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Tolkien Among the Indians

21 Wednesday Jan 2026

Posted by Ollamh in Uncategorized

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Dickon Among the Indians, Fantasy, Ghan-buri-Ghan, James Fenimore Cooper, Native Americans, On Fairy-Stories, Orcs, Sam Gamgee, The Last of the Mohicans, The Lord of the Rings, Thte Last of the Mohicans, Tolkien, William Morris, Wose

Welcome, as always, dear readers.

I’ve borrowed the title of this posting from a 1938 book by M.R. Harrington, Dickon Among the Lenape Indians (shortened for a reprint to Dickon Among the Indians),

a very interesting attempt to recreate the lives of Algonkian-speaking Native Americans in New Jersey and eastern Pennsylvania at the beginning of colonization.  (Harrington was fortunate in having local Native Americans to help him in his research.  For more on Harrington, see:  https://en.wikipedia.org/wiki/Mark_Raymond_Harrington , himself a very interesting man.  Please note, by the way, that, although I will use “Indians” occasionally in this piece, when appropriate, I commonly employ the now-standard “Native Americans”.)

The subject of early Native Americans is worth many postings in itself, but where does JRRT fit in? 

Well, when you visualize Tolkien, what do you think of?

The schoolboy?

The 2nd lieutenant?

The serious professor?

The man who loved trees?

Suppose, however, instead of military caps

or the shapeless thing we see on his head in later pictures,

we provide him with something as splendid as this—

(A recreation of a Lakota war headdress)

As a man obsessed (a radical term, perhaps, but really accurate, I would say) with language and languages, Tolkien had set himself a problem, when it came to his approach to The Lord of the Rings.  It was meant to be a translation, and he himself the editor/translator.  Although he would mix in bits of several languages he had invented, the main body of the text would be in English—but English would, in fact, substitute for what he called the “Common Speech”.   And yet, because of his passion for language, he wouldn’t allow for complete uniformity of speech, especially as not everyone in his Middle-earth spoke the Common Speech as their first language.  One possibility would be to approximate the Common Speech with marks for different accents—the speech of the Rohirrim, for instance, as speakers of what was actually a Germanic language (Old English), might be depicted with the effects of English-speaking Germanic speakers in Tolkien’s day.  There was definitely a danger in this, of course—the effect is easily overdone and Tolkien would have been well aware of things like what was—and is—called “stage Irish” with lots of “sure an begorras!  and “top of the mornin’s”, caricaturing, in fact, Anglo-Irish.  As far as I know, JRRT never considered this approach (although we notice that Sam speaks in a different dialect from Frodo—imitated in the Jackson films by having him speak what in the UK is called “Mummershire”, based upon the distinctive sound of West Country English).  Were there other possible models?  And, if so, what might be useful?  Consider the Orcs, for instance.  As Pippin notices, to his surprise, he can understand the Orcs who have captured him and Merry because the first who speaks to him speaks “in the Common Speech, which he made almost as hideous as his own language.”  (The Two Towers, Book Three, Chapter 3, “The Uruk-hai”)  The Orcs, then, although they use the Common Speech with outsiders, have their own distinctive language (actually languages, but use the Common Speech as their lingua franca—for more, see The Lord of the Rings, Appendix F, “Of Other Races”).

What, then, might Tolkien employ as a model for an Orc leader giving a speech, one which would be in the Common Speech, but yet distinctively Orcish—and yet not “stage Orchish”?

And here is where I suggest that Tolkien turned to his childhood reading and his interest in Native Americans—at least those he found in books.

If we go by something which he himself once remarked, perhaps this isn’t so far-fetched a theory as it might appear at first:

“I had very little desire to look for buried treasure or fight pirates, and Treasure Island left me cool.  Red Indians were better:  there were bows and arrows (I had and have wholly unsatisfied desire to shoot well with a bow), and strange languages, and glimpses of an archaic mode of life, and, above all, forests in such stories.”  (On Fairy-Stories in The Monsters and the Critics, 134  For those who might like to see if they remain cool to Treasure Island, see https://archive.org/details/treasureisland00stev/mode/2up  with its beautiful illustrations by N.C. Wyeth—and, if you do open it, be sure to read the epigraph:  “To the Hesitating Purchaser” as a kind of response to JRRT, although Tolkien would have been a toddler when Stevenson died in 1894.)

