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A Moon disfigured

17 Wednesday Dec 2025

Posted by Ollamh in Uncategorized

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Tags

Elizabeth I, herald, Heraldry, livery, Middle-earth, Minas Ithil, Minas Morgul, Orcs, puzzle, Sam, Saruman, Sauron, Sir Roger de Trumpington, The Great War, The Lord of the Rings, Tolkien, uniforms

As always, dear readers, welcome.  And perhaps welcome to a little Tolkien puzzle.

On parade, soldiers of the early 20th century could be peacocks for finery.

But then they met the new technological reality of heavy machine guns

and increasingly heavy artillery

and, in time, even the danger of being spotted from the air,

so soldiers not only dug in,

but modified their uniforms, making themselves less visible.

(Gerry Embleton)

After the war, most armies, except for special guard units,

 never went back to being peacocks, abandoning a bright tradition which went back to the 17th century.

(Richard Hook)

Even in the 17th century, soldiers not wearing the same-colored clothing might distinguish themselves from their enemies by what would be called “field signs”, like wearing a strip of cloth on one arm, or sticking a particular piece of a plant or even a scrap of paper in your hatband.

(Henri IV, 1553-1610, king of France, was famous for the white plume he always wore in his hat.)

Before this, soldiers might wear the distinctive colors of their commanders (usually noblemen), called “livery”—

(Angus McBride)

Here we can see that Sir Edward Stanley has given this archer clothing in his colors of green and mustard-yellow, while the Earl of Surrey provided his soldiers with his colors of green and white.  You’ll also notice that the archer has some distinctive badges on the front of his coat—an eagle’s claw and crowns.  These are personal indicators of Sir Edward, heraldic markers to indicate to whom the archer belonged.

In the days before distinctive military dress, heraldry—the use of emblems to mark out one knight, and perhaps his followers, from another—had been developed to a high level.  When everyone was covered in metal,

such emblems were a way to identify a knight—and if he had issued similar emblems to his soldiers, a way to identify the troops he had brought and commanded at a battle.

As emblems developed, there also developed a person with a specialized skill to identify them—a herald.

He himself, as you can see, wore distinctive clothing, which also helped him in his other role as messenger between military opponents—he was considered as a neutral and could therefore pass freely.  (For more on heralds, see “Herald-ry in Middle-Earth”, 30 March, 2016 here:  https://doubtfulsea.com//?s=herald&search=Go )

Tolkien himself belonged to the age of drab—

(Here’s what that uniform would have looked like in color—although this is a much higher level officer—looks to be a major—JRRT was commissioned as a second lieutenant and eventually promoted to first lieutenant )

but was well aware of earlier flashiness and we can see it in his description of the guards at Denethor’s gate—even though he sees their outfits as a throwback, just like British soldiers ever returning to bright red uniforms—except for the monarch’s guards:

“The Guards of the gate were robed in black, and their helmets were of strange shape, high-crowned, with long cheek-guards close-fitting to the face, and above the cheek-guards were set the white wings of sea-birds; but the helms gleamed with a flame of silver, for they were indeed wrought of mithril, heirlooms from the glory of old days.  Upon the black surcoats were embroidered in white a tree blossoming like snow beneath a silver crown and many-pointed stars.  This was the livery of the heirs of Elendil, and none wore it now in all Gondor, save the Guards of the Citadel before the Court of the Fountain where the White Tree had grown.”  (The Return of the King, Book Five, Chapter 1, “Minas Tirith”)

(from the Jackson films—as you can see, the helmet fits the description, but the surcoat has disappeared and, instead, the Tree, stars, and crown have been shifted to the breastplate, removing the dramatic contrast between the black cloth and white embroidered emblems which JRRT intended)

As well, although the orcs wear no livery—no uniforms or even part-colored clothing—they do have badges—the white hand of Saruman

(perhaps suggesting that he has his hand over everything?  I think of the “Armada Portrait” of Queen Elizabeth the First here—just look at the quiet statement in her hand)

and the red eye of Sauron,

(Angus McBride—perhaps implying that, like Big Brother, Sauron has his eye on you?)

but then there’s a new one, only mentioned once, which provided the title for this posting and the puzzle—

“Two liveries Sam noticed, one marked by the Red Eye, the other by a Moon disfigured with a ghastly face of death…” (The Return of the King, Book Six, Chapter 1, “The Tower of Cirith Ungol”)

What is JRRT up to here?  Minas Morgul,  the “Tower of Black Sorcery”, the center of this gateway into Mordor,

