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27 Wednesday Nov 2024

Posted by Ollamh in Uncategorized

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Bayeux Tapestry, chain mail, mithril

Dear readers, welcome, as ever.

Although that title has been used formerly elsewhere,

this posting isn’t about a romcom, but, instead, comes from a comment by Tolkien in a letter to Rhona Beare:

“The Rohirrim were not ‘medieval’ in our sense.  The styles of the Bayeux Tapestry (made in England) fit them well enough, if one remembers that the kind of tennis-nets [the] soldiers seem to have on are only a clumsy conventional sign for chain-mail of small rings.”  (Letter to Rhona Beare, 14 October, 1958, Letters, 401.)

“Tennis-nets”?

Let’s start off with the Bayeux Tapestry.

In fact, it’s not a tapestry at all.  Here’s a tapestry—

(3rd quarter 15th-century tapestry from “Pays-Bas meridionnaux”—“southern lowlands”—that is, the Netherlands, modern Belgium, and even northernmost France at the time this tapestry was made)

Tapestries are woven on looms. 

The Bayeux Tapestry is actually a 230-foot long by 20 inch high (70.1m. by 50.8cm) embroidery, in which a piece of cloth has a design plotted on the cloth and the design then stitched on—like this—

Whether it was made in England, as Tolkien very confidently asserts, or in Normandy is a question over which scholars tussle, but the subject is definitely Norman, as it depicts the conquest of southern Anglo-Saxon England by the Normans in 1066, including a little propaganda suggesting that the Anglo-Saxon king, Harold Godwinson, had violated a sacred oath in not handing the throne over to William, the Duke of Normandy, but, instead, taking it for himself (Harold is the one on the right, with the droopy mustache, William on the left, on the throne).

Those “tennis-nets”, which do, in fact, look a little like tennis nets,

are, as JRRT says, chain mail, which, in this image, both Anglo-Saxons (on foot on the left) and Norman (mounted, on the right) are wearing.  For a modern reconstruction—

(by Gerry Embleton, one of my favorite contemporary English military artists)

Seen up close, the mail can look like tiny fragments of chain, linked together—

Before there was plate armor of the kind you might see in a museum or in some films with medieval themes,

there were other methods to protect the body, including various kinds of lamellar (scale) armor—little overlapping plates sewn onto a backing—

and even overlapping metal strips strung together (the Roman lorica segmentata)—

the ancient Celts, who were wonderful metal-workers, had devised chain-mail

(Angus McBride)

which the Romans, ever on the lookout for better military technology, then adopted.

(Angus Mcbride again—and I really like the little sketch on the lower left-hand corner, giving you just a hint of how the artist worked).

Even when plate began to appear, mail was still used under certain sections of it, to allow for flexibility,

and foot soldiers might continue to wear it, as full plate was expensive.

(another Gerry Embleton)

What JRRT is imagining is that the Rohirrim would, basically, look like 11th-century Normans.

(one more Gerry Embleton)

And this is what we’re to visualize when it comes to that “mithril shirt” which, once upon a time, Thorin had given to Bilbo—

“ ‘Mr. Baggins!’ he cried.  ‘Here is the first payment of your reward!  Cast off your old coat and put on this!’

With that he put on Bilbo a small coat of mail, wrought for some young elf-prince long ago.  It was of silver-steel, which the elves call mithril…” (The Hobbit, Chapter 13, “Not At Home”)

(Alan Lee)

And, when an orc attacks Frodo in the Chamber of Records in Moria,

(Angus McBride again)

It’s no wonder that Frodo, to his friends’ surprise says, “ ‘I am all right…I can walk.  Put me down!”

since he is wearing that mithril coat passed on to him by Bilbo in Rivendell, although, when Gandalf mentions mithril and Bilbo’s coat in particular—

“ ‘I wonder what has become of it?  Gathering dust still in Michel Delving Mathom-house, I suppose.’”

And Gimli adds,

“ ‘What?…A corselet of Moria-silver?  That was a kingly gift!’ “

And Gandalf replies,

“ ‘Yes…I never told him, but its worth was greater than the value of the whole Shire and everything in it.’”

 it’s Frodo who is surprised—

“…he felt staggered to think that he had been walking about with the price of the Shire under his jacket.” (The Fellowship of the Ring, Book Two, Chapter 4, “A Journey in the Dark”)

Should you want to own a chain mail shirt of your own,

you can find one on line, but it’s not mithril, of course, nor made for a young elf-prince, but, at $87.00 (US), you can acquire one for far less than the price of the Shire.  Perhaps for Christmas?

Thanks, as ever, for reading.

Stay well,

Happy Thanksgiving, if you’re in a place where people celebrate it as a formal holiday, although I hope that they’re thankful all year round,

And remember that, as always, there’s

MTCIDC

O

Baruk Khazad!