We know that William Morris (1834-1896)

 was a strong influence on Tolkien’s writing, inspiring medieval elements in JRRT’s work, but there may have been another influence we can detect, which provided a model, using Tolkien’s “strange languages, and glimpses of an archaic mode of life” as a clue—at least for speech:  the work of James Fenimore Cooper (1789-1851), a once-famous author of historical fiction about the 18th-century US, and, probably, the first author to present Native Americans to Tolkien.

So, how does an Orc leader speak?—sometimes collectively in a highly rhetorical fashion :

“We are the fighting Uruk-hai!  We slew the great warrior.  We took the prisoners.  We are the servants of Saruman the Wise, the White Hand:  the Hand that gives us man’s-flesh to eat.  We came out of Isengard and led you here, and we shall lead you back by the way we choose.  I am Ugluk.  I have spoken.”  (The Two Towers, Book Three, Chapter 3, “The Uruk-hai”)

Compare it, then, with this:

“We came from the place where the sun is hid at night, over

great plains where the buffaloes live, until we reached the big

river. There we fought the Alligewi, till the ground was red with

their blood. From the banks of the big river to the shores of the

salt lake, there was none to meet us. The Maquas followed at a

distance. We said the country should be ours from the place

where the water runs up no longer on this stream, to a river

twenty suns’ journey toward the summer. The land we had

taken like warriors, we kept like men. We drove the Maquas

into the woods with the bears. They only tasted salt at

the licks; they drew no fish from the great lake; we threw them

the bones.”

This is Chingachgook, a Mohican (the last, in fact), speaking to another major character, Natty Bumpo, in James Fenimore Cooper’s The Last of the Mohicans, 1826 (Chapter III—you can read the novel—again illustrated by N.C. Wyeth—here:   https://dn720005.ca.archive.org/0/items/lastofmohicansna00coop/lastofmohicansna00coop.pdf  I should add a small warning:  Cooper is a man of his time and therefore racism slips in here and there.  As well, he is not the world’s best prose stylist, but he was once a best-selling author and the first famous US novelist, so worth your time—and his basic story is still, as far as I’m concerned, a good one.  For comic criticism of him, however, see Mark Twain’s “Fenimore Cooper’s Literary Offences”,1895, here:  https://www.gutenberg.org/files/3172/3172-h/3172-h.htm ).

And such a manner of speaking might be adapted to other “strange languages, and glimpses of an archaic mode of life”–

“ ‘Let Ghan-buri-Ghan finish!…More than one road he knows.  He will lead you by road where no pits are, no gorgun walk, only Wild Men and beasts.  Many paths were made when Stonehouse-folk were stronger.  They carved hills as hunters carve beast-flesh.  Wild Men think they ate stone for food.  They went through Druadan to Rimmon with great wains.  They go no longer.  Road is forgotten, but not by Wild Men.  Over hill and behind hill it lies still under grass and tree, there behind Rimmon and down to Din, and back at the end to Horse-men’s road.  Wild Men will show you that road.  Then you will kill gorgun and drive away bad dark with bright iron, and Wild Men can go back to sleep in the wild woods.” (The Return of the King, Book Five, Chapter 5, “The Ride of the Rohirrim”)

(the Hildebrandts)

This is, in fact, the chief of the Woses, an early people of Middle-earth now confined to a forest area not far from Minas Tirith.  His home language (of which JRRT tells us very little) is clearly not the Common Speech and so his address to Theoden and his lieutenants follows that of Ugluk and, in fact, of Chingachgook, suggesting, once more by the use of the model provided long before by James Fenimore Cooper, that Tolkien has earned his own place “among the Indians”.

As ever, thanks for reading.

Stay well,

If someone from many centuries before the time of The Lord of the Rings, the chief Nazgul, speaks in what is meant to be an archaic dialect, what would Sauron, older yet, sound like?

And remember that, as always, there’s

MTCIDC

O

When One Door Closes.4

30 Wednesday Nov 2016

Posted by Ollamh in Imaginary History, J.R.R. Tolkien, Literary History, Maps, Uncategorized

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Alfred Lord Tennyson, Cirith Ungol, doors, Gilbert and Sullivan, Gondor, Grond, Hobbit door, James Fennimore Cooper, Minas Morgul, Minas Tirith, Morannon, Mordor, N.C. Wyeth, Nazgul, Orodruin, Princess Ida, Shelob's Lair, The Last of the Mohicans, The Lord of the Rings, The Princess, The Siege of Gondor, Tolkien

Welcome, as always, dear readers. In this posting, we’ll complete our survey of doors and entryways and what happens at them in The Lord of the Rings.

