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Dayless Dawn

08 Wednesday Aug 2018

Posted by Ollamh in Artists and Illustrators, Heroes, J.R.R. Tolkien, Military History, Military History of Middle-earth

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Battle of the Somme, British Expeditionary Force, chemical warfare, Fritz Haber, Gas warfare, Great War, John Singer Sargent, maxim gun, mustard gas, tear gas, The Lord of the Rings, The Siege of Gondor, Tolkien, trench warfare, trenches, Vale of Anduin, WWI, Young Indiana Jones

Welcome, as always, dear readers.

In this, the last year of the centennial of the Great War, we are often reminded not only of that conflict, but also that Second Lieutenant J R R Tolkien took part in it.

image1jrrt.jpg

By the time he had reached the Front, in July, 1916, the latest round of blood-letting, the infamous Somme, was already in progress.

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“Blood-letting” is an understatement:  on the first day of the battle, 1 July, 1916, there had been nearly 60,000 British casualties and attacks would continue till November.  The problems faced were mainly those of 1914.  The well-equipped, well-trained professional soldier of the British Expeditionary Force

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met the Maxim Gun

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and took heavy casualties.  These casualties were multiplied by the number and range of German artillery.

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To defend themselves against these modern weapons, soldiers went to ground as soon as they could.

image7frenchembankment.jpg

Digging in moved from a simple scrape of the earth into 500 miles (from Switzerland to the North Sea) of often very elaborate earthworks.

image8trench.jpgimage9system.jpeg

Equip these with machine guns

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and spread acres of barbed wire in front

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and you can think that you’re safe from attack.

image12trapped.jpg

So, the problem then was:  how to break through?  And this is where the German chemical industry

image13factory.jpg

and its brilliant chemist, Fritz Haber,

image14haber.jpg

(who will share the Nobel Prize for chemistry in 1918) came in.

Haber, famous for creating artificial fertilizer—his positive side—was also a captain in the Kaiser’s army (hence the uniform in our illustration), intensely convinced that Germany was justified in waging war on Europe, and began to develop a reply to elaborate fortifications:  poison gases—Haber’s dark side.

Nearly twenty years before, in 1900, many of the world’s nations, including Germany, had signed an agreement at the Hague that, among other things, they wouldn’t employ such a weapon, but, clearly, the temptation was too great, and not only for Germany.  After the first major attack, 22 April, 1915, in which the Germans had killed or driven a large number of French troops from their trenches, the British and French began their own development programs.

Over time, the gases varied as experiments showed scientists and military men what worked and what didn’t.  There were simple tear gases, which incapacitated soldiers by blinding them with their own tears and disturbed their breathing, to much deadlier blister agents—but here’s a chart to lay out the effects.

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Delivery systems varied.  Gas might be released from canisters, allowing the prevailing wind to carry it to the enemy.

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The difficulty here was the variability of winds—should the direction change, the releasers of gas might—and sometimes did—find themselves the victims.

Gas packed into artillery shells was more dependable.

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Shells were marked to identify which gas was inside, as in this illustration.

In time, the British developed a method of projecting gas bombs in large numbers with what were called “Livens projectors”.

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This simple mechanism could be used in banks to blanket the enemy line with poisonous air.

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Initially, there had been no defense against this weapon, but, in time, both sides developed gas masks.

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And, of course, something had to be done for the hundreds of thousands of horses both depended upon.

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Here’s how the later, more efficient ones worked.

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They might have prevented suffocation, but they were uncomfortable and, worse, the lenses soon fogged over, making it difficult to see the enemy in their masks advancing through the clouds of gas.

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In the television series about young Indiana Jones of some years ago, there was a very graphic depiction of this—and here’s a LINK so that you can see for yourself.  (We very much recommend this series, by the way.  On the whole, it has many episodes which not only fill in Indie’s past, but are good adventure stories in themselves.)

We can imagine, then, what might have been going on in JRRT’s mind when he wrote:

“It was dark and dim all day.  From the sunless dawn until evening the heavy shadow had deepened, and all hearts in the City were oppressed.  Far above a great cloud streamed slowly westward from the Black Land, devouring light, borne upon a wind of war; but below the air was still and breathless, as if all the Vale of Anduin waited for the onset of a ruinous storm.”  (The Return of the King, Book Five, Chapter 4, “The Siege of Gondor”)

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Were those orcs approaching, or the Kaiser’s infantry?

image26gas.jpg

Thanks, as ever, for reading.

