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I Love a Parade

28 Wednesday Feb 2018

Posted by Ollamh in Artists and Illustrators, J.R.R. Tolkien, Military History, Military History of Middle-earth, Terra Australis

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Agincourt, Bayeux Tapestry, Dol Amroth, Forlong, Great Gate, Harold Godwinson, hauberk, Hirluin the Fair, Howard Pyle, huscarls, Imrahil, Langstrand, Lincoln Cathedral, livery, Lossarnach, Medieval, Minas Tirith, Morthond, N.C. Wyeth, Palermo, parade, Ringlo Vale, Robin Hood, spangenhelm, The Lord of the Rings, Tolkien, Tower of Gondor

“I love a parade, the tramping of feet,

I love every beat I hear of a drum.”

–Koehler/Arlen Rhythmania (1931)

 

Welcome, dear readers, as always.  In the past, we’ve spent a posting or two discussing military aspects of The Lord of the Rings, from the look of the Rohirrim to the attack on Minas Tirith.  In this posting, we would like to go back one step from that attack to consider what is a rather melancholy moment in the lead up to that assault.

Pippin and his newfound friend, Bergil, have come down to the Great Gate of Minas Tirith.

image1minastirith.jpg

Here’s the gate from the films.

image2mtgate.png

This immediately reminded us of places like the west door of Lincoln Cathedral.

image3linc.jpg

image4door.jpg

Or the main door of the cathedral of Palermo.

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image6porta.JPG

Because he is now a member of the Guard of the Tower of Gondor, Pippin is allowed to pass through the Gate—and to take Bergil with him out to see and hear the following:

“Beyond the Gate there was a crowd of men along the verge of the road and of the great paved space into which all the ways to Minas Tirith ran.  All eyes were turned southwards, and soon a murmur rose:  ‘There is dust away there!  They are coming!’

Pippin and Bergil edged their way forward to the front of the crowd and waited.  Horns sounded at some distance, and the noise of cheering rolled towards them like a gathering wind.  There was a loud trumpet-blast, and all about them people were shouting.” (The Return of the King, Book Five, Chapter 1, “Minas Tirith”)

What happens then is a kind of parade.

When we see the defenders of Minas Tirith in the films, they are all uniformly clad.

image7gondorians.jpg

 

In our medieval world, this was highly unlikely, the best being that soldiers and servants might wear the colors/crest of the lord they served.  This was called “livery”.  Uniformity in clothing, weapons, and armor would be some time in the future.

image8livery.jpg

What is coming up the road from the south are reinforcements, marching in a long column of units, and those units differ greatly in look.  First are the men of Lossarnach, led by their lord, Forlong:

“Leading the line there came walking a big thick-limbed horse, and on it sat a man of wide shoulders and huge girth, but old and grey-bearded, yet mail-clad and black-helmed and bearing a long heavy spear.  Behind him marched proudly a dusty line of men, well-armed and bearing great battle-axes; grim-faced they were, and shorter and somewhat swarthier than any men Pippin had yet seen in Gondor.”

To us, those axes make the men of Lossarnach sound like the huscarls, the bodyguard of an Anglo-Saxon king, like Harold Godwinson, whom we see depicted on the “Bayeux Tapestry”.

image9huscarl.jpg

image10taphus.gif

Their leader, Forlong, might be similar in appearance, wearing a type of helmet called a spangenhelm,

norman-spangenhelm-2.gif

and protected by an early form of mail shirt called a hauberk.

image12hauberk.jpg

After these, we see more units, but with little description—the men of Ringlo Vale “striding on foot”, so infantry of some sort, five hundred bowmen from Morthond, from the Langstrand, “a long line of men of many sorts, hunters and herdsmen and men of little villages, scantily equipped save for the household of Golasgil their lord”.   After them, “a few grim hillmen without a captain”, and “fisher-folk of the Ethir”, all of which we imagine in their workaday clothes of hunters and shepherds and farmers and sailors, as depicted in medieval English and French manuscripts.

image13medhunter.jpg

image14shepherd.jpg

image15farmer.jpgimage16fishermen.jpg

Next comes a unit which is perhaps wearing livery:  “Hirluin the Fair of the Green Hills from Pinnath Gelin with three hundreds of gallant green-clad men.”  We aren’t told how they’re armed, but that they may be in livery suggests that they may be better armed than some of the earlier contingents.  (In fact, “gallant green-clad men” makes us think of Robin Hood—perhaps more archers?)

image17rhood.jpg

And, finally, folk we’ve discussed before:

“And last and proudest, Imrahil, Prince of Dol Amroth, kinsman of the Lord, with gilded banners bearing his token of the Ship and the Silver Swan, and a company of knights in full harness riding grey horses; and behind them seven hundreds of men at arms, tall as lords, grey-eyed, dark-haired, singing as they came.”

“knight in full harness”, as we talked about in an earlier post, probably meant, to JRRT, something from Howard Pyle or NC Wyeth, like this—

image18knight.JPG

As for those “men at arms”, if they appear to be “tall as lords”, we assume that they’re on foot, which puzzles us a bit.  “Men at arms” usually means “armored soldiers on horseback” in our world—perhaps with less armor than knights, but still cavalry (unless dismounted, to fight on foot, as the French did at Agincourt in 1415, for example).  We see them, then, as looking like those dismounted cavalry, like these—

image19menatarms.jpg

However they are armed and clothed, however, they are thought to be too few by those watching and, considering what Mordor eventually sends against them, they would not have been enough, if the brave Rohirrim and Aragorn’s reinforcement from the south hadn’t arrived in time.  What would have happened if they hadn’t?  A subject for very grim fan-fiction!