We began this series a little while ago when we got to thinking about Bilbo’s remark to Frodo that: “It’s a dangerous business, Frodo, going out your door.”

Bilbo had learned this the hard way when Gandalf had come to his door and he had embarked upon an adventure he, originally, had no desire to be part of.

gandalfvisitsbilbo

In three postings, we’ve followed the story through doors and entryways from that moment all the way to the moment when Gandalf blocks the Lord of the Nazgul from entering Minas Tirith through its ruined main gate.

mcbridegandalflordofnazgul.gif

In the process, we have come to see that doors and entryways seem to come in two forms: first, there are doors which lead to safety; second, there are doors which lead to danger. We’ve added other elements, natural entryways, like fords and bridges, and the fact that many of the entryways have challenges and challengers barring the way.

In a moment of cheerful intellectual cruelty, we ended the last posting at that crucial moment in “The Siege of Gondor”, in which Grond, the battering ram of the armies of Mordor, has, with the magical aid of the Lord of the Nazgul, broken down the gate and that Lord is about to enter the city, when he meets Gandalf as the challenger:

“ ‘You cannot enter here,’ said Gandalf, and the huge shadow halted. ‘Go back to the abyss prepared for you! Go back! Fall into the nothingness that awaits you and your Master. Go!’ ”

And, just at that moment, “Great horns of the North wildly blowing. Rohan had come at last.”

rohirrim.jpg

[We wondered, by the way, if that “Great horns of the North wildly blowing” was an accidental or deliberate allusion to a lyric from Alfred Lord Tennyson’s

tennysonyoung.jpg

poetic criticism of the idea of women’s education, The Princess (1847),

prncss.jpg

in which we find the line “The horns of Elfland faintly blowing”—here’s the whole poem:

from The Princess: The Splendour Falls on Castle Walls
By Alfred, Lord Tennyson
The splendour falls on castle walls
                And snowy summits old in story:
         The long light shakes across the lakes,
                And the wild cataract leaps in glory.
Blow, bugle, blow, set the wild echoes flying,
Blow, bugle; answer, echoes, dying, dying, dying.
         O hark, O hear! how thin and clear,
                And thinner, clearer, farther going!
         O sweet and far from cliff and scar
                The horns of Elfland faintly blowing!
Blow, let us hear the purple glens replying:
Blow, bugle; answer, echoes, dying, dying, dying.
         O love, they die in yon rich sky,
                They faint on hill or field or river:
         Our echoes roll from soul to soul,
                And grow for ever and for ever.
Blow, bugle, blow, set the wild echoes flying,
And answer, echoes, answer, dying, dying, dying.

 

This then formed the basis of an 1870 play by W.S. Gilbert, which he converted, with his collaborator, Arthur Sullivan, into an operetta, in 1884.]

 

Gilbert and Sullivan Cartoon.jpg

Princess-Ida-1884.jpg

For the Aragorn and company half of the story, we see the arrival of the army of Gondor and its allies at the Morannon as the last door.

morannon.1.gif

Here, there are, in fact, two challengers/challenges. First,

“When all was ordered, the Captains rode forth towards the Black Gate with a great guard of horsemen and the banner and heralds and trumpeters…They came within cry of the Morannon, and unfurled the banner, and blew upon their trumpets; and the heralds stood out and sent their voices up over the battlement of Mordor.” (The Return of the King, Book 5, Chapter 10, “The Black Gate Opens”)

In return,

“There came a long rolling of great drums like thunder in the mountains, and then a braying of horns that shook the very stones and stunned men’s ears. And thereupon the door of the Black Gate was thrown open with a great clang, and out of it there came an embassy from the Dark Tower.”

In both cases, it goes without saying that this is a door to danger, the difference being that those from Gondor want those within to come out so that, by defeating them (though they have little hope of this), those from Gondor can enter, while those within the gate want to prevent their entry (except, perhaps, as prisoners).

As we turn to the other half of the narrative, we begin at the same gate, where Gollum has brought Frodo and Sam.

alanleemorannon.jpg

Here, there is no easily visible challenger, just the forbidding nature of the gate, but it is still not an entryway to safety, as, on the other side is an inhospitable landscape, populated by Sauron’s vast armies, constantly on the move, as we see in later chapters. As well, from those later chapters, we gain the sense that Frodo doesn’t believe he’s going to return from Mordor anyway.

