieval knights, lances lowered.

image13uhlans.jpg

Unfortunately for such dreams, weapons technology in 1914 had far outstripped fashion and tradition, with machine guns having firing rates of as much as 600 rounds per minute

image14maxim.jpg

and increasingly heavy artillery.

image15skoda.jpg

image16bigb.jpg

Soldiers on both sides, therefore, instinctively began to seek more shelter.

image17ditch.jpg

And more shelter.

image18trench.jpg

What happened next was a kind of military retrograde motion:  what was planned as open-field warfare turned into a giant, 500-mile-long siege.

image19map.jpg

There had, of course, been sieges forever.  The ancient Neo-Assyrians were fierce proponents.

image20assyrians.jpg

In 332bc, Alexander the Great, frustrated by the defiance of the city of Tyre, conducted a famous siege across open water to make the Tyrians submit.

image21tyre.gif

Julius Caesar had crushed Celtic power in Gaul in part by besieging their major settlement at Alesia in 52bc.

image22alesia.jpg

During the western Middle Ages, sieges were more common than pitched battles.

image23medsiege.jpg

By the 14th century, however, big siege weapons, like the massive stone-throwing trebuchet,

image24trebuchet.jpg

were fated to be replaced by a new and more effective weapon, the bombard, or cannon.

image25bombard.jpg

And, with the expansion of the use of artillery to pound enemy defenses, siege warfare became that much more deadly—as in the relatively short time (53 days) it took for the guns of Mehmet II to knock holes in the ancient but massive walls of Constantinople in 1453.

image26constant.jpg

Over time, the practice of siege craft became an art, as did that of fortification, and, for western armies, the theoretician was Louis XIV’s military engineer, Sebastien Le Prestre de Vauban (1633-1707).

image27vauban.jpg

Vauban designed fortresses to resist sieges, but he also said that every fortress could be taken in time and proved it by directing methodical attacks upon a number of them.  Step one was to gradually move trenches—and guns—closer and closer to the enemy fortress or town, attempting to make a hole in its walls.  Then, when the hole was judged big enough to provide entry into that town or fortress, infantry would be sent in to try to break through.

image28siege.jpg

Vauban’s method, with its lines of moving trenches and gun emplacements, became the standard and older soldiers in 1914 and those who read military history would have seen that method in the later 19th century, when the Prussians and their allies besieged Paris in late 1870,

image29paris.jpg

or when the Russians laid siege to the Turkish garrison of Plevna in 1877,

image30plevna.jpg

or, more recently, when the Japanese besieged the Russians at Port Arthur in 1904-5.

image31porta.jpg

Thus, there was a long tradition for such things for the armies of western Europe to follow in 1914, but the difference lay in those modern weapons, which made the life of besiegers—and, in this war, both sides were really besieging each other simultaneously—that much more dangerous.  If the basis of that tradition was bombardment followed by a successful infantry assault, then the generals of 1914 would follow that pattern.

image32bomb.jpg

image33assault.jpg

If the enemy used machine guns and heavy artillery to stop the attackers,

image34maxim.jpg

image35arty.jpg

 

it took some time before those generals realized that old-fashioned methods usually produced huge numbers of casualties

image36casualties.jpg

and little success.

Change took time, but one element was to improve soldiers’ chances to survive in the trenches and that meant reviving something from the medieval world, the metal helmet.

image37medhelm.jpg

The French were the first to replace the soldiers’ kepi

image38kepi.jpg

with a metal helmet, in 1915.

image39adrian.jpg

(The kepi picture, by the way, isn’t colorized, but is an actual early color photograph, using what was called “autochrome”.)

The Germans replaced their leather helmets, called pickelhalben,

image40pickelhaube

 

 

with their own version of a steel helmet, in 1916.

image41stahl.jpg

Also, in 1916, the British replaced the service dress cap

image42sd.jpg

with the very piece of kit with which JRRT would have been equipped, and with which we began.

image43helm.jpg

Thanks, as ever, for reading

and

MTCIDC,

CD

Camouflaged

27 Wednesday Mar 2019

Posted by Ollamh in Films and Music, Heroes, J.R.R. Tolkien, Military History, Military History of Middle-earth

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Tags

camouflage, Disney, Douglas Fairbanks Sr., Errol Flynn, Faramir, feldgrau, Great War, Ithilien, jaeger, khaki, Men in Tights, Richard Knoetel, Robin Hood, The Lord of the Rings, Tolkien, trenches, uniforms

As ever, dear readers, welcome.