Thanks, as ever, for reading!

MTCIDC

CD

Circuses (But No Bread)

25 Wednesday Jan 2017

Posted by Ollamh in Theatre and Performance

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Tags

A.J. Bailey, American Civil War, Amphitheatre, Barnum & Bailey, Ben Hur, bread and circuses, Charles Dickens, Circus, Circus Maximus, Claude Debussy, closing, clowns, Colosseum, Elephants, equestrian, gladiators, Hard Times, Jimbo's Lullaby, John Bill Ricketts, Jumbo, Juvenal, London Zoo, macadamized roadways, Museum, P.T. Barnum, panem et circenses, parade, Philip Astley, racing, railways, Ringling Bros, Rome, tents, travel, Valley Pike

Welcome, dear readers, as ever, to our latest posting.

We’re taking a slight detour from our usual work on adventure and fantasy because we’ve just read something on the BBC website. It was announced there (as on other news websites) that the famous Ringling Brothers/Barnum and Bailey Circus will close for good in May of this year.

rbbbdurbar.jpg

If you are clownophobic (and it seems that many people are), this may be a relief to you.

evil_clown_horror_fantasy_dark_abstract_hd-wallpaper-687546.jpg

If you love elephants (we do), you may be glad to see them freed from their slavery to humans (here—but not yet so in the rest of the world, perhaps).

2circuselephants1936.jpg

If you, like us, love popular entertainments and their traditions, you may feel more ambivalent—or even ambivalent about feeling ambivalent—as we do.

After all, the word “circus” brings back a very ancient past—Rome and the Circus Maximus: the center for the Roman passion for chariot racing.

Imperial Rome: Circus Maximus (pen & ink and pencil on paper)

6circusmaxtoday.jpg

If you know the 1959 movie Ben Hur, you’ll know the amazing chariot race scene (set in Antioch, rather than Rome), which gives you an idea why this was the favorite Roman competitive spectator sport.

6achariotrace.jpg

It’s also the basis of the remark by the Roman satirist, Juvenal (c.100AD), that the formerly independent people of Rome had gradually given up their rights and now anxiously awaited only two things: panem et circenses, “bread and circuses”, meaning a free grain dole and free public entertainment.

It’s a bit of climb from there to modern circuses, of course. There were animal shows in Roman arenas (places used for blood-sport spectacles, mostly), like the Colosseum in Rome.

7colosseumexterior

8gladiators

(You’ll notice, by the way that we’ll show gladiators, but not beast-fights.)

But, afterwards, with the exception of private menageries kept by monarchs and nobles over the centuries, there was nothing like the modern circus until 1768, in London, where an ex-cavalry sergeant, named Philip Astley,

9pastley.jpg

gave a demonstration of equestrian skill which soon brought him both fame and fortune. A competitor came up with the name “circus”, but it was Astley and his “Amphitheatre” who started it off.

10astleysamphi.jpg

And also inspired Charles Dickens (1812-1870)

11dickens.jpg

to portray a comic (and not so comic) traveling version in his 1854 novel, Hard Times.

12firstedhardtimes.jpg

The first American circus, founded by the English equestrian, John Bill Ricketts, appeared in 1792, in Philadelphia.

13rickettsposter.jpg

14rickettstheatre.jpg

By the early 19th century, these had become traveling tent shows, which brought a little something exotic to rural communities in the US before the Civil War.

15tent.jpg

But then enter P.T. Barnum (1810-1891).

15ptbarnum.jpg

(He’s the taller one on the left.)

Beginning in the 1830s, Barnum had a very long career in show business, including all sorts of hoaxes, a number of them displayed at his famous New York City museum—

16barnummuseum.jpg

After two disastrous fires, Barnum moved on, in 1870 founding his own circus, with a typically bombastic name: “P.T. Barnum’s Grand Traveling Museum, Menagerie, Caravan & Hippodrome”.

17barnumposter.jpg

Never one to stand still, Bailey was an early user of the railways to move his circus.

18acircustrain.jpg

In a world made up almost entirely of dirt roads for wheeled traffic, this was a very good idea. The most advanced roads were “macadamized”—meaning that they had layers of crushed stone, like the Valley Pike in the Shenandoah Valley of Virginia.

18valleypike.jpg

Otherwise, travel on anything other than a dry day could look like this—

19wagoninmud.jpg

In 1881, Barnum took on a partner, A.J. Bailey—

20barnumandbailey.jpg

and, in 1882, he bought, from the London Zoo, an elephant, Jumbo.

21jumbo1882.jpg

From Jumbo, we get “jumbo-sized” and, of course, Claude Debussy’s (1862-1918),

22debussy.jpg

“Jimbo’s Lullabye”, from his “Children’s Corner Suite”.

23jimboslullabye.gif

Meanwhile, the Ringling Brothers, of Baraboo, Wisconsin (now home of an impressive circus museum), put their own show on the road.

23ringlingbros.jpeg

Early in the 20th century, the Ringlings bought Barnum and Bailey and, after a short time running two separate circuses, they joined them to become Ringling Brothers, Barnum and Bailey, which is now about to fold its tents forever.

24aposter.jpeg

We have never been big circus-goers, but one of our grandmothers used to tell the most haunting story. When she was a little girl, she sat on the front porch of her house and watched the circus—probably in fact Ringling Brothers, Barnum and Bailey—all its wagons pulled entirely by horses—parade down her street and, when she told the story, she returned to that porch and took us with her. So, as a small tribute to an old tradition, we close with a few images of those circus parades of the now far past.

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24flotoscircusparade.png

25bandbparade.jpg

27toycircus.jpg

Thanks, as always, for reading.

MTCIDC

CD

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