MTCIDC

CD

ps

The horrific effects of chemical warfare have, to us, never been more powerfully depicted than in John Singer Sargent’s (1856-1925)  Gassed (1919), based upon Sargent’s visit to the Western Front in July, 1918.

image27gassed.jpg

pps

But, you know us—if we can add a little something more, we always will and, in this case, we want to end not with just this image, horrible and moving as it is, but with something from another of Sargent’s works.  Along with being a society painter, he was one of the greatest American watercolorists and has left us a collection of beautiful, atmospheric works from Europe, the US, and the Caribbean.  We want to end, then, with these very different clouds–

image28sargent.jpg

When One Door Closes.4

30 Wednesday Nov 2016

Posted by Ollamh in Imaginary History, J.R.R. Tolkien, Literary History, Maps, Uncategorized

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Alfred Lord Tennyson, Cirith Ungol, doors, Gilbert and Sullivan, Gondor, Grond, Hobbit door, James Fennimore Cooper, Minas Morgul, Minas Tirith, Morannon, Mordor, N.C. Wyeth, Nazgul, Orodruin, Princess Ida, Shelob's Lair, The Last of the Mohicans, The Lord of the Rings, The Princess, The Siege of Gondor, Tolkien

Welcome, as always, dear readers. In this posting, we’ll complete our survey of doors and entryways and what happens at them in The Lord of the Rings.

We began this series a little while ago when we got to thinking about Bilbo’s remark to Frodo that: “It’s a dangerous business, Frodo, going out your door.”

Bilbo had learned this the hard way when Gandalf had come to his door and he had embarked upon an adventure he, originally, had no desire to be part of.

gandalfvisitsbilbo

In three postings, we’ve followed the story through doors and entryways from that moment all the way to the moment when Gandalf blocks the Lord of the Nazgul from entering Minas Tirith through its ruined main gate.

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In the process, we have come to see that doors and entryways seem to come in two forms: first, there are doors which lead to safety; second, there are doors which lead to danger. We’ve added other elements, natural entryways, like fords and bridges, and the fact that many of the entryways have challenges and challengers barring the way.

In a moment of cheerful intellectual cruelty, we ended the last posting at that crucial moment in “The Siege of Gondor”, in which Grond, the battering ram of the armies of Mordor, has, with the magical aid of the Lord of the Nazgul, broken down the gate and that Lord is about to enter the city, when he meets Gandalf as the challenger:

“ ‘You cannot enter here,’ said Gandalf, and the huge shadow halted. ‘Go back to the abyss prepared for you! Go back! Fall into the nothingness that awaits you and your Master. Go!’ ”

And, just at that moment, “Great horns of the North wildly blowing. Rohan had come at last.”

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[We wondered, by the way, if that “Great horns of the North wildly blowing” was an accidental or deliberate allusion to a lyric from Alfred Lord Tennyson’s

tennysonyoung.jpg

poetic criticism of the idea of women’s education, The Princess (1847),

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in which we find the line “The horns of Elfland faintly blowing”—here’s the whole poem:

from The Princess: The Splendour Falls on Castle Walls
By Alfred, Lord Tennyson
The splendour falls on castle walls
                And snowy summits old in story:
         The long light shakes across the lakes,
                And the wild cataract leaps in glory.
Blow, bugle, blow, set the wild echoes flying,
Blow, bugle; answer, echoes, dying, dying, dying.
         O hark, O hear! how thin and clear,
                And thinner, clearer, farther going!
         O sweet and far from cliff and scar
                The horns of Elfland faintly blowing!
Blow, let us hear the purple glens replying:
Blow, bugle; answer, echoes, dying, dying, dying.
         O love, they die in yon rich sky,
                They faint on hill or field or river:
         Our echoes roll from soul to soul,
                And grow for ever and for ever.
Blow, bugle, blow, set the wild echoes flying,
And answer, echoes, answer, dying, dying, dying.

 

This then formed the basis of an 1870 play by W.S. Gilbert, which he converted, with his collaborator, Arthur Sullivan, into an operetta, in 1884.]

 

Gilbert and Sullivan Cartoon.jpg

Princess-Ida-1884.jpg

For the Aragorn and company half of the story, we see the arrival of the army of Gondor and its allies at the Morannon as the last door.

morannon.1.gif

Here, there are, in fact, two challengers/challenges. First,

“When all was ordered, the Captains rode forth towards the Black Gate with a great guard of horsemen and the banner and heralds and trumpeters…They came within cry of the Morannon, and unfurled the banner, and blew upon their trumpets; and the heralds stood out and sent their voices up over the battlement of Mordor.” (The Return of the King, Book 5, Chapter 10, “The Black Gate Opens”)

In return,

“There came a long rolling of great drums like thunder in the mountains, and then a braying of horns that shook the very stones and stunned men’s ears. And thereupon the door of the Black Gate was thrown open with a great clang, and out of it there came an embassy from the Dark Tower.”