After standing and reciting his “party piece”, and stewing two rabbits, Sam is about to see his first—and only—oliphaunt.

image1.jpg

Before he does, however:

“Four tall Men stood there.  Two had spears in their hands with broad bright heads.  Two had great bows, almost of their own height, and great quivers of long green-feathered arrows.  All had swords at their sides, and were clad in green and brown of varied hues, as if the better to walk unseen in the glades of Ithilien.  Green gauntlets covered their hands, and their faces were hooded and masked with green, except for their eyes, which were very keen and bright.”  (The Two Towers, Book Four, Chapter 4, “Of Herbs and Stewed Rabbit”)

image2.jpg

The chief of these men soon identifies himself as “Faramir, Captain of Gondor” and the men with him are rangers, a term which first appears in 14th-century English to mean “game keeper”, which seems appropriate for Faramir and his men, as far as their dress is concerned.  One might expect that those who spend their days in the woods would only naturally want to blend in, especially if part of their job is to apprehend poachers—trespassers who illegally hunt game.  Faramir’s and his men’s clothing could also be that of poachers, if we match that description—the green and brown part—with some very familiar figures from another famous story—

image3ncw.jpg

If you read us regularly, you will probably recognize them, especially if we add one of our favorite illustrations.

image4rob.jpg

If you still don’t recognize them, we’ll add a book cover.

image5rh.jpg

This is the 1917 publication of the retelling of the Robin Hood stories, with illustrations by NC Wyeth and it’s clear that his depictions of Robin and his men—just like his illustrations of pirates—have influenced story-tellers and costume-designers long after that initial 1917 publication.  Just look at Douglas Fairbanks Sr.’s 1922 Robin Hood,

cbe9537043957223ed32b027acbd3812

or the 1938 Errol Flynn The Adventures of Robin Hood

 

image7rh.jpg

image8rh.jpg

or even Disney’s 1973 animated Robin Hood

image9rh.jpg

and even the 1993 parody, Robin Hood:  Men in Tights.

image10rh.jpg

Tolkien, we presume, would have known the Wyeth illustrations and perhaps the Errol Flynn, and might have had them in mind when he was describing the basic dress of Robin and his men.  Beyond the basic outfit, however, these men are clearly dressed for more than poaching and apprehending—and it isn’t just the weapons, but also the gloves and the face-coverings.  These men are soldiers and rangers have been soldiers, or the models for them, since at least the 18th century, when certain German states, including Prussia and Hesse Kassel, employed forest rangers as light infantry—men trained as sharpshooters and skirmishers, called jaeger (“hunter” in German).

image11jaeger.jpg

In the 19th century, increasing numbers of ordinary troops of many western nations were given similar training, but the jaeger continued to be allowed special uniforms, usually green.

image12jaeger1910.jpg

This is an illustration by one of the greatest (and one of our favorite) German military/historical artists of the late 19th-early-20th centuries, Richard Knoetel, dated 1910.

When the Great War began in 1914, all the soldiers of many of the countries involved were already moving away from the bright-colored uniforms of past years and dressing more like hunters.  The British put off their parade uniforms

image13homeservice.jpg

and dressed in a mud-color, that color being called “khaki” (originally a Persian word meaning “dust”).

image14khaki.jpg

The Germans, whose parade dress was blue,

image15parade.jpg

dressed in a color called feldgrau (“field grey”).

image16feld.jpg

Only the French began the war still on parade,

image17french.jpg

but even they gradually changed into something which blended in better with the terrain.

image18french.jpg

And blending in was absolutely necessary in a world in which war was being fought not with muskets and cannon, as in Napoleon’s days

image19gun.jpg

but with machine guns which could fire 600 rounds per minute

image20mg.jpg

and guns so big that some had to be transported on railroad trains.

image21rr.jpg

Whenever possible, soldiers dug in, spending their days below ground level, in trenches.

image22trench.jpg

When they had to go above ground level, they wanted to be as inconspicuous as possible.  Here’s what 2nd Lieutenant Tolkien might have looked like in 1916 (notice that, by 1916, British soldiers had put aside caps in the trenches and used helmets which looked positively medieval).

image23jrrt.jpg

image24kettle.jpg

The term for this blending-in was “camouflage”, which entered English from French in 1917 and it was used not only by infantry, but the practice was extended to everything on the battlefield and beyond– to the new tanks

image25tank.jpg

and even to ships, where the goal was to conceal or sometimes simply to confuse the eye.

image26ship.jpg

Some of the most extreme varieties take us back to the rangers of South Ithilien, like this sniper, whose job was to pick off unsuspecting soldiers (officers were a special prize) from complete concealment.