Seeing no way to enter, Frodo pushes Gollum to lead them south and, with a diversion to Faramir’s base behind a waterfall (which, to us, is reminiscent of a similar hide-out in James Fennimore Cooper’s The Last of the Mohicans (1826)

mohicansfirstedition.jpg

—and how can we resist mentioning that, in 1919, N.C. Wyeth illustrated an edition?)

05_lastofthemohicans_wyeth_glenfalls.jpg

wyethlast.jpg

they arrive at the southern entryway to Mordor, the pass with Minas Morgul at its western end and Cirith Ungol at its eastern.

Morgul2.jpg

WATCHERS.jpg

The challengers of Minas Morgul are the Lord of the Nazgul and a vast army, on their way to attack Minas Tirith, but these are skirted, as Gollum guides the two hobbits around the site and up on a perilous climb—and into Torech Ungol, Shelob’s Lair. Safety? Gollum wants the hobbits to think so. Danger? With Shelob as a challenger, what else?

shelob.jpg

Even as Sam drives Shelob off, however, he loses Frodo, paralyzed and cocooned, and is faced with an inner door closed by the orcs as they withdraw. Climbing over it, he moves forward, cloaked by the ring, to look out towards Orodruin and the Tower of Cirith Ungol.

cirith-ungol2

And, with this, we have finished our survey.

Unless, of course, we consider two more events.

First, there is what happens at Mount Doom, where Gollum is the challenger, and the door, such as it is, leads to safety for Middle-earth, but not for Sam and Frodo.

gollum__s_dance_by_01gus01-d4rmt18.jpg

And, finally, at the edge of the Shire, in “The Scouring of the Shire”, where the returning hobbits meet with the followers of “Sharkey” at the bridge. Those followers, brain-washed by fear of “The Chief” and his “big man” followers, attempt to deny what should be a door to safety to Frodo, Merry, and Pippin, as the three had expected, but which leads, in fact, to conflict and open violence before their return home is safely accomplished.

scouringoftheshire.jpg

With that, we complete the pattern and here is our chart:

 

Entryway Source Challenger Challenged Outcome
Bilbo’s door The Hobbit Bilbo Dwarves Bilbo is tricked into hospitality
Beorn’s house The Hobbit Beorn Gandalf Beorn tricked into hospitality
Goblin cave The Hobbit Goblins Bilbo Escapes by use of the Ring
Mirkwood The Hobbit Elves Dwarves/Bilbo Bilbo rescues dwarves with Ring and barrels
Lonely Mountain (Back door) The Hobbit Smaug Dwarves/Bilbo Understanding the inscription, Dwarves open the door
Lonely Mountain (Front door) The Hobbit Dwarves Men, Elves, Goblins Battle of the Five Armies—eventual settlement
Bilbo’s door The Hobbit Hobbits Bilbo Bilbo’s things are up for auctions—Bilbo gets most things back
Ford of Bruinen The Lord of the Rings Wraiths Frodo/Elves After Frodo’s challenge, elf magic overwhelms wraiths
Moria (west gate) The Lord of the Rings Elves of Hollin Fellowship Gandalf discovers password—the group enters
Lothlorien (western side) The Lord of the Rings Elves Fellowship Challenged by elves, but allowed to enter
Edoras The Lord of the Rings Rohirrim Gandalf et al. Challenged by gate guards, but allowed to enter
Meduseld The Lord of the Rings Hama Gandalf et al. Challenged, but allowed to enter
Helms Deep The Lord of the Rings Aragorn Orcs/Wildings Aragorn warns them of their danger
Isengard The Lord of the Rings Merry/Pippin Gandalf et al. Greeted and offered food, drink, and smoke
Paths of the Dead The Lord of the Rings Oath-breakers Aragorn at al. Allowed to enter, but followed—leave safely
Morannon The Lord of the Rings Sauron King Elessar et al. Sauron’s army appears for battle
Morannon The Lord of the Rings Sauron Frodo/Sam/Gollum No way of entry—the three head south
Minas Morgul The Lord of the Rings Lord of Nazgul Frodo/Sam/Gollum Entry blocked by Lord’s Army
Torech Ungol The Lord of the Rings Shelob Frodo/Sam Gollum escapes, Frodo paralyzed by Shelob
Cirith Ungol The Lord of the Rings Orcs Sam With Ring as aid, Sam enters
Mt. Doom The Lord of the Rings Gollum Frodo Gollum gains Ring, but perishes in fire
Shire bridge The Lord of the Rings Hobbits Frodo et al. Hobbits climb over gate, guards run

 

Because this material becomes increasingly complex, there is always the possibility that, as thorough as we try to be and as inclusive, we’ve missed something. If so, we’d be glad to hear from our readers!