In both cases, it goes without saying that this is a door to danger, the difference being that those from Gondor want those within to come out so that, by defeating them (though they have little hope of this), those from Gondor can enter, while those within the gate want to prevent their entry (except, perhaps, as prisoners).

As we turn to the other half of the narrative, we begin at the same gate, where Gollum has brought Frodo and Sam.

alanleemorannon.jpg

Here, there is no easily visible challenger, just the forbidding nature of the gate, but it is still not an entryway to safety, as, on the other side is an inhospitable landscape, populated by Sauron’s vast armies, constantly on the move, as we see in later chapters. As well, from those later chapters, we gain the sense that Frodo doesn’t believe he’s going to return from Mordor anyway.

Seeing no way to enter, Frodo pushes Gollum to lead them south and, with a diversion to Faramir’s base behind a waterfall (which, to us, is reminiscent of a similar hide-out in James Fennimore Cooper’s The Last of the Mohicans (1826)

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—and how can we resist mentioning that, in 1919, N.C. Wyeth illustrated an edition?)

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they arrive at the southern entryway to Mordor, the pass with Minas Morgul at its western end and Cirith Ungol at its eastern.

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The challengers of Minas Morgul are the Lord of the Nazgul and a vast army, on their way to attack Minas Tirith, but these are skirted, as Gollum guides the two hobbits around the site and up on a perilous climb—and into Torech Ungol, Shelob’s Lair. Safety? Gollum wants the hobbits to think so. Danger? With Shelob as a challenger, what else?

shelob.jpg

Even as Sam drives Shelob off, however, he loses Frodo, paralyzed and cocooned, and is faced with an inner door closed by the orcs as they withdraw. Climbing over it, he moves forward, cloaked by the ring, to look out towards Orodruin and the Tower of Cirith Ungol.

cirith-ungol2

And, with this, we have finished our survey.

Unless, of course, we consider two more events.

First, there is what happens at Mount Doom, where Gollum is the challenger, and the door, such as it is, leads to safety for Middle-earth, but not for Sam and Frodo.

gollum__s_dance_by_01gus01-d4rmt18.jpg

And, finally, at the edge of the Shire, in “The Scouring of the Shire”, where the returning hobbits meet with the followers of “Sharkey” at the bridge. Those followers, brain-washed by fear of “The Chief” and his “big man” followers, attempt to deny what should be a door to safety to Frodo, Merry, and Pippin, as the three had expected, but which leads, in fact, to conflict and open violence before their return home is safely accomplished.

scouringoftheshire.jpg

With that, we complete the pattern and here is our chart:

 

Entryway Source Challenger Challenged Outcome
Bilbo’s door The Hobbit Bilbo Dwarves Bilbo is tricked into hospitality
Beorn’s house The Hobbit Beorn Gandalf Beorn tricked into hospitality
Goblin cave The Hobbit Goblins Bilbo Escapes by use of the Ring
Mirkwood The Hobbit Elves Dwarves/Bilbo Bilbo rescues dwarves with Ring and barrels
Lonely Mountain (Back door) The Hobbit Smaug Dwarves/Bilbo Understanding the inscription, Dwarves open the door
Lonely Mountain (Front door) The Hobbit Dwarves Men, Elves, Goblins Battle of the Five Armies—eventual settlement
Bilbo’s door The Hobbit Hobbits Bilbo Bilbo’s things are up for auctions—Bilbo gets most things back
Ford of Bruinen The Lord of the Rings Wraiths Frodo/Elves After Frodo’s challenge, elf magic overwhelms wraiths
Moria (west gate) The Lord of the Rings Elves of Hollin Fellowship Gandalf discovers password—the group enters
Lothlorien (western side) The Lord of the Rings Elves Fellowship Challenged by elves, but allowed to enter
Edoras The Lord of the Rings Rohirrim Gandalf et al. Challenged by gate guards, but allowed to enter
Meduseld The Lord of the Rings Hama Gandalf et al. Challenged, but allowed to enter
Helms Deep The Lord of the Rings Aragorn Orcs/Wildings Aragorn warns them of their danger
Isengard The Lord of the Rings Merry/Pippin Gandalf et al. Greeted and offered food, drink, and smoke
Paths of the Dead The Lord of the Rings Oath-breakers Aragorn at al. Allowed to enter, but followed—leave safely
Morannon The Lord of the Rings Sauron King Elessar et al. Sauron’s army appears for battle
Morannon The Lord of the Rings Sauron Frodo/Sam/Gollum No way of entry—the three head south
Minas Morgul The Lord of the Rings Lord of Nazgul Frodo/Sam/Gollum Entry blocked by Lord’s Army
Torech Ungol The Lord of the Rings Shelob Frodo/Sam Gollum escapes, Frodo paralyzed by Shelob
Cirith Ungol The Lord of the Rings Orcs Sam With Ring as aid, Sam enters
Mt. Doom The Lord of the Rings Gollum Frodo Gollum gains Ring, but perishes in fire
Shire bridge The Lord of the Rings Hobbits Frodo et al. Hobbits climb over gate, guards run