(Ted Nasmith)

had been built as Minas Ithil, “the Tower of the Moon” and it’s clear that those having that badge must come specifically from that place, and a mockery of its previous Gondorian name, which is interesting because the rest of Sauron’s forces appear to wear only the Red Eye.  Yet, if we can trust an orc, we may have the sense that Sauron doesn’t appreciate deviation, as Grishnakh asks rhetorically of Ugluk:

“They might ask where his strange ideas came from.  Did they come from Saruman, perhaps?  Who does he think he is, setting up on his own with his filthy white badges?  They might agree with me, with Grishnakh their trusted messenger; and I Grishnakh say this:  Saruman is a fool, and a dirty treacherous fool.  But the Great Eye is on him.”  (The Two Towers, Book Three, Chapter 3, “The Uruk-hai”)

So what’s going on here?  Certainly there’s rivalry between Saruman’s orcs and Sauron’s, but just how deep does orc rivalry go?  When Sam arrives at the Tower of Cirith Ungol, he finds it a battleground and, climbing into the tower itself he hears two orcs arguing, Shagrat, the captain of the Tower, and Snaga, one of his men.  Snaga says:

“You won’t be a captain long when They hear about all these goings-on.  I’ve fought for the Tower against those stinking Morgul-rats, but a nice mess you two precious captains have made of things, fighting over the swag.” (The Return of the King, Book Six, Chapter 1, “The Tower of Cirith Ungol”)

So, seeing that emblem on a shield, with “a Moon disfigured with a ghastly face of death”, just whose face is that?  And whose death?

As ever, thanks for reading.

Stay well,

If you were to come up with your own livery, what would it be?—sometimes knights made visual puns—like Sir Roger de Trumpington—

Think about that, pencil in hand, and remember that there’s always

MTCIDC

O

PS

For more on livery, see:  https://en.wikipedia.org/wiki/Livery

There has been some wonderfully imaginative work done on heraldry in Tolkien.  Here’s a link to get you started:  https://en.wikipedia.org/wiki/Heraldry_of_Middle-earth   

Herald-ry in Middle Earth

30 Wednesday Mar 2016

Posted by Ollamh in Fairy Tales and Myths, Imaginary History, J.R.R. Tolkien, Literary History, Military History, Military History of Middle-earth, Narrative Methods

≈ 2 Comments

Tags

Achilles, armour, Battle of Bannockburn, Eurybates, flailing and winnowing, Heraldry, Heralds, Hermes, kerykeion, Lakedaimonia, lambda, Medieval, Mouth of Sauron, Robert de Septvans, Robert the Bruce, Roger de Trumpington, Sir Henry de Bohun, Spartans, tabard, Talthybius, The Black Gate, The Illiad, The Lord of the Rings, Tolkien, White Tree of Gondor

Welcome, as always, dear readers.

There is a moment in the film of The Return of the King which has always puzzled us. The Lieutenant of the Tower of Barad-dur has appeared outside the Morannon with taunts and with what appears to be disconcerting news about Frodo.

mouth-of-sauron-1.jpg

In response, Aragorn kills him. Even if you had never seen a movie with knights in it so that you would know that this was a herald or messenger of some sort and that there are rules about such people, there are modern parallels—flags of truce, even the silent protection offered to diplomats—to make you think that this was hardly proper behavior for a king.

If we look at this scene in the chapter entitled “The Black Gate Opens”, we see that this is another of those disturbing—and seemingly arbitrary—changes made by the script writers, showing once more their disregard—or lack of proper understanding—of the author and his wishes.

“Aragorn said naught in answer, but he took the other’s eye and held it, and for a moment they strove thus; but soon, though Aragorn did not stir nor move hand to weapon, the other quailed and gave back as if menaced with a blow. ‘I am a herald and ambassador, and may not be assailed!’ he cried.”

There is a parallel in this, when we are told that Aragorn has used the Palantir and wrestled with Sauron.

“ ‘It was a bitter struggle, and the weariness is slow to pass. I spoke no word to him, and in the end I wrenched the Stone to my own will…Now in the very hour of his great designs the heir of Isildur and the Sword are revealed; for I showed the blade re-forged to him. He is not so mighty yet that he is above fear; nay, doubt ever gnaws him.’ ” (The Return of the King, Book 5, chapter 2, “The Passing of the Grey Company”)

(This is misportrayed in the extended version of the film. For some reason, in return for being shown Anduril, Sauron shows Aragorn a lifeless—perhaps just napping? “she looks like she’s only sleeping!”—Arwen—which, as is so often the case with the clumsy script writers, completely misses the real point of the scene in the book.)