Thanks, as always, for reading!

MTCIDC

CD

 

Last Mohican, First Novelist

07 Wednesday Sep 2016

Posted by Ollamh in Artists and Illustrators, Films and Music, Heroes, Literary History, Military History, Narrative Methods

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Baron Dieskau, British, Carillon, Daguerre, Deerfield, Fenimore Cooper's Literary Offenses, Fort Duquesne, Fort Edward, Fort Niagara, Fort St. Frederic, Fort William Henry, French, French and Indian War, General Webb, James Fenimore Cooper, Lake Champlain, Lake George, Lake Ontario, Lt. Col. Munro, Mark Twain, Marquis de Montcalm, Matthew Brady, N.C. Wyeth, Native Americans, Oswego, St. Frederic, The Last of the Mohicans, Ticonderoga

Welcome, dear readers, as always.

This is our 104th posting, making exactly 2 years of maintaining our blog, Doubtfulsea.com. When we began it, we had visited lots of other blogs, but we had no clear idea of what we wanted for ourselves. Our name came from our first novel, Across the Doubtful Sea, available from Amazon and Kindle, but we planned, from the beginning, to cover much more than the subject matter of our novel (among other things, French and English exploration of the Pacific in the 18th century, as well as Polynesian settlement). In consequence, during our two years, we have had postings on a variety of subjects, mostly about adventure/fantasy, often with an historical element, often with a focus upon the work of one of our favorite fantasy authors, JRR Tolkien.

Now, in this last of our second year, we want to look at a person often viewed as the first important American novelist of the early 19th century, James Fenimore Cooper (1789-1851), and his most famous book, The Last of the Mohicans (1826).James-Fenimore-Cooper

(A footnote: Cooper lived long enough that, the year before his death, he was the subject of an early photograph, using the Daguerre process, by Matthew Brady, 1822-1896, who, in a decade, would become the most famous photographer in the US because of his work documenting the American Civil War, 1861-1865.)

daguerreotypejfc

mathewbrady

DaguerreProcess4

Cooper had a long and very successful career as a novelist, beginning with a social novel, Precaution (1820), but his greatest fame came from his long series based upon US historical subjects and perhaps the most famous of all, that set in the world of the French and Indian War (1754-1763), and the book we want to focus upon,

French_and_indian_war_map_svg

The Last of the Mohicans.

lastofmofirsted

The subtitle, A Narrative of 1757, immediately suggests a specific event of the war, the siege and fall of the British Fort William Henry in August, 1757.

The fort had been built at the head of Lake George as a counterbalance to two French forts, Ticonderoga (called by the French, “Carillon”) and St. Frederic, on Lake Champlain, the lake to the north.

French_and_indian_war_map_svg

All of these forts—and more—were part of the competition between the British and French to control the northeastern part of North America. This struggle had begun in the later 17th century and had long been a proxy war in which colonial settlers and Native Americans had struggled across many miles of wilderness, raiding each other throughout the years. Here is one of the most famous raids, that of Deerfield in 1704.

deerfield1deerfield2deerfield3

In the early 1750s, the French had increased the potential tension by building a new series of forts in what is now western Pennsylvania and eastern Ohio, soon to be countered by British forts.

French_British_Forts_1753_1758

In 1755, as the war heated up, the English planned a three-pronged attack against Ft. Duquesne, Ft. Niagara, and Ft. St. Frederic (called “Crown Point” by the English).

French_and_indian_war_map_svg

duquesne

ftniagaraftstfrederic

The advance against Ft. Duquesne was defeated, that against Niagara never took off, and that on St. Frederic was blocked by a French attack on the English (actually New England colonial) army at the head of Lake George.

1-battle-of-lake-george-1755-granger

This then became the site of Ft. William Henry.