 

Because this material becomes increasingly complex, there is always the possibility that, as thorough as we try to be and as inclusive, we’ve missed something. If so, we’d be glad to hear from our readers!

Thanks, as always, for reading!

MTCIDC

CD

 

Rear Guard

18 Wednesday May 2016

Posted by Ollamh in Films and Music, J.R.R. Tolkien, Literary History, Maps, Military History, Military History of Middle-earth, Narrative Methods

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66th Regiment, British Infantry, Denethor, Faramir, Gary Zaboly, Le Cateau, Maiwand, Nazgul, Osgiliath, Pelennor, Peter Jackson, Rammas Echor, Richard Caton Woodville, the Alamo, The Lord of the Rings, The Return of the King, The Siege of Gondor, Tolkien

Welcome, dear readers, as always.

In a previous posting, we rolled our eyes verbally at a moment in P. Jackson’s The Return of the King in which Faramir, according to the script, was required to mount a double-rank cavalry charge against the west bank of Osgiliath.

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To us, this was a clumsy attempt to convey the clash between Faramir and his father Denethor, derived from material in The Lord of the Rings, Book 5, Chapter IV, “The Siege of Gondor”, principally from this:

“ ‘Much must be risked in war,’ said Denethor. ‘Cair Andros is manned, and no more can be sent so far. But I will not yield the River and the Pelennor unfought—not if there is a captain here who has still the courage to do his lord’s will.’

Then all were silent. But at length Faramir said: ‘I do not oppose your will, sire. Since you are robbed of Boromir, I will go and do what I can in his stead—if you command it.’

‘I do so,’ said Denethor.

‘Then farewell!’ said Faramir. ‘But if I should return, think better of me!’

‘That depends on the manner of your return,’ said Denethor.

Gandalf it was that last spoke to Faramir ere he rode east. ‘Do you throw your life away rashly or in bitterness,’ he said. ‘You will be needed here, for other things than war. Your father loves you, Faramir, and will remember it ere the end. Farewell!’ “

In the text, Faramir then goes to Osgiliath, having “taken with him such strength of men as were willing to go or could be spared.” The tone here is hardly encouraging and, the following day, “The passage of Anduin was won by the Enemy. Faramir was retreating to the wall of the Pelennor, rallying his men to the Causeway Forts; but he was ten times outnumbered.”

In an earlier posting, we have discussed the Rammas Echor, the wall which enclosed the farmland outside the walls of Minas Tirith.

causeway.gif

We have also discussed the use by both Saruman and Sauron of what appears to be an early form of explosive—seen here in the following description of the fall of the Rammas:

“The bells of day had scarcely rung out again, a mockery in the unlightened dark, when far away he [Pippin] saw fires spring up, across in the dim spaces where the walls of the Pelennor stood. ..Now ever and anon there was a red flash, and slowly through the heavy air dull rumbles could be heard.

‘They have taken the wall!’ men cried. ‘They are blasting breeches in it. They are coming!’ “

Outnumbered and, with the fall of the wall in different locations, outflanked, the best that Faramir can do is to fall back towards Minas Tirith, as Gandalf says, “Yet he is resolved to stay with the rearguard, lest the retreat over the Pelennor become a rout. He may, perhaps, hold his men together long enough, but I doubt it.”

Unlike the silly—there’s really no other word for it—charge of P. Jackson—Faramir is a professional soldier, after all, much loved by his soldiers—we see what JRRT, having been a soldier himself, would have known was the military solution: a fighting retreat, led by a brave and capable leader.