image27sniper.jpg

This makes us wonder what Faramir and his men would have done if they had been armed with magazine rifles,

image28smle.jpg

instead of bows as, after all, they are there for an ambush…

image29faramir.jpg

As always, thanks for reading and

MTCIDC

CD

Legionnaire, But No Disease

28 Wednesday Mar 2018

Posted by Ollamh in Films and Music, Heroes, Military History

≈ Leave a comment

Tags

Africa, Alexandre Dumas, Algeria, Beau Geste, Beau Hunks, Camels, Chasseurs d'Afrique, Film, Flying Deuces, Follow that Camel, French Conquest of Algeria, French Foreign Legion, Garde Suisse, Genoese, Laurel and Hardy, Legions, Louisa de Ramee, military, Ouida, P.C. Wren, Sahara, The Last Remake of Beau Geste, The Three Musketeers, Under Two Flags, uniforms, Zouaves

As always, dear readers, welcome!

Although we do a lot of Tolkien, we set up this blog for adventure in general and, in this posting, we’ve gone to a completely different world—as you’ll see.

When we think of the Sahara, we immediately see:

a. a satellite map, which shows us just how huge it is

image1sahara.jpg

b. and camels—although they aren’t native, they’ve been there a long time, having been introduced from Arabia perhaps about 300Ad

image2camel.jpg

c. and, of course, desert warriors

image3desertwarrior.jpg

d. and, also, of course, their opponents, the French Foreign Legion

image4ffl.jpeg

e. or, with a bit of a trim—and in color—

image5fflcolor.jpg

The Foreign Legion were hardly the first foreigners in the service of France.  Medieval French kings had used Genoese crossbowmen.

image6genoesecrossbowmen.jpg

And the later kings of France had, as part of their household guards, the Garde Suisse.

image7gardesuisse.jpg

The Foreign Legion was raised in 1831 and used, at first, during the French conquest of Algeria.

image8firstuniform.jpg

image9frinvasionalgeria.jpg

As Algeria was exotic, so were the soldiers there, beginning with the dashing Zouaves, originally locals, but gradually mostly French.

image10zouave.jpg

Along with these were the Chasseurs d’Afrique,

image11chass.jpg

who formed the background for what we think is the first North African adventure novel in English, Ouida (Louisa de Ramee)’s Under Two Flags (1867)

image12louisa.jpg

image13book.jpg

which became a film twice, in 1922

image14nineteentwentytwo.jpg

And in 1936.

image15nineteenthirtysix.jpg

Oddly, the Chasseurs d’Afrique of the novel were replaced, in the 1936 film by the Foreign Legion—perhaps because the script writers thought that the Foreign Legion would have been a more familiar unit to their audience?

If so, it may have been because of P.C. Wren’s 1924 novel, Beau Geste,

image16bg1924.jpg

which has appeared a number of times on the screen, initially in silent form in 1926,

image17bg1926.jpg

and again as a “talkie” in 1939

image18bg1939.jpg

and again in full color in 1966.

image19bg1966.jpg

The book—and the film’s—popularity—the story was all about noble sacrifice—and exotic desert adventure—did not escape satire.  As early as 1931, two of our favorite early film comedy stars, Stan Laurel and Oliver Hardy,

image20laurelandhardy.jpg

appeared in their longest short (37 minutes—but it which sounds like a contradiction in terms), Beau Hunks.

image21hunks.jpg

This title is based upon what appears to be a double ethnic slur, Bo- from “Bohemian” + Hunk- from “Hungarian”, so a disparaging reference to a central European—a lower class one, at that.  (It makes us thankful that it appears to have disappeared entirely as a slang term:  in our current world, we don’t need any more ethnic attacks—we have plenty already.)

This was remade in 1939 as Flying Deuces.

image22flying.jpg

This wasn’t the end of such cheerful assaults, however.  In 1967, there was Follow That Camel (from the British comedy series “Carry On…)

image23follow.jpeg

and, appropriately, in 1977, came The Last Remake of Beau Geste.

image24lastremake.jpg

All the same, we still love the old movie, with its last-ditch defense of Fort Zinderneuf,

image25ftz.jpg

where, borrowing from Dumas’ The Three Musketeers,

image26three.jpg

image27dumas.jpg

in desperation, the defenders prop up dead legionnaires to make their numbers appear greater than they are.

How could people with a passion for adventure not find that appealing?

Thanks, as ever, for reading

and, as always,

MTCIDC

CD

 

 

 

 

 

 

 

 

 

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