Fort-William-Henry-Museum

Because the European population of New France was so small in contrast to that of the English colonies—about 70,000 versus more than a million—and because the royal government in Paris had little money to spend (or chose to spend) on the colony, the first two French military commanders, the Baron Dieskau (1701-1767) and the Marquis de Montcalm (1712-1759)

montcalm

chose an aggressive strategy, aiming to keep the British as far from the center of New France as possible. Although his men were eventually driven off and he was wounded and captured, Dieskau did halt the expedition against Ft. St. Frederic. The next year, 1756, Montcalm destroyed the English forts at Oswego, on the south shore of Lake Ontario, which could have served as staging areas for attacks east and west.

Lake_Ontario_map

Then, in 1757, he mounted the attack on Ft. William Henry which forms the background story for Cooper’s novel.

To do so, he stripped central New France of its regular troops and militia

Historex Card 862 French Infantry 1750 - 1760

and augmented them with Native Americans, for whom he felt no sympathy.

montcalmnatams

Against such a force, the English commander, Lt. Col. Munro, had a much smaller number of British regulars

brituniformsfiw

and colonial troops, based in the fort itself and in a nearby camp.

Plan_of_Fort_William_Henry_on_Lake_George

In the 18th century, besieging a town or a fort was a very formal endeavor. Forts and towns were constructed to resist attack, often having multiple walls, ditches, and outer forts, the walls being covered in earth to resist the destructive power of an enemy’s artillery.

fortress-cross-section

Before an attack, the attacker was required to send a messenger in, demanding surrender. In some cases, seeing overwhelming forces and having no promise of relief, a garrison surrendered.

surrender of detroit

To attack meant beginning with a series of trenches just outside the artillery range of the defenders, then, through zigzagging,06 Vauban's Siege Technique.pngto approach closer and closer until:

  1. the attacker’s artillery had knocked a big enough hole in the enemy’s walls that they were rapidly becoming defenseless

siege_image6

  1. there was the immediate danger of an assault

redoubt10

In the case of Ft. William Henry, there was only a dry ditch, then exposed timber walls.

Fort-William-Henry-Museum

The French summoned Munro to surrender, he refused, and the French began the siege.

frenchsiegeline

When the French guns had badly damaged the fort and there was no chance of help from General Webb, at Ft. Edward, to the south, Munro surrendered.

surrender of Ft. William Henry

Trouble then began when Montcalm’s Native Americans felt cheated of the plunder which they had expected and, when the paroled column of soldiers began to move southward, it was attacked by them. Montcalm and some of his officers intervened, but they were unable to do more than slow the plundering and killing before some 200 fell. (There has been a great deal of argument as to numbers—it appears, for example, that others had been carried away, either to be ransomed later, adopted into tribes, or ritually murdered, as was the custom among some Native American groups. For the best modern account, see Ian Steele, Betrayals, OUP, 1990.)

01french_lg

Cooper’s novel, an adventure/romance, uses the fort and siege as its center. Main characters move towards the fort, are in it at the time of the surrender, and are involved in the disaster after it. As might seem inevitable by now, our favorite edition is that illustrated by N. C. Wyeth in 1919.

51504

And here is a selection of the illustrations.

0_8f6d0_9b893fc5_orig0_8f6d2_797c6459_orig0_8f6d4_4ef48676_orig

the-last-of-the-mohicans-9781442481305.in02the-last-of-the-mohicans-9781442481305.in03titlepage

There have been numerous films made of the book, the earliest (at least US one) being a silent, dating from 1912. For us, the most colorful was the one which appeared in 1992, with Daniel Day Lewis as “Nathaniel Poe” (a slight change from the books’ Natty Bumpo). This version made many changes to the original story, including a love interest between Poe and one of Munro’s daughters, Cora, but, for us, it also had four rather spectacular scenes: the ambush of a company of redcoats in the forest by Native Americans,

ambushinforest

the French siege of Ft. William Henry,

frenchsiegeline

the British surrender,

surrender of Ft. William Henry

and the final “massacre”.

ambush2

And so we begin our third year of blogging with our next posting. We have, as always, lots of ideas for those postings, which we hope you will enjoy.

Thanks, as always, for reading!

MTCIDC

CD

PS

In 1895, Mark Twain published a comic critique of Cooper’s writing ticks. Entitled, “Fenimore Cooper’s Literary Offenses”, it can be read at http://twain.lib.virginia.edu/projects/rissetto/offense.html.

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