His task had been an impossible one to begin with and, properly understood and depicted on the screen, would not only have been powerful dramatically, but much more believable. It was an impossible task, however, against the odds of ten to one. (For a comparison, we offer the siege and fall of the Alamo, late February-early March, 1836. The garrison numbered about 180, the besiegers eventually approximately 3000. In the final assault, before dawn on 6 March, 1836, the four assaulting columns had about 1200 men, offering odds of roughly 6 to 1 and the entire garrison died, along with somewhere between 400 and 600 of the attackers.)

ALAMO_FORTRESS.jpg

(This is the work of the amazing Gary Zaboly– as an historical illustrator, he can’t be recommended highly enough. Much of his work concerns the 18th century, especially the 1740s and 50s, but he also has done some wonderful depictions of warfare in the American southwest in the 1830s and 40s.)

There are lots of examples of fighting retreats and we’ve picked two: a failure (Maiwand, Second Afghan War, 1880) and Le Cateau (The Great War, 1914).

At Maiwand, 27 July, 1880, a British-Indian brigade of 3 infantry units plus two cavalry units and a battery (6 guns) of horse artillery, anywhere from 1500 to 2000 soldiers, faced perhaps 12,000 Afghans with 6 batteries of guns.

Action_at_Maiwand_map.jpg

Basically, the British were outflanked and their left-hand units began to buckle under the pressure of the attacks and the number of attackers which they had to face. As they gave way, the right hand end of the line began to move backwards, feeling increasingly in danger of being surrounded, just as Faramir’s men must have.

As the infantry retreated, the artillerymen used their guns to buy time for a general withdrawal, ending by losing a section (2 guns) to the enemy. There’s a famous painting of the withdrawal of the remaining guns by the late-Victorian artist, Richard Caton Woodville.

woodvillesavingtheguns.jpg

At the end of the withdrawal from the battle, a small group of British soldiers of the 66th Regiment took shelter inside an enclosure in a nearby village and fought it out to the end.

66thfootmaiwand.jpg

maiwand-66th.jpeg

Gandalf’s worry had been that Faramir couldn’t hold his men together and you can see here what happens when organized units come apart—they are defeated piecemeal, “in detail” is the military expression.

In contrast to this, we offer an action from Tolkien’s own time, the battle at Le Cateau, fought on 26 August, 1914. The British Expeditionary Force, facing superior numbers and in danger of being outflanked, particularly to the west, was engaged in a long retreat. Miraculously, unit cohesion was mostly maintained, although communications were often poor, causing confusion and, in one case, even in losing a unit, never notified of withdrawal.

The British Army was divided into two larger groupings, First and Second Corps, and it was Second Corps which turned to face its pursuers. During a long morning, the British, in hastily-dug trenches, fended off superior numbers of German infantry.

1st-east-lancs-regiment-s.jpg

LeCateauMAP1.jpg

Having lost heavily, but having given the enemy similar punishment, the British slowed German pursuit and were able to withdraw without being as closely pursued as they had been.

The difference here is in exactly what Gandalf was worried about. At Maiwand, the brigade fell apart and could easily be swept away by the enemy. At Le Cateau, although it was hardly a perfect affair, the British kept enough cohesion not only to withstand and defeat heavy attacks, but then to retreat in units, without ever collapsing into a fleeing mob.

What happens in that struggle in the fields behind the Rammas Echor is, in fact, a mixture of the two retreats described above. We see “Small bands of weary and often wounded men…some were running wildly as if pursued.” Then, “…less than a mile from the City, a more ordered mass of men came into view, marching not running, still holding together.” And then “Out of the gloom behind a small company of horsemen galloped, all that was left of the rearguard.”

So, it looks like Faramir had succeeded in maintaining that sense of order and purpose which is vital for a fighting retreat. It was not to last, however, as a mass of enemy horsemen on the causeway behind, as well as several Nazgul from above, threw all into confusion—which was stemmed, in turn, by the arrival of a rescue party, led by the Prince of Dol Amroth and accompanied by Gandalf arrived to drive back the attackers.

gandalf_to_the_rescue___speed_paint4_by_myworld1-d7wjv97.png

In that flurry, Faramir is struck by an arrow and has to be rescued and brought into the City, badly wounded.

Looking back, it is a very different scene from that preposterous cavalry charge, isn’t it? As our readers are probably also experienced watchers of the films, we wonder: which do you prefer, Jackson/writers or the author?

Thanks, as always, for reading.

MTCIDC

CD

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