In both of these scenes, what the author clearly meant to show was that Aragorn’s power, now that he has chosen to reveal it, comes from within and is so great that it needs neither words nor violence to assert itself—more signs that he is the true returning king.

Thus, harming a herald, in fact, shows him as the very opposite: not only violent, but, instead of restoring and preserving—his proper task as king—he violates custom.

We note, by the way, that, in the book, he looks to be following custom. Under the direction of Gandalf, the army which marches to challenge Sauron formally declares its ownership of Ithilien with trumpet blasts

Black Trumpeterearly16thc.jpg

and its own heralds.

What is a herald, anyway? The Mouth of Sauron claims to be one and even claims immunity because of it—why?

In fact, heralds, in the western world, have an ancient lineage, first appearing in literature in The Iliad, where they act both as messengers

flaxman_Briseis_achil.jpg

and as referees.

hector-and-ajax-fighting.jpg

You’ll notice, in the first of these two pictures, that the two heralds, Talthybius and Eurybates, have the badge of a herald: a special curved wand, called a kerykeion. Hermes carries one, to indicate that he is the patron god of heralds (and therefore their protector).

0408b5884a2ff2a3c2ad0b51ffde7a13.jpg

At some point in their early history, the convention appeared that heralds were considered, in their role as messengers, to be somehow neutral and therefore were not to be harmed. (It’s not clear, however, during their first appearance, in Iliad 1, that this was so then—or at least when dealing with Achilles–but perhaps that’s just Achilles, who is not necessarily always the most balanced individual.)

Heralds in the western medieval world continued with these functions, but added another.

We have a little evidence that some ancient Greek warriors and states may have used specific designs as badges. Spartan shields, for example, sometimes carried a lambda—a tentlike shape which stands for the sound of L in English and was short for “Lakedaimonia”, which is where Sparta was located.

spartanshield.png

A much more elaborate system of designs gradually developed during the Middle Ages, in part because of the increasingly-elaborate armor, which, from a long shirt of chain mail, came to cover the whole knight, making him, potentially unidentifiable.

normanhorseman.jpg

late12thcknight.jpgEnglish_Knight_13thc.jpg

So, both to make himself distinguishable on the battlefield and probably because it was macho, and therefore sexy, a knight would devise a distinctive design for his shield, possibly his clothing, and maybe even his horse, as well.

Knight14thcmid.png

This could be pretty spectacular—just look at Robert the Bruce, king of Scotland in the early 14th century.

heraldic-robert-the-bruce.jpg

[A footnote here– at the site of the Battle of Bannockburn, there is a famous equestrian statue of the Bruce in which the head and facial features have been reconstructed from the Bruce’s actual skull.

bruce-9.jpg

images.jpg

Just before this same battle, the Bruce had shown his knightly skills by splitting, with his battle axe, the helmet and head of the English knight, Sir Henry de Bohun.]

robert-de-bruce-kills-bohun-l.jpg

Sometimes these designs could include puns on their owners’ names. Here’s Roger de Trumpington, with trumpets.

sirrogerdetrumpington.jpg

And Robert de Septvans (Septvans = “seven (winnowing) fans”).

sirrbtde7.jpg

The fan here looks actually like a basket, but was used for helping the wind to carry off the outer husk of the grain ear, a process called winnowing. (To the left is the previous process, flailing, where the beard of grain is being broken off the stalk before it is winnowed.)

threshingwinnowing.jpg

As the number and complexity of patterns on armor developed, it appears that specialists took over the job of identifying them and keeping track of them, the heralds. And, from their name, we get our general name for the designs used on armor and clothing, heraldry. Because they worked in the world of heraldry, they decorated themselves, as well, and, in England, still do.

Heralds-at-the-Garter-Service-Julian-Calder-1024x681.jpg

Thus, we can imagine that, when Aragorn, Gandalf, and their companions reached the crossroads in Ithilien,

crossroads.jpg

after the trumpets sounded, heralds wearing a special coat, called a tabard,

Pursuivant_tabard.jpg

which would have been embroidered with the tree and seven stars,

Flag_of_the_Reunited_Kingdom_of_Arnor_and_Gondor.png

would have stepped forward and reclaimed the land for the king. Specially marked, they would have been very visible, and as the lieutenant of the tower tells us, protected by custom from harm. So why is Aragorn, the one man capable of returning order to Middle Earth, scripted to kill one? What do you think?

Thanks, as ever, for reading!

MTCIDC

CD

ps

And now you know what the White Rabbit is wearing and is supposed to be doing in Alice

De_Alice's_Abenteuer_im_Wunderland_Carroll_pic_37.jpg

 

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