12 Wednesday Dec 2018

Posted by Ollamh in Artists and Illustrators, J.R.R. Tolkien, Military History, Military History of Middle-earth

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Adze, Alan Lee, Axe, Bayeux Tapestry, Bilbo, Dane Axe, Dwarves, francisca, Gimli, Harold Godwinson, Helm's Deep, Huscarl, mithril, Skylitzis, The Hobbit, The Lord of the Rings, Thorin, Tolkien, Varangian Guard

As always, dear readers, welcome.

Ever since we saw the original Lord of the Rings films, we’ve been thinking about Gimli and his major weapon.

image1gimli.jpg

In The Hobbit, it would appear that the dwarves had not been armed until they used what was in the Lonely Mountain after Smaug had gone:

“Now the dwarves took down mail and weapons from the walls, and armed themselves.  Royal indeed did Thorin look, clad in a coat of gold-plated rings, with a silver-hafted axe in a belt crusted with scarlet stones.” (The Hobbit, Chapter 13, “Not at Home”)

This is where the mithril coat which eventually protects Frodo in Moria and turns up in the hands of the Mouth of Sauron comes from, when Thorin gives it to Bilbo.

image2mithril.jpg

Not long after we first meet Gimli, at the Council of Elrond, however, we see Gimli already kitted out for war:

“Gimli the dwarf alone wore openly a short shirt of steel rings, for dwarves make light of burdens; and in his belt was a broad-bladed axe.” (The Fellowship of the Ring, Book Two, Chapter 3, “The Ring Goes South”)

Certainly, the axe in Gimli’s right hand in the photo wouldn’t fit through a belt and allow for comfort or freedom of movement and we note that, in that same photo, Gimli appears to have another—but that looks too long for comfort, as well.

image3gimli.jpg

That the two axes fit in with the general persona of dwarves, however, seems to be true—after all, the translation of our title for this post is “Axes of the dwarves!”  (to be followed by Khazad ai-menu!  “the dwarves are upon you!”), which is the dwarves’ rallying cry.  What kind (or kinds) of axes these are doesn’t seem so clear, then.  Alan Lee, for example, shows us a dwarf with something which isn’t really an axe at all, but looks more like an adze, which is a tool used in woodworking to smooth and shape wood.

image4dwarf.jpg

the Broad Axe vs. the Adze - Handmade Houses... with Noah ...

 

 

Because JRRT describes Gimli’s axe as being tuckable, we wondered whether he was thinking of the kind of throwing axe, a francisca, used by Frankish warriors (and which gave them their name).

image6francisca.jpg

image7frank.jpg

When we actually see Gimli in battle, however, he isn’t throwing, but swinging his axe.  At Helm’s deep he says to Legolas, “Give me a row of orc-necks and room to swing and all weariness will fall from me!”  And then he swings that axe:  “An axe swung and swept back.  Two Orcs fell headless.” (The Two Towers, Book Three, Chapter 7, “Helm’s Deep”)

This leads us to ask if perhaps JRRT himself wasn’t clear about Gimli’s weapon.  He never throws it, using it always as a chopper, and, when we thinking of axes with a haft—that is, handle–long enough to do that, we don’t think of that odd item in the image above—which doesn’t look substantial enough to cut through cervical vertebrae—

image8gimli.jpg

but rather of the long-hafted axe, or “Dane axe”  perhaps carried by the giant Viking who defended Stamford Bridge single-handedly against the Anglo-Saxons on 25 September, 1066,

image9stam.jpg

image10stam.jpg

with its razor-sharp blade.

image11axe.jpg

This was the kind of axe that we see carried by the huscarl, the bodyguards, of the English king, Harold Godwinson, in the depiction of the Battle of Hastings, 14 October, 1066, on the so-called Bayeux Tapestry.

image12bay.jpg

image13bay.jpg

One of which Harold may himself been carrying when he was killed, if the caption on the cloth is referring to Harold being cut down by the mounted Norman in this part of the tapestry.

image14harold.jpg

These same axes also appear to turn up as part of the armament of the Varangian Guard, the bodyguard of a number of Byzantine emperors from the 10th to 14th centuries, as depicted in the 11th-century  Skylitzis Chronicle.

image15varang.jpg

Much of this guard was made up of Norsemen and Anglo-Saxons, so the pattern of axe, we imagine, was something which both groups brought with them from their original homes.

image16varang.jpg

This is clearly the sort of thing to whack off heads, even two at a time, and so, if we can quietly detach it from Gimli’s belt and have him stand, perhaps even leaning on it, we have the Gimli who competes with Legolas at Helm’s Deep in the number of orcs each has dispatched.

image17vik.jpg

Thanks, as ever, for reading.

MTCIDC